Interterror - Sublevacion LP

Label: Tonto Records; Year: 2001; Format: Vinyl LP

About time I do another entry as summer is dragging along and is soon coming to an end, which quite frankly I don't mind. For fans of international punk rock like myself I have a nugget in form of Interterror, a band that probably not too many out there will be familiar with and definitely deserving of wider recognition. It's a real shame I don't understand Spanish as the Sublevacion LP from 2001 comes with a 16-page booklet containing a lengthy interview with bassist Xavi Garcia, also known as "El Enano Infiltrado" (the infiltrated dwarf), the founding member of Valencia's punk rockers Interterror. So, in that sense I had to look elsewhere for information about the band as the info sheet in English that came with the LP is only about 500 words long. Through Discogs I was directed to a Spanish blog where one can find a pretty detailed band history, again in Spanish only (link at the end of this entry). I was under the impression that in this day and age it's easy to translate just about anything but apparently not until I eventually copied the text into an email enabling me to translate it through Google translator. Not that I am overly impressed with the translation but it is something and better than nothing. Interterror formed as early as 1980 but things didn't really starting to take shape until late in 1981 when Xavi was able to add Victor on drums, Guillermo on vocals and Miguel on guitar. The band recorded their 1st demo in 1982 containing four songs that would eventually be reissued a few years ago on Radikal 1977 Records. Side A on this LP contains the entire 1982 master tape which led to the release of Interterror's 12" back in 1985, a record that was quite well received in Spain at the time, well at least in punk circles. Side B on this LP contains the entire live set recorded at Club Zeleste in Barcelona on June 30th of 1983. This specific LP was made possible through the detective work of David at Tonto Records who after several years of searching was finally able to establish contact with Xavi. Through Xavi the band's producer Toni Pep Rodrigues Selles was brought into the fold as well and the archival work began leading eventually to this release back in 2001. If I am not mistaken this was the first reissue of Interterror's material so the subsequent reissues that have come out since then were most likely all the result of an increased interest in the band considering that this LP was also released in Mexico on CD. And in all fairness it should come as no surprise that after all those years Interterror is getting some international recognition for the songs they recorded decades ago. Did I tell you I love Spanish Punk? As with a lot of early '80s bands from Spain Interterror's sound can best be described as aggressive yet melodic straight forward punk rock carried by a singer full of conviction, a loud and dominant bass sound, and last but not least an irresistible guitar sound reminiscent of bands like Cockney Rejects, D.O.A or Argentina's Los Violadores. Tracks like "Problemas de estado" or "1984, el fin del mundo ya esta aqui" are just two examples why Interterror's songs should be heard by more people outside the Spanish speaking world. To be honest the live recording on the flip side isn't the greatest, but it's not bad either. More importantly it's of great historic value as the band rarely played outside of their hometown of Valencia and the band members themselves didn't even have a copy of the tape from back in the day. As is common these days Interterror's music can be found on several music platforms on the intranet, so do yourself a favor and discover this lost gem of a band from the golden era of punk rock. For all you vinyl freaks get your hands on anything you can find! Adios Lili Marleen!

Link to the band's history in Spanish: http://no80s-gruposnacionales.blogspot.com/2008/08/interterror.html

Schund - S/T LP

Label: Hoehnie Records; Year: 2003; Format: Vinyl LP

Fans of worldwide KBD Punk will most likely be familiar with Schund from Vienna, Austria, a band that existed for just a brief period of time and managed to self-release an EP in 1982, limited to just 500 copies. There weren't too many punk rock acts from Austria, and years ago I reviewed "Es Chaos is die Botschaft! on this blog, a great compilation of early Austrian punk and hardcore punk. Before I sat down to listen to this LP tonight I read a lengthy interview with Schund's singer Doris over the weekend and discovered some highly interesting facts about the band and the history of early '80s punk in Vienna (link to the interview in German at the end of this entry). I for instance didn't know that Doris was actually not from Vienna, but instead hailed from Braunschweig in Germany. Doris was into music at an early age and at some point heard about this new wild trend from England called punk rock. In 1979 she got to visit London through a chapter of the Youth Red Cross which organized a bus trip to England's capital. Doris really wanted to see punks in real life and through a funny coincidence at the hotel where she and her group were staying she met Kodak, a punk from Vienna who was also visiting London buying punk records and clothes to bring back to Austria. The two of them became eventually a couple and after Kodak had visited Doris in Braunschweig Doris picked up and left for Vienna after she finished school. Her and Kodak lived with his parents for a little while before finding a home at GaGa, an alternative centre on Vienna's Gassergasse 1, maybe comparable to Copenhagen's Christiana. There she met Bobby, Stefan and Harry who have been jamming for some time and were looking for a female singer. Doris was in their opinion perfect as she spoke high German without a Vienne's dialect.

