V/A - The End of an Era (The Best of Rot Records) 2-LP

Label: Rot Records; Year: 1988; Format: Vinyl 2-LP

Rot Records was started in late '83 by members of Mansfield band Riot Squad and my assumption is that first and foremost the goal was to release their own music as the first three Rot Releases were Riot Squad EP's, all classics in my opinion. The label went on to release an array of interesting and diverse releases from bands such as Paranoia (see blog entry for review of their LP), Resistance 77, Varukers, English Dogs etc.. In my opinion Rot Records sought out the bands that were maybe being ignored by labels such as No Future or Riot City but were equally good as the bands on said labels. In that sense Rot Records filled a gap and had quite a few of their releases played on Radio One, such as in the case of East London Act Animal Farm who were scheduled to support New Model Army on their tour only for it to be canceled last minute. The label was also in the right place at the right time to pick up the highly talented English Dogs and releasing their excellent "To The Ends Of The Earth" 12" but ultimately losing the band to Under One Flag Records. It is needless to say that Rot Records had a good run and released a slew of under appreciated minor indie hits, but by 1988 it was all over with and the label came to an end. I remember vividly that it was in that year when I picked up my copy of this 32 track Double LP at Jama Rico Records in Zurich, Switzerland. As you can see on the photo of the back cover I even marked which tracks I liked more or less, but that was in 1988 when I was first and foremost into faster hardcore punk stuff. Yesterday I sat down to listen to all four sides and loved each and every track leading me to the conclusion that Rot's catalogue has aged rather well. While thirty five years ago for the most part I enjoyed bands like Riot Squad, Varukers, Oi Polloi, Rattus et al yesterday I made a mental note to myself that I must dig deeper into the catalogues of bands such as Reality from East Anglia, Butcher from posh coastal town Bournemouth, Picture Frame Seduction, Cult Maniax as well as above mentioned Animal Farm. Said bands have all a unique style on their own and deserve more attention in the wider sense. The truth of the matter is that most of the Rot releases have become very collectible and expensive to buy but some of the material has been reissued. I am always shocked to see the prices on Discogs and for how much these records go for, it's pure insanity. I suppose that over the decades more and more people all over the world have caught up to these records pushing up prices. My guess is that many of you folks out there don't mind streaming music and I am pretty sure you can find this Double-LP online as I highly recommend it if you are not so familiar with Rot's catalogue. Whether you like UK82 punk, more melodic '77 punk inspired '80s punk rock or Metal influenced hardcore punk you'll find plenty of it on this collection. Last but not least I think Rot Records should be more in the conversation when recollecting early '80s UK punk history as they sure as hell released some forgotten gems. Cheers!

Paranoia - Shattered Glass LP

Label: Rot Records; Year: 1984; Format: Vinyl LP

Stoke-On-Trent in the West Midlands gifted us one of the most prolific Rock'N'Rollers ever, being the one and only Lemmy of Motorhead. But said city also gave us Paranoia, a band I assume not many are familiar with. I for one came across Paranoia around 1988 when I bought a copy of the Double-LP "The End of an Era - The Best of Rot Records". Said two-record set which I shall review here at some point is a representation as to what Rot Records released until it ceased to exist with bands like Riot Squad, English Dogs, The Varukers or Skeptix kind of representative of what the label's sound stood for. Even though at the age of eighteen I was very much into the more chaotic and fast sounds of above mentioned acts the two Paranoia tracks "Dead Man's Dreams" and "1984" really stood out to me and I instantly fell in love with the female-fronted melodic punk sound equally influenced by gothic rock and post-punk. Ever since those days back in the late '80s I set out to find a copy of the "Shattered Glass" LP released in 1984 but it would take more than twenty years to do so. In 2007 when I moved to London from Switzerland I thought I'd have a better chance finding a copy but I was proven very wrong. Even in England the band was not known, not even to some of the older Punks I had gotten to know. In 2008 I started a job for an EU Government Agency located in East London (thanks to Brexit no longer there) and one of my co-workers in the Archives was a fellow from Spain who was funny as hell and let's just say crazy at times too. One day he asked me what I liked to do in my free-time and I told him about my passion for records. He then proceeded to ask me whether there were any records I really liked to have and I told him about Paranoia's "Shattered Glass" and that they were from Stoke-On-Trent. Daniel (the co-worker) immediately googled Stoke-On-Trent's record stores and came up with some geezer's stall in Stoke. He picked up the phone and called the fella in Stoke and told him in somewhat broken English the following: "Hey, I am Daniel and calling you from London. My friend here is looking for a record by a band from your city, Paranoia. Do you know them?" Record Stall guy: "Yes mate, I do know them but that LP is rare as hell and I sure don't have a copy. Sorry mate and good luck finding one". It must have been around 2011 that I not only won my copy through eBay for about forty bucks, but pretty much at the same time found another copy for a similar price through a used record site. So, after all those years I ended up with not one but two copies and gave one to a good friend of mine in Switzerland who was after the record for a long time as well. 

