Craig Ibarra - A Wailing Of A Town - "An Oral History Of Early San Pedro Punk And More 1977 - 1985"

Publisher: END FWY Press; Year: 2015; Format: Book

First and foremost I'd like to point out that this book is almost hot off the press, and was published not all that long ago, and therefore I am excited to not already having finished reading it, but also reviewing it after having purchased it a couple of months ago on my quick visit to Southern California. When it comes to the punk history of Los Angeles then much of it has been covered extensively by having covered the Hollywood scene with the bands and scenesters associated with the more glamorous side of punk rock made in L.A. This book here concentrates on the South Bay of Los Angeles, and in particular the seaport town of San Pedro. Trust me, I too had to look up where exactly San Pedro is located in the Los Angeles area. When I first heard about this book, I already liked it, and I tell you why. I too was once a young kid discovering punk rock and hardcore, and I was also living in a suburb albeit thousands of miles away from San Pedro. Still, I can truly associate with the scene, and its people as the stories to be found in this book resemble in so many ways my personal story. This book does not talk about people sporting punk fashion, frequenting famous punk clubs or taking in an immense amount of drugs. Instead this book concentrates on real DIY ethos, and how a few people were able to create an open minded community that helped each other with putting on gigs, doing flyers, recording and distributing records, and so on. I have to admit that I don't own a single record by the Minutemen - whom hailed from San Pedro - but after having read this book I will need to change that. Sure, many pages in this book do deal with the history of the Minutemen and in particular the sadly deceased D. Boon but they also cover the very beginnings of punk rock in San Pedro with the Reactionaries, as well as later acts such as Saccharine Trust, Hari-Kari, Mood of Defiance and others. This book also covers crazy stories involving a certain Jimmy Smack, a talented local dancer who was tremendously helpful with putting on punk gigs, many accounts involving Black Flag and SST Records and their help getting the San Pedro scene off the ground, venues that opened their doors to punk rock, and the eventual arrival of big bands such as the Dead Kennedys making it to San Pedro and putting the town on the punk rock map. Craig has done a fabulous job by covering every little detail of this town's rich history of punk rock and beyond, and can only be congratulated for his efforts. One can only hope that more books of this kind will start to spring up, and people in different parts of this country and far beyond will start writing about their own punk rock adventures beyond the lights of hip inner cities. This is a true must read!

Germs - Cat's Clause Ten Inch

Label: Munster Records; Year: 1993; Format: Vinyl 10"

I intend on spending much more time talking about Paul Beahm, aka Darby Crash, when reviewing the book about his person, and the Germs. Tonight it honestly also dawned on me why I have bought this 10" in the first place all these years back because quite frankly it could not have been for the quality of the recordings to be found on this piece of wax. The prime reason of this purchase was an elaborate 20 page booklet with plenty of nice photos, flyers, anecdotes and a brief history of the Germs. Back in the early '90s in the pre internet days this was something quite special, and far more appreciated than these days. As for the packaging of this record, I love it. As for the sound quality of the live recordings on this record, I just cannot be equally enthusiastic. Side 1 was recorded at the Starwood in Hollywood and the sound quality is somewhat decent and listenable while the three songs on Side 2 taken from a gig at the Hong Kong Cafe are just pure noise. The highlights are "Circle One" and "Strange Note" which were both taken from rehearsals at the Canterbury house where many early LA punk rockers lived. By no means is this a must have, but if you're a die hard Germs fan then you'll want this, and if you're not than having read this blog entry will suffice.

Blanks 77 - Up The System Ten Inch

Label: Quality of Life Inc.; Year: 1993; Format: Vinyl 10"

I don't know how you feel about the '90s when it comes to underground music but I remember it being a rather dull and boring decade. Looking back though there were certainly some highlights, and some retro scenes really managed to spit up some great bands that were worth paying attention to. The whole UK82 punk rock sound enjoyed a fine revival, particularly on the US East Coast. New Jersey's Blanks 77 were one of the earliest purveyors of that retro sound, and were part of a whole new generation of punks and skins that celebrated long forgotten UK acts such as the Ejected, Abrasive Wheels or the Partisans to name a few amongst the many that have appeared on leather jackets around the world. In the early '90s the Blanks started to release a whole slew of 7"s while this fine 10" was released in 1993. The funny thing about this release here is the fact that I have not pulled this record off the shelve in a long time but when I put down the needle on this record tonight with a beer in my right hand while rocking back and forth in my recliner chair, I all of a sudden remembered each one of the eight songs on the record. Sure, some might say that bands like the Blanks 77 didn't create anything new and lacked in originality but rest assured that any lack of creativity on behalf of the band was made up for with plenty of enthusiasm, dedication and the deliverance of some great fucking pogo punk. There is really nothing negative I can say about this little 10" as it is a fun listen. Now, get your pogo stick out, and up the system!