Reproduction of 'Das Kleine Massenblatt', an independent Publication from Vienna. This particular issue deals with the history of GaGa. 

After having hooked up with the three guys at GaGa Schund was born and kicked off with full steam. Musically the band was influenced by Slime from Germany as per Doris but to be honest it is hard to define Schund's sound as it is definitely not '77 Punk but neither Hardcore Punk. Back in the early '80s, and especially in more remote scenes such as Vienna, bands still developed their own sound and in that sense I'd say Schund stood out to a degree but were unfortunately never able to record properly in a studio. The four songs off of their EP and six other songs that are on the "Studio-Side" on this LP were all recorded by Kodak in the band's rehearsal room and mixed at his home. While the sound quality is not great by any means there is a charm to these songs that one cannot resist. The lyrics are very typical for the time period and for bands from German speaking countries dealing with police oppression, weekend punks, beer & pogo and generally speaking shoving everything up the lame society's ass. The "Live-Side" is interesingly enough almost better than the Studio side with eight tracks having been recorded at the Popodrom in 1982 where Schund participated at a band contest. The story goes that during Schund's fifteen minutes of fame some chairs and table flew in their direction and that the soundman was freaking out wanting to stop the band immediately from playing. Apparently a lot of people did like their set and most likely also some of the excitement as the band came in 3rd place. If crude and raw early '80s punk is your thing you will love this record despite the somewhat rudimentary sound quality. The songs could have only have been recorded during a very intense and unique period in our history and Vienna is amongst the cities that have changed drastically since then. Schund are part of Vienna's cultural past as much as Falco in my opinion, hence do yourself a favor and track down a copy of this LP if you can. Es wurschtln es!

Interview with Doris in German Part 1: http://www.hoehnie-records.de/extra/schund/index.htm

Interview with Doris in German Part 2: http://www.hoehnie-records.de/extra/schund/index2.htm

The Three Johns - Live in Chicago LP

Label: Last Time Round Records; Year: 1986; Format: Vinyl LP

I have heard of The Three Johns many times before but never had any record in my collection until I found a copy of their 1986 released Live LP for next to nothing at the record shop around the corner from my home. The band seems to always have had a core of die-hard fans, some of them without a doubt also big Mekons fans. The Three Johns started out in Leeds in 1981 consisting of Jon Langford (the Mekons) on guitar, vocalist John Hyatt and Phillip "John" Brennan on bass guitar. There was also a drum machine the band named "Hugo". I may have said this before but I am really no fan of live records but there are exceptions to the rule and this one recorded in June of 1985 at Chicago's Metro is definitely an exception as it just rocks from beginning to end. This was the band's first US release and the quality of the live recording is excellent making this a highly enjoyable record which can still be found for a few dollars reminding you of the fact that good music is not always to be found on some rare and excessively expensive records. Songs like 'AWOL', 'Death of the European' or 'The World of the Worker' to name a few are timeless classics from a time when bands such as the Three Johns were labelled as Indie Rock, something that stands for lame music mostly performed by bearded hipsters these days. Back in the '80s though Indie Rock stood for quality and The Three Johns were a talented bunch drawing influences from Post-Punk, Goth-Rock, Cow-Punk and other genres prevalent in the late '70s and early '80s. They combined their eclectic mix of different genres with intelligent and humorous lyrics, often with a political message taking a stand against Margaret Thatcher and the likes. If you want to listen to songs that are equally dark and funny and sound like a mixture between Killing Joke, Sisters of Mercy and the Cramps then check out these lads from Leeds. I shall look out for more of their releases and will post about this band again. Good stuff!