So, at this point you probably ask yourself what the deal is with this LP. Paranoia came out of the remnants of Civil Defense, a band that was started by the two brothers Paul on Guitar and Phil on Drums. At some point their sister Janet or 'Jan' joined the band along her husband Mick and by 1983 changed their name from Civil Defense to Paranoia. "Shattered Glass" is a truly outstanding LP in the sense that it effortlessly combines melodic punk rock with elements of goth rock and post-punk drawing influences from bands such as Siouxsie and the Banshees, Penetration and Joy Division to name a few. The ten tracks on the LP are all winners in their own way, be it the absolutely brilliant opener "Dead Man's Dreams" the fast and furious "Graveyards from Hell" or the more subtle and tribal sounding songs such as "Vietnam", "Man in Black" or "The Gig". What you get on this LP are songs that will draw you into a post-apocalyptic world through their lyrics but will leave you with hope at the other end. At some point I will want to interview Phil and hopefully other band members about the band's past but for now I will leave you with Phil's thoughts about how they ended up on Rot Records after having reached out to him over e-mail. 

"We came to be on Rot Records when I saw an advert ‘Punk Bands Wanted’. If I remember correctly, the ad was in the classifieds of SOUNDS, the national, weekly music publication. We had just recorded a demo tape, so I just thought I’d send one to see what the feedback was.

The advert had been placed by Dunk of Rot Records and formerly of Riot Squad.

We had previously been a 6 piece band with keyboards and an additional guitarist, under the name of Civil Defence. The guitarist decided to leave the band and so his wife (keyboard player) also left. So we were now a 4 piece, changed our name to Paranoia, and had started to experiment with a different style. So sending the tape to Dunk was mainly to see what people thought about the new style and new songs, cos although we’d done lots of gigs as ‘Civil Defence’, we’d not done any gigs as Paranoia.

We got a reply from Dunk, a letter saying that he liked the demo tape and asking if he could include one or two of the tracks on a new compilation album (Wet Dreams) that was to be released by his label. Of course, we agreed, as we had still not done any gigs and would be a good opportunity for more feedback. 

The compilation was released and the feedback was awesome! We received so many letters, from all over the world, asking about the band, fanzines wanting to do interviews and people asking if there was more material/tapes available of Paranoia. It was at this point Dunk wanted us to sign up to the label, go into the studio to record an album and a single to be released on Rot Records. We signed to Rot Records, still having done no gigs as Paranoia.  Now signed to Rot Records, that changed quickly as Dunk set up gigs for us in Nottingham and London aswell as a gig we set up locally with Resistance 77, who were also on the compilation album.

Our single was getting ‘AirPlay’ on radio stations including John Peel’s BBC Radio 1 show.

I remember the day that the single was released. Dunk said he would send us a few complimentary copies of the single but we hadn’t received them yet and we couldn’t wait to hear it.  So me and my brother took a trip over to the local record shop to buy a copy of ‘Dead Man’s Dreams’ and walked up to the counter…

“Have you got a copy of Dead Man’s Dreams by Paranoia?”

“Sorry no, we’ve just sold the last copy”.

That was the only time ever I’ve had the feeling of disappointment and buzzing at the same time!"

Well folks, good news is that the LP has finally been reissued and has just very recently come out through Radiation Records from Italy. It just proves it's never too late and I can only hope that Paranoia will find a new generation of fans as they bloody deserve it! Grab a copy while they last! 

Kafka Prosess - One Day Son All This Will Be Yourz (Split w/ Disorder) and Ingen Fattige, Ingen Rike LPs