Cro-Mags - Age of Quarrel Ten Inch

Label: Fan Club; Year: 199?; Format: Vinyl 10"

I never thought I’d be living in New York City one day, and here I am living in the Big Apple grinding away, and trying to pay all those bills while still having some fun. Before this city turned into the gentrified amusement park it often represents today, it was a city where survival of the fittest was on the daily picking order. The Lower East Side wasn’t a hip place to go to but instead offered space for artists and musicians to pursue what they enjoyed the most. I have to further admit that I was also never a huge fan of New York Hardcore with a few exceptions, and Cro Mags would never make it onto any of my lists of Top Bands. Still, if there was one 10” I would be allowed to take with me to a lonely island, it might as well be this one here. Before “Age of Quarrel” was recorded and released as an LP in 1986 a demo tape of all those songs was recorded between late ’84 and early ’85, and subsequently must have made the rounds in tape trader circles. Back in the tape trading days demos often ended up in various countries, and so it shouldn’t come as a surprise that in the early ‘90s someone came up with the idea to press the “Age of Quarrel” demo onto a 10”. While I have heard the more metallic sounding LP version in the past it just never grabbed me the same way as this much more raw and more brutal demo version. Everything, and I really mean everything is perfect about these recordings, as these songs just can’t be beaten when it comes to NYHC straight out of the gutters of the Lower East Side. The loud bass guitar, the screaming vocals, the speed, and above all the sheer brutality of these songs cannot be put into words, you just have to hear them! Essential listening for your bleeding ears!

V/A - Rough Mixes From Switzerland Ten Inch

Label: Konnekschen Records; Year: 1981; Format: Shaped Vinyl 10"

The older crowd amongst the readers of this blog will be in the know that Switzerland had a very active and interesting punk scene in the late ‘70s despite being a country in the middle of Europe surrounded by mountains and not much to do, but maybe that sheer boredom enforced everything even more. Zurich’s Nasal Boys really got the ball rolling in 1977 by releasing a fabulous single that many punk rock scum collectors would love to have the original of. In 1981 even the good ole’ Germans caught on that their southern neighbors were not just yodelers and fond of chocolate and cheese, but could deliver some pretty hefty punk rock tunes too. Konnekschen Records from the northern city of Hamburg released this wonderful piece of wax collecting three swiss punk records originally released in 1979 on one nice shaped and colored 10”. If you don’t want to shell out big bucks for the Sick/Chaos Split 12”, the Sperma 12” and Rudolph Dietrich’s BOF’s 7” then do yourself a favor, and pick this one up as you will not be sorry. If there is a winner amongst the three, then it is the Sick/Chaos split that would be my pick. In all fairness to the Austrians it should be noted that Chaos were actually an Austrian band from a border town near Switzerland but very active on the swiss scene at the time. If you like your ’77 punk upbeat with lots of hooks and choruses then you won’t be disappointed. Second in my book is Rudolph Dietrich with his BOFs 7”, a punk rock gem with saxophone in the background and intelligent song writing. Sperma’s 12” might be a very sought after record but at least in my opinion it is not one of the top swiss punk records at all, but still a decent record. For folks out there unfamiliar with early swiss punk rock this is a nice way to start your collection.

Testors - Original Punk Recordings New York City 1976 - 1977 Ten Inch

Label: Incognito Records; Year: 1995; Format: Vinyl 10"

There are truly not that many original punk rockers still touring the world, year in and year out. Sonny Vincent is one of the rare human species that is not only still doing that, but is still rather damn good at it too to this day. Back in 1975 Sonny formed the Testors in NYC with a guitar in his hand and lots of anger in his stomach. The band named itself after the Testors glue company, which would eventually get them into legal trouble, and set out to provoke the audience, sonically and physically. They did that with two guitarists, a drummer, and no bass player, and that seemed to work fine at venues like the CBGB’s or Max Kansas City but at one point Sonny got himself even arrested in Philadelphia for inciting a riot. The band never had any ambitions to record so thank god Incognito Records from Germany unearthed the recordings of this wild bunch that created some damn fine noise all these years back. Four studio songs, and two live songs are to be found on this 10”, and they not just kick ass, but are delivered with such furiousness and aggressiveness that many hardcore punk bands years later must have taken note of. The liner notes were penned by Cheetah Chrome and a second volume with more madness from this trio was also released on 10”, and will be reviewed in the not so distant future. 

Ramones - L.A. Explosion Ten Inch

Label: Fan Club; Year: 200?; Format: Vinyl 10"

In August 1976 the Ramones played for the first time in Los Angeles, and two of those shows took place at the Starwood in West Hollywood – a club that would be instrumental in forging many musicians’ careers in the years to come. Many moons later some bootlegger has managed to get their greedy hands on decent sounding recordings of the show from August 16 of said year, and a bootleg 10” was born by the name of L.A. Explosion. Make what you want of bootleggers but I for one am grateful for this piece of wax as it delivers twelve tracks of the Ramones in their early days yet sounding like a well-oiled machine already. The probability of these recordings to have ever appeared somewhere legitimately has always been very slim, and in this day and age with all four of the original members unfortunately no longer with us it is simply out of question. Rest assured that when putting down the needle on this little treasure you will not only feel like you are traveling back in time by nearly forty years to a period in time when the term punk wasn’t even coined, and Los Angeles was waking up from an overdose of English disco and glam rock but that you feel like you are actually witnessing a time when kids couldn't wait any longer for something new to kick off, and the Ramones had all the answers for them. We all know that it wasn't just LA that needed a proper kick up its arse, and that these four New Yorkers really got the ball rolling for which we ought to be grateful to this day.