Vorkriegsjugend - Live im Quartier Latin, Berlin, 30.04.1984 LP

Label: Stonz Musikversorgung; Year: 2022; Format: 45RPM Vinyl LP

I must say I was looking forward getting this record delivered straight outta Berlin from Iffi as for now it's the only VKJ record I own. Long gone are the golden days of punk rock record hunting where I used to have their LP and the New Face version of their Double-EP, but maybe somebody will finally reissue their old catalogue or I will get lucky again and find those records somewhere out there in the wild. Even more shocking though is the fact that this record which only came out about three months ago is already sought after. And here I was thinking I'll write up a little review so the few losers reading this blog can maybe get off of their asses and get a copy. Well, if you can, snap it up as it's a good one. Some people may very well be turned off by Vorkriegsjugend since about ten years ago their singer Klaus Hicker was arrested in Thailand for alleged sexual abuse on underage children, definitely not something anyone wants to be associated with. Nevertheless even such a sad and serious stain in the band's history cannot take anything away from what the band had achieved in the relatively short timespan between 1982 and 1985. Interestingly enough the band that absolutely stood for Squat Hardcore Punk Made in Berlin consisted of members whom all moved to Berlin from the South of Germany, mainly Bavaria. Their Double-7" on Pogar Records from '83 and their '84 LP on Zorro are to this day regarded as milestones in German Hardcore Punk, and rightfully so. It is rarely the case that I even buy live records or actually enjoy them as quite frankly too often live records just don't deliver. Quartier Latin was a well-loved club on Potsdamer Strasse 96 and was known to host a lot of Folk, Blues and Jazz gigs, but in April of 1984 Vorkriegsjugend opened up for the UK82 stalwarts One Way System and English Dogs at said club and a soundboard copy of VKJ's set was circulated amongst friends of the band and I would assume in tape-trading circles. It wasn't until 2022 when it was pressed onto vinyl for the first time and I repeat myself I am glad I snapped up a copy as it's well worth to have capturing the band at the height of their short-lived career with their second line-up including a second guitarist. Songs like "Wir sind die Ratten", "Heute Spass, Morgen Tod" or one of my personal favorites "Die Pest" are just timeless German Hardcore Punk classics. The sound quality on this record is better than I had anticipated and the LP comes with a nice fold out poster. Sehr gut! 

Update May 4, 2023: A 2nd pressing of this record has just been released. Get your greedy hands on a copy! 

The Clash - Clash in Hamburg LP 

Label: No Rock Stars (Unofficial); Year: 20??; Format: Vinyl LP

By 1980 the Clash have blossomed from a relatively small unknown unit from London having played a huge part in the punk explosion of 1977 to a well-oiled Rock'N'Roll machine touring not just the UK but also the European continent. In hindsight they certainly did not change the world but Joe Strummer and the gang certainly changed the lives of thousands of teenagers in the late seventies and early eighties. With success a band gains a lot of new fans and loses some of the old faithful. This bootleg LP of the Clash playing in Hamburg, Germany on May 19 in 1980 was originally released in 1980 and at some point in the 00's the version you are seeing herein came out as a "boot of a boot" so to speak. What I find most interesting about this record and the gig itself is not the music contained on vinyl. First and foremost I am not the biggest Clash fan myself and quite frankly despite the sound quality on this record being quite decent I must say that to me it's just a good rock'n'roll performance, nothing more and nothing less. But with the punk scene getting more and more politicized the Clash gig at the Markthalle has a special place in punk rock history and therefore I decided to translate Rudi Krawall's personal account of that night from German to English as per his piece for the excellent "Keine Zukunft War Gestern" book published many years ago: 

"The best gig I have ever seen, and since then I am the biggest Clash Fan ever. The band was accused of having sold out by having signed to CBS and gradually changing their style of music. The venue was stormed by an angry mob that night but the Clash didn't give in despite a riot, blood and emotions flying high. 

The anger that spilled over that night was not spontaneous and neither a coincidence but rather a result of a gradual built-up. I recall a gig with some local bands in a youth centre nearby Hamburg (Shalom in Norderstedt) and if I am not mistaken Scrubby Kids, Slime, Razors and Kotzbrocken played said night. 

Anyway, someone from the crowd grabbed the mic between the bands and started to shout about the upcoming Clash gig at the Markthalle, and that we should all boycott the show. The main reason was that the ticket price of Deutsch Mark 17 or 18 was way too high compared to other international Punk acts having played Hamburg with ticket prices being somewhere between Deutsch Mark 9 and 12. And on top of that the Crass song "Punk is Dead" was mentioned as well and the fact that the Clash being on a major label were nothing short of money grabbing "revolutionaries". 

A plan was agreed that night that we would all meet in front of the venue in order to prevent anyone from entering the Markthalle. On the night of the gig I arrived on time in front of the venue and a mob of around 70-80 punks had gathered in front of the entrance as planned. More and more kids started to arrive with their tickets in their hands but the punk mob resisted and prevented them from entering. Of course at some point the Security folks realized something was not right and intervened so the kids could get in. It was at the moment when the boycotting mob realized that their tactic was failing when they just started to push against the Security people of which there were maybe six. At that point the boycotting mob grew maybe to about 150 and after having overcome the Security said mob just stormed the Markthalle up the stairs and quickly inside. Some people that arrived a bit late that night got in for free as the Security guys just didn't feel like to bother anymore to avoid more confrontation. "Storming" of gigs became fashionable after the Clash gig and reoccurrences were frequent but never again with such a big following. 

When The Clash finally entered the stage that night the atmosphere was already quite heated. On the one hand you had the kids that paid full price for their tickets in order to see the band, and on the other hand you had the punks that stormed the venue to try to disrupt or stop the band from performing. The Clash figured out quickly what was up and played their songs professionally as if nothing was happening. A lot of the punks kept pushing towards the front of the stage and kept shouting "Punk is Dead" in between songs. The Clash were not bothered by that and kept playing even after some of the punks started throwing stuff at the band or spat at them. 

At some point it seemed that the situation was calming down despite the sound quality getting poorer by the minute as some of the punks managed to twist some of the cables on the stage. With the band still continuing to perform despite everything going on more and more punks gained respect for the band and stopped the harassment until Joe Strummer decided to lift his guitar and smash it against the head of one of the punks up front that kept shouting abuse at him. That obviously caused a major stir and I remember some punks climbing up the stage only to be wrestled by the band's roadies. Thereafter the band played a few more songs and the show came to a quick end. After the gig I stood outside the Markthalle with some of the Barmbeker Punks and we noticed two cop cars pulling up. After the police entered the venue they came out about five minutes later with Joe Strummer handcuffed in their company. Two of my friends came up with a quick improvised version of "Police and Thieves" for good ole' Joe and the whole story was all over the tabloid newspapers the next morning."

"I hate" Clash badge. Source: "Keine Zukunft War Gestern" book 2008

With so much of the Clash' history having been covered in books, magazines and what not relatively little coverage has been given to the gigs the band played in Mainland Europe hence despite the music on this bootleg not being the highlight me thinks this is an interesting little anecdote from decades ago. And remember Punk is Dead! 

Rudi Krawall's Original Text in German. Source: "Keine Zukunft War Gestern" book 2008

Photos and Ticket from the Clash Markthalle Gig. Source: "Hamburg Calling" book 2020

Angelic Upstarts - Live LP

Label: EMI Records; Year: 1981; Format: Vinyl LP + 7" Flexi Disc

Once this blog of mine will have established itself, and I will have gotten off my lazy arse more often in order to write about music I love and own, you will notice that there will be bands that will appear more often than others, and quite frankly for a good reason. Rest assured that the Angelic Upstarts will make future appearances on this blog since they are one of my favorite bands, or at least their early material. This LP recorded live in June of 1981 at City of London's Polytechnic University is a rare example of a great live LP. I am sure EMI was able to provide the band with the necessary technical know how to make a live LP sound great, and it sure does! At this point in their career the Upstarts have just released "2'000'000'00 Voices" so it shouldn't come as a surprise that there are quite a few tracks off said record to be heard on these live recordings which in my opinion is a good thing as I personally love that LP. Of course you'll also get to hear some of their early classics such as "Teenage Warning", "Police Oppression" or "I'm an Upstart" to name a few. If you are an Angelic Upstarts fan then you will most likely own this record, but if you're not that familiar with their back catalogue then track down a copy of this, preferably with the free flexi disc. Enough said, stay tuned until another Upstarts entry in the future.  

Ramones - L.A. Explosion Ten Inch

Label: Fan Club; Year: 200?; Format: Vinyl 10"

In August 1976 the Ramones played for the first time in Los Angeles, and two of those shows took place at the Starwood in West Hollywood – a club that would be instrumental in forging many musicians’ careers in the years to come. Many moons later some bootlegger has managed to get their greedy hands on decent sounding recordings of the show from August 16 of said year, and a bootleg 10” was born by the name of L.A. Explosion. Make what you want of bootleggers but I for one am grateful for this piece of wax as it delivers twelve tracks of the Ramones in their early days yet sounding like a well-oiled machine already. The probability of these recordings to have ever appeared somewhere legitimately has always been very slim, and in this day and age with all four of the original members unfortunately no longer with us it is simply out of question. Rest assured that when putting down the needle on this little treasure you will not only feel like you are traveling back in time by nearly forty years to a period in time when the term punk wasn’t even coined, and Los Angeles was waking up from an overdose of English disco and glam rock but that you feel like you are actually witnessing a time when kids couldn't wait any longer for something new to kick off, and the Ramones had all the answers for them. We all know that it wasn't just LA that needed a proper kick up its arse, and that these four New Yorkers really got the ball rolling for which we ought to be grateful to this day. 

Motorhead - Pussies & Beer - Rock N Roll Tour LP

Label: Fan Club; Year: 199?; Format: Vinyl LP

So, ladies and gentlemen here is the fiftieth entry on this blogspot, and my intention was to celebrate that with an entry of Motorhead, my favorite band. I didn't want to bore you with an entry of one of their regular albums though, and believe me those will follow in the future, but instead I opted for something more special for your amusement. What we've got here is a bootleg LP of a show Motorhead played in November 1987 (Line-Up: Lemmy-Wurzel-Phil Campbell-Phil 'Animal' Taylor) at the Fryshuset in Stockholm/Sweden. If anyone can fill me in who came up with the outstanding artwork for this LP, I would be very grateful. I have tried finding information pertaining to this particular bootleg online, but to no avail. Judging by the fact that the LP was not included in 1994's Collector's Guide to Motorhead, I would assume that the record came out no sooner than the mid '1990s. Anyway, that's all collector scum talk, let's get to the bare basics here. Eleven songs are to be found on this platter, and if one looks at the song titles it just seems weird to not see certain song titles, but considering this was taken from their 1987 tour let's not forget that they of course had a far smaller repertoire to chose from. Still, all their classic albums were out by that point and so it should come as no surprise to find certain all time classics on this live recording, which for a bootleg actually boasts very decent sound quality including great comments by Lemmy between the songs. Hey, you can't go wrong with the artwork, Motorhead's timeless classics, and drunken Swedes shouting "Lemmy, Lemmy, Lemmy.." on top of their lungs.

Sex Pistols - Screen on the Green Cinema, Islington, 1976 EP

Label: Unknown; Year: 2007; Format: Vinyl 7"

An interesting little platter here from the good ole' Sex Pistols. When I put it on for the first time I was dreading that the sound quality would be so bad as with many Pistols bootlegs, but to my surprise I discovered that the three songs on this EP are actually of decent sound quality, and are taken from a gig in 1976 in north London. (Don't Give Me) No lip, an original by Dave Berry makes up for a great cover version and is one of the tracks found here, amongst 'Submission' and 'No fun'. I do believe that there is a second EP from the same gig floating around, but I am not a die-hard collector of the Pistols, and will leave that up to the Rotten Army. Not a bad boot at all if you can find it somewhere cheap.