V/A - The End of an Era (The Best of Rot Records) 2-LP

Label: Rot Records; Year: 1988; Format: Vinyl 2-LP

Rot Records was started in late '83 by members of Mansfield band Riot Squad and my assumption is that first and foremost the goal was to release their own music as the first three Rot Releases were Riot Squad EP's, all classics in my opinion. The label went on to release an array of interesting and diverse releases from bands such as Paranoia (see blog entry for review of their LP), Resistance 77, Varukers, English Dogs etc.. In my opinion Rot Records sought out the bands that were maybe being ignored by labels such as No Future or Riot City but were equally good as the bands on said labels. In that sense Rot Records filled a gap and had quite a few of their releases played on Radio One, such as in the case of East London Act Animal Farm who were scheduled to support New Model Army on their tour only for it to be canceled last minute. The label was also in the right place at the right time to pick up the highly talented English Dogs and releasing their excellent "To The Ends Of The Earth" 12" but ultimately losing the band to Under One Flag Records. It is needless to say that Rot Records had a good run and released a slew of under appreciated minor indie hits, but by 1988 it was all over with and the label came to an end. I remember vividly that it was in that year when I picked up my copy of this 32 track Double LP at Jama Rico Records in Zurich, Switzerland. As you can see on the photo of the back cover I even marked which tracks I liked more or less, but that was in 1988 when I was first and foremost into faster hardcore punk stuff. Yesterday I sat down to listen to all four sides and loved each and every track leading me to the conclusion that Rot's catalogue has aged rather well. While thirty five years ago for the most part I enjoyed bands like Riot Squad, Varukers, Oi Polloi, Rattus et al yesterday I made a mental note to myself that I must dig deeper into the catalogues of bands such as Reality from East Anglia, Butcher from posh coastal town Bournemouth, Picture Frame Seduction, Cult Maniax as well as above mentioned Animal Farm. Said bands have all a unique style on their own and deserve more attention in the wider sense. The truth of the matter is that most of the Rot releases have become very collectible and expensive to buy but some of the material has been reissued. I am always shocked to see the prices on Discogs and for how much these records go for, it's pure insanity. I suppose that over the decades more and more people all over the world have caught up to these records pushing up prices. My guess is that many of you folks out there don't mind streaming music and I am pretty sure you can find this Double-LP online as I highly recommend it if you are not so familiar with Rot's catalogue. Whether you like UK82 punk, more melodic '77 punk inspired '80s punk rock or Metal influenced hardcore punk you'll find plenty of it on this collection. Last but not least I think Rot Records should be more in the conversation when recollecting early '80s UK punk history as they sure as hell released some forgotten gems. Cheers!

Schund - S/T LP

Label: Hoehnie Records; Year: 2003; Format: Vinyl LP

Fans of worldwide KBD Punk will most likely be familiar with Schund from Vienna, Austria, a band that existed for just a brief period of time and managed to self-release an EP in 1982, limited to just 500 copies. There weren't too many punk rock acts from Austria, and years ago I reviewed "Es Chaos is die Botschaft! on this blog, a great compilation of early Austrian punk and hardcore punk. Before I sat down to listen to this LP tonight I read a lengthy interview with Schund's singer Doris over the weekend and discovered some highly interesting facts about the band and the history of early '80s punk in Vienna (link to the interview in German at the end of this entry). I for instance didn't know that Doris was actually not from Vienna, but instead hailed from Braunschweig in Germany. Doris was into music at an early age and at some point heard about this new wild trend from England called punk rock. In 1979 she got to visit London through a chapter of the Youth Red Cross which organized a bus trip to England's capital. Doris really wanted to see punks in real life and through a funny coincidence at the hotel where she and her group were staying she met Kodak, a punk from Vienna who was also visiting London buying punk records and clothes to bring back to Austria. The two of them became eventually a couple and after Kodak had visited Doris in Braunschweig Doris picked up and left for Vienna after she finished school. Her and Kodak lived with his parents for a little while before finding a home at GaGa, an alternative centre on Vienna's Gassergasse 1, maybe comparable to Copenhagen's Christiana. There she met Bobby, Stefan and Harry who have been jamming for some time and were looking for a female singer. Doris was in their opinion perfect as she spoke high German without a Vienne's dialect.

Reproduction of 'Das Kleine Massenblatt', an independent Publication from Vienna. This particular issue deals with the history of GaGa. 

After having hooked up with the three guys at GaGa Schund was born and kicked off with full steam. Musically the band was influenced by Slime from Germany as per Doris but to be honest it is hard to define Schund's sound as it is definitely not '77 Punk but neither Hardcore Punk. Back in the early '80s, and especially in more remote scenes such as Vienna, bands still developed their own sound and in that sense I'd say Schund stood out to a degree but were unfortunately never able to record properly in a studio. The four songs off of their EP and six other songs that are on the "Studio-Side" on this LP were all recorded by Kodak in the band's rehearsal room and mixed at his home. While the sound quality is not great by any means there is a charm to these songs that one cannot resist. The lyrics are very typical for the time period and for bands from German speaking countries dealing with police oppression, weekend punks, beer & pogo and generally speaking shoving everything up the lame society's ass. The "Live-Side" is interesingly enough almost better than the Studio side with eight tracks having been recorded at the Popodrom in 1982 where Schund participated at a band contest. The story goes that during Schund's fifteen minutes of fame some chairs and table flew in their direction and that the soundman was freaking out wanting to stop the band immediately from playing. Apparently a lot of people did like their set and most likely also some of the excitement as the band came in 3rd place. If crude and raw early '80s punk is your thing you will love this record despite the somewhat rudimentary sound quality. The songs could have only have been recorded during a very intense and unique period in our history and Vienna is amongst the cities that have changed drastically since then. Schund are part of Vienna's cultural past as much as Falco in my opinion, hence do yourself a favor and track down a copy of this LP if you can. Es wurschtln es!

Interview with Doris in German Part 1: http://www.hoehnie-records.de/extra/schund/index.htm

Interview with Doris in German Part 2: http://www.hoehnie-records.de/extra/schund/index2.htm

Crazy Cavan 'N' The Rhythm Rockers - Rockability LP

Label: Charly Records; Year: 1976; Format: Vinyl LP

Let me tell you straight off the bat that it sure as hell isn't easy to do many blog entries during the summer months as I am not someone whose energy levels feed off of hot weather, actually quite the opposite. Luckily I don't live in one of those States where it's constantly 110 degrees, otherwise I'd have to hide in a freezer for the remainder of the summer. Anyway let's get down to business, and with that I am talking music and to be more specific Crazy Cavan 'N' The Rhythm Rockers. Since I was a little kid I've always had a bit of an ear for Rockabilly as my father had a little stack of LPs of artists like Buddy Holly, Bill Haley & His Comets and a few others hence I was exposed to the music early on and it stuck with me ever since, at least to a degree. Teddy Boys on the other hand were not exactly the best friends of punks, at least not in Europe where I grew up. As a result of that I had very little to no exposure to local Rockabilly scenes with the exception of a few people that were open minded and frequented the punk scene as well. It must have been 2010 or 2011 though when I did see Crazy Cavan with his band at the 100 Club in London and I remember having a blast. My friend and I kind of stuck out with our rather casual clothes as most people were dressed in their Teddy Boy and Girl uniforms rocking out to the tunes of Crazy Cavan. I discovered Crazy Cavan through a good friend of mine back in Switzerland as he's always been a big fan and is a good few years older than myself having experienced the Rockabilly revival scene first hand. Cavan Crogan (aka Crazy Cavan) got his band together as early as in the late '60s celebrating long forgotten American artists like Charlie Feathers. They played their socks off in little clubs during the early '70s and were eventually discovered by two DJs in London's East End. After having released two 7"s on their own Crazy Rhythm label and the first LP on Rockhouse Records the band eventually signed to Charly Records in February of 1976 and "Rockability" was the first record to have come out on said label and was the beginning of a lengthy collaboration. One thing I would like to bring up as food for thought is the fact that when it comes to the months and years pre-dating the punk rock explosion it is often glam rock or pub rock that are mentioned as the main influence of early UK bands. I don't remember ever hearing or reading much about the rockabilly revival scene and their influence on punk rock, maybe due to both fractions viewing each other with contempt. Musically as well as fashion wise though it should be said that without a doubt rockabilly has definitely had an influence on early punk rock acts, at least in the UK, leading to quite a few punks discovering said roots in the early '80s through bands like the Stray Cats for instance. As for "Rockability" I really love the album and can't think of even one song that could have been scrapped. Whether you like your rockabilly up-tempo in songs like 'Stompin' Shoes' "Nobody Else Like you" or my favorite "Knock Knock" or you prefer the more swooning songs such as "Delores" or "Sweet Little Pretty Thing" you will find plenty of both on this full length. For now I own just this one LP by the band but I definitely keep my eyes out for their first and third LPs so stay tuned for more. Unfortunately Cavan Crogan passed away in 2020 (RIP), aged 70 years old. Should you want to find out more about the band's history please click on below link for an interesting article in Vintage Rock Mag. 

https://www.vintagerockmag.com/2020/07/crazy-cavan-a-rockabilly-star-in-heaven/

Deborah Curtis - Touching from a Distance (Ian Curtis and Joy Division)

Publisher: Faber and Faber Limited; Year: 1995; Format: Softcover book

Very recently when reviewing the Warsaw "An Ideal For Killing" LP I had mentioned that I was reading Deborah Curtis' book about her life with Ian and of course Joy Division. Since it's a short read I thought I better review it immediately before my memory lets me down and my brain's hard drive gets too overloaded with information nobody really needs to know, including myself. Back in 2007 when I moved to London from Switzerland I remember that the movie 'Control' was just about to come out and was highly anticipated by the movie and music press alike. It was then when I became more intrigued about Joy Division's history and music alike as I have to be honest but throughout the decades somehow I never caught on the hype about the band which in retrospect is a shame but then again it's never too late and it's not like I have missed some great re-union show because of the laziness on my part. A good while ago I read Jon Savage's "This Searing Light..." book about Joy Division and highly enjoyed it hence I can recommend that one if you want to get a good feel about those particular times in Manchester's music history. Deborah's book is much older than the Savage one and was recently given to me by my favorite local record store proprietor (Cheers Jerid!). In all fairness it's a great short read if you are interested in the relationship between husband and wife and really how conflicted it was from the very beginning. Of course one could say that with Ian having died the reader gets to hear just one side, but I have no doubt that Deborah did not see any reason to lie or exaggerate. To be very fair to her I did not find her tone to be condescending or unfair in any shape or form. Actually it is quite the opposite where Deborah clearly has a feeling that she and others could have helped to prevent the tragic death of Ian. What I found most fascinating about the book is Deborah's very detail oriented memory where she would remember exactly what happened on a certain day or night or what record Ian would be crazy about in the year 1975 for instance. If time travel was possible then going back to '70s Manchester would be a highly fascinating trip, albeit a depressing one in many ways. Judging from the book and how serious Ian was about music and the bands he adored it all makes sense why Joy Division sounded the way they did. One thing must be said and that is that Ian knew very early on that the band he was to front will stand apart from others and I think we all agree that Joy Division achieved that. Something I can read about over and over are those very early days of punk where a handful of people were in the know and aware that something was bubbling under the surface waiting to explode and Deborah's book gives you a really good idea as to how everything evolved in and around Manchester. Of course you also get Deborah's view about how Ian connected with Annik and eventually destroyed their marriage, and even there Deborah takes a very fair and distant approach. If you are interested in the history of Ian Curtis and Joy Division than this is a must-read, but even from an outsider point of view this is a great read about a very unique time period in music history. 

Hated - 4 Song EP and Pressure/Stereotyped 7" Single Reissues

Label: Meat House Productions; Year: 2021; Format: 45RPM 7" EP

If you are like me and love the early Southern California sound of bands like T.S.O.L, Agent Orange, Adolescents, Shattered Faith et al then you are in for a treat with Hated who hailed from Huntington Beach and released three 7"s in the very early '80s. As it goes with those records they cost in the hundreds and are collector items and unfortunately not to be heard by the vast majority of us punk record nerds. Luckily Meat House Productions has finally made these gems available again for everyone to be able to buy for a few bucks and that's just what the world needed. I sure as hell have come across Hated, but whether it was this Hated or another one, I really don't recall. The band really doesn't get much mentioned in all the books and documentaries on Southern California punk history that are out there now while they really should be up there with the likes I name dropped earlier on. Originally released on the band's own Stress Records in 1982 the four songs are nothing short of superb and had they been produced better and especially louder the record would be even better as it already is. Angst-ridden vocals combined with the typical surf music influenced punk guitar sound of Southern California and an equally aggressive yet melodic bass and drum sound are all the ingredients a perfect record needs and they are to be found in abundance on all four songs. My personal favorite is "Enemy", but in all fairness I could pick any of them. Brilliant EP!

Label: Meat House Productions; Year: 2021; Format: 45RPM Single

I don't know which of these two records came out first in 1982 but just like the 4 Song EP this two song single containing 'Pressure' and 'Stereotyped' is an absolute scorcher. Interestingly across the front cover from left to right the letters read in German "ich kann ihn nicht leiden", meaning I cannot stand him. Who the band was referring to is unknown to me but considering Hated were part of the early '80s hardcore punk contingent from Huntington Beach I imagine they had lots of enemies in the general population by just looking somewhat different from the rest. Hard to think that these days just about anyone walking down the Huntington Beach pier looks somewhat punky, well slightly exaggerated but not that far off from the truth me thinks. In comparison to the 4 song EP the two songs on this single are better produced and while they are stylistically very similar I cannot help to hear a bit more of an Angry Samoans vibe in both songs. Maybe I should mention that bass player Chalmer Lumary went on to join Vandals and I am not one hundred percent sure whether another member, Joe Wood, is the same person that would go on to front the second incarnation of T.S.O.L and married Jack Grisham's sister. Maybe someone out there knows? Hopefully I can find a copy of the reissue of the band's first record from 1981 and from what I saw on the Hated official FB page a new record is to come out on Puke'N'Vomit as well. Unfortunately Hated's singer Steve Reehl aka Steve Real passed away last year, RIP. Get these reissues while they last!

Cuckoos Nest Poster and Live Shot stolen from the band's FB page.

Crow - Who Killed Dove? EP

Label: Prank Recors; Year: 2022; Format: 33 1/3 7" EP

Judging by some of my more recent entries one might conclude that I have lost the plot and gone Soft Rock. Ladies and gentlemen, wrong. I certainly couldn't listen to stuff like Crow on a daily basis, for that I just feel too old, but I sure as hell still feel the need to up the ante more often than not and blast a true '80s Japanese Hardcore Punk gem for instance. It's a good thing some of us stay interested in the past forever and when prompted just re-activate some old information stored away in the the most remote area of the brain, like in my case. Crow from Osaka are a band that have been on my radar for many years but with Japanese records having sky rocketed in value over the decades there is little to no hope of owning an original of many of those records I would love to hear and own. On top of that little did I know that Prank Records was actually still active hence a big cheers to Ken for putting this one out and making it available again for a few bucks in its original artwork. I wish I could tell you more about the band, but then again maybe I'd just waste your precious time so never mind. What matters most is that you get four raw, dark and crusty D-Beat smashers that were originally released in 1985 on the band's own Crow Records and that they certainly don't disappoint. Personally I prefer Side II with both, 'Last Chaos' and 'Who Killed Dove' being outstanding Discharge influenced rippers that will destroy your candle light dinner with your significant other in no time. The lyrics are simple, dark and considering they were written nearly forty years ago one could argue prophetic when it comes to the state of our planet and humanity. Grab yourself a copy and play loud!

Ace - Five-A-Side LP

Label: Anchor Records; Year: 1974; Format: Vinyl LP

So, here a bit of a peculiar one in the sense that I probably would never have gotten this LP unless I stumbled upon it somewhere. The reason I have a copy now is thanks to a friend of mine in Switzerland (Thanks Pat!) who was kind enough to think of me when he spotted a copy at a record shop in Europe knowing that as a Liverpool FC supporter I would appreciate the gesture, which I absolutely do and even more so since he's an Arsenal FC supporter. He kindly told me that with that front cover he couldn't help himself but that most likely the music sucks to which I replied that we shall see and I'll post about it. So this week I familiarized myself not just with Ace's music, but a little bit with their history as well. The band formed in late 1972 in Sheffield, UK and had somewhat of a successful stint during the '70s, mainly thanks to their hit single "How Long", which I must have heard a million times on the radio not knowing who it was. I must say that as skeptical as I was sitting down to listen to the LP I came away thinking that it's not a bad LP at all. As a matter of fact in my opinion there is a real hidden gem to be found on the record with "24 Hours", a really strong heavy Funk number of which I wish the record had more of. Also quite enjoyable are the first two tracks "Sniffin' About" and "Rock & Roll Runaway", both decent Pub Rock songs leaning on the tame side but never the less still rockin' and rollin'. The rest of the LP is listenable but let's be honest somewhat forgettable. Interestingly enough two of Ace's members used to be in the '60s Mod band The Action, a band whose catalogue I might explore at some point. Ace relocated to the United States in the '70s and released their third and final LP on this side of the pond disbanding in 1977. Paul Carrack who was the main singer and pianist in Ace went on to have a successful solo career as well as joining Mike & The Mechanics during the '80s. His re-recording of "How Long" in 1996 landed the song in the charts again and must be bankrolling him up to this day. Since I became a Liverpool FC supporter around 1983 as far as I remember I looked up the team of 1974 recognizing players like Ray Clemence, Emlyn Hughes and of course Kevin Keegan amongst others. Judging by the five white and blue scarfs waving Ace members plugged into the sea of Liverpool supporters on the front cover I would assume the band were Sheffield Wednesday FC fans and with that I just say "You'll Never Walk Alone".