Label: Disorder Records; Year: 1986; Format: Vinyl LP

My introduction to Hardcore Punk from Norway arrived via a Mix-Tape in 1987 that a friend of mine made for me. The bands I remember being on said tape were Malinheads, HDQ, Rattus, Bluttat and a whole lot more, but more importantly one of my favorite tracks on the tape was "Mentalt Ute Av Balanse" by Kafka Prosess. Said song I will forever associate with the arrival of a cold fall breeze and with me blasting it through my walk man riding my bike to god knows where. It brings back memories of gigs from that time, of people going wild to the loud blasts of European Hardcore and togetherness through a common spirit. When it comes to Hardcore Punk from the European North then bands from Finland and Sweden definitely top the list while Norwegian bands tend to be sadly overlooked. I wasn't any different and it wasn't until I learned about Kafka Prosess and shortly after So Much Hate that I realized that I should probably pay more attention to what was coming out of Norge. It must be said though that Norway never gifted us with the amount of records the other two countries did, and on top of that they tended to be hard to get in Central Europe where I was living at the time. The Kafka Prosess/Disorder Split was an easy find though as I was visiting London in late '87 if I remember correctly and found a copy of the Split at the Tower Records right next to Piccadilly Circus setting me back a whole 3.99 in UK Sterling, no more than the bands had asked for (see sticker on my copy pictured above). But who gives a damn about a sticker hence let's move to the music on this record. The six songs on the Kafka Prosess side of the record are without doubt some of my favorite tracks when it comes to '80s Hardcore from Europe. The Norwegian bands had a very unique and different approach to the sound compared to their comrades from Sweden or Finland. A heavy Discharge influence can be heard in many bands from Sweden or Finland but not so much with the Norwegians. Kafka Prosess came out of the ashes of Svart Framtid and Bannlyst and played a relatively melodic style of Hardcore Punk, equally influenced by bands such as HDQ, Instigators and/or "Lo Spirito.." era Negazione. All songs are well structured with great hooks, changes in tempo and brilliant backing vocals. Out of the six songs I couldn't really tell you which one I like the most as they are all European Hardcore Punk master pieces in their own way. As for Disorder I can attest that I have never been a big fan of this Bristol outfit but they are quite an important part of '80s UK Punk history and shouldn't be frowned upon. As a matter of fact they struck up a friendship with Kafka Prosess and ended up moving to Oslo in the Mid-80s for some time and this Split surely was a collaboration as a result of that. I must say though, and much to my surprise, that at least to a degree I enjoyed listening to their chaotic and hectic songs today as I remember being rather turned off by their contribution to this Split, at least musically. Their songs don't even come close to the quality of Kafka's but in their own way they are a good laugh and delivered in typical Disorder style, if you know what I mean. Kafka Prosess disbanded in 1987 and singer Gunnar went on to form So Much Hate, a band I saw live and will write about at another time here, so stay tuned. 

Label: Skuld Releases; Year: 2000; Format: Vinyl LP

Thanks to people like Kleister who ran Skuld Releases until his death in 2015 (RIP) bands like Kafka Prosess get to be heard by people who missed them back in the day. I picked up a copy of "Ingen Fattige, Ingen Rike" when it came out as it collects all Studio Tracks Kafka have ever recorded aside from the tracks for the Split w/ Disorder (see above). It shouldn't come as a surprise that those tracks are equally strong as the band was just a force to be reckoned with. Kafka Prosess were a truly integral part of a blossoming European Hardcore Punk scene during their existence from 1984 through 1987 and have contributed to Tape Compilations, toured twice in Germany and at least once in the UK while also running the important X-Port Plater label. The song quality on some of the songs on this record is sadly not up to the standard of the Split LP songs, but it sure as hell doesn't take anything away from the quality of the songs. Apparently there are also tracks to be found on here that were originally planned to come out as an EP, something that never came to fruition due to the bands break-up. As mentioned above Gunnar went on to form So Much Hate and many other bands thereafter his relocation to Karlsruhe, Germany while one of the guitar players, Nils, joined Raga Rockers, a relatively big name in Norway. Get this one even if you already have the Split-LP. 

Public Disgrace - Toxteth EP

Label: Probe Plus; Year: 1982; Format: 7" Vinyl EP

In July of 1981 a big riot erupted in the inner-city area of Toxteth in Liverpool as a result of ongoing tensions between the local police and the black community. Considering the size of the city of Liverpool and its musical history one would think that quite a few punk rock acts have sprung up on Merseyside, but to be fair that never was the case. It would be fair to assume that Public Disgrace, one of the few punk bands from Liverpool, were a direct response to said riots and in 1982 the band released their one and only record in the form of a three-song EP put out by Probe Plus. Geoff Davies who started Probe Plus in an office above the record store Probe was an enthusiastic music fan giving unsigned bands a chance to be heard and quite frankly while this EP is by no means a milestone within the UK82 genre, it is nevertheless still a decent record with somewhat of a charm. The three songs are very rudimentary attempts at sounding like the Exploited, but every band has to start somewhere. Not sure what direction these lads took after the release of this EP but needless to say the band didn't last long. Reviewing this EP for the newly started MRR Tim Yohannan wrote in 1982 that "In 64', Liverpool ruled, not anymore. Boring". Point taken but a bit more background wouldn't have hurt, Sir. Unlike the band Probe Plus took off over the years and achieved quite a few indie hits with a number of bands, including Half Man Half Biscuits. Personally, I cherish releases like this one so for the UK82 die-hards out there give this one a chance. 

Ross Lomas with Steve Pottinger - City Baby (Surviving in Leather, Bristles, Studs, Punk Rock, and GBH)

Publisher: Bazillion Points; Year: 2015; Format: Softcover Book

Apologies for the winter blues, but January can be a tough month for not just getting out of bed every morning but especially for doing much once home from work. Since the days are slowly but surely getting a little longer maybe I am feeling slightly more energized. With age I have become someone that thrives on routine, and one of them is to always carry a book in my backpack which I read on my bus trips to and from work. Currently I am reading Steve Ignorant's book with Steve Pottinger and so it dawned on me that some time ago I have also read Ross Lomas' book with Mr. Pottinger, hence a perfect opportunity to get another review up. I am going to sound like a broken record here but the fact remains that it's tough to review books I have read a long time ago hence I revisited certain chapters a bit here and there. The good thing about this book is that it's divided into about three dozen small chapters making it easy to read the first time or when revisiting. According to an interview with Ross with Spanish blog 'Adios Lili Marleen' the original idea was to involve the entire band for the book but apparently nobody was interested bar Ross. In the end it worked out fine me thinks as it's a great read not just about Ross' involvement with GBH but about his private life as well. Quite often with autobiographies I enjoy the first third or so of the books the most as the author usually digs deep into their upbringing and the environment they grew up in. The fact that Ross and the rest of GBH hail from Birmingham makes it for a fascinating glimpse at life in Britain's "Second City" during the '70s, and it certainly is refreshing to hear about the early punk days with a view of someone from outside of London. As you will know though GBH really took off in the early '80s, and it certainly helped that their label mates Discharge pretty much took them under their wings. Many tours and records followed and it's all there throughout various chapters. And as you will surely also know is the fact that GBH still perform to this day hence the book continues all the way up to more modern days. The last time I saw GBH was in 2007 when I lived in London and when they performed at the Purple Turtle playing with their '83 line up if I am not mistaken. It was a fun and chaotic show and sums up the feeling this book delivers from the beginning to the end. But most importantly if you haven't already done so, grab your own copy and find out how Ross never became the milk delivery boy he set out to be way back when. 

Photo Credit: Frank White (Ritz, NYC, 1987)

T.S.T - S/T LP

Label: River Records; Year: 1982; Format: Vinyl LP

T.S.T (The Shock Treatment) formed in the spring of 1977 in Vasteras, Sweden, about an hour west of Stockholm. As you can tell by their band name they must have been Ramones fans but by the time their first titled first LP came out in 1982 their influences have shifted drastically towards the underground sounds from the UK. As a matter of fact listening to the record tonight I would say the members of the band must have bought and loved records by the following bands from the British Isles: Discharge, GBH, The Business, Violators, Red Alert and Anti Nowhere League. Before this first LP the band released two EPs and after having split up for a while they reformed with the idea to take the band in a more electronic direction having been influenced by acts like Fad Gadget or Human League according to the info in "The Encyclopedia of Swedish Punk 1977-1987" book. The UK82 sound must have changed their minds as this LP is a truly good mixture of either Punk/Oi influenced tracks or songs more in the Discharge/GBH vein. River Records was apparently a record store in Vasteras and released some of the band's catalogue which is unfortunately hard to obtain on reissues hence my hope is that I will get to hear the rest of the band's output on some reissue in the near future. According to the book mentioned above Nalle (Bass/Vocals) was quite a character and at one point wrestled a cop into a fountain and on another occasion at a Peace Festival pissed on the stage ensuing in a fight with the sound engineer. Got to love the Swedish Drunk Punks. Many years after T.S.T's demise Guitarist and Vocalist Jarmo Makkeli became a member in Swedish Punk'N'Roll outfit Psychopunch, a band my friend and I actually organized a gig for in Switzerland some good twenty years ago. Shame I didn't know about his T.S.T past that night and I would have talked his ears off....

The Discocks - Voice of Youth EP

Label: New Age Records; Year: 1994: Format: 7" 33RPM EP 

Back in the mid '90s I lived for a couple of years in the great city of Toronto, Canada and it must have been in early '97 that my friend Simon of Ugly Pop and I spontaneously decided to take a Greyhound bus to New York City to see the Discocks support the Casualties at Coney Island High in the East Village. Mind you we really didn't care all that much for the spiked band from NYC but were eager to see a Japanese band on North American soil. The fact that the Discocks weren't even the main act tells you a lot about the ignorance in the punk scene as a band flying in from thousands of miles away should really be the main attraction of any night, but that's just my opinion. We certainly had a good night and stayed over at Neil's of Tribal War to catch the Discocks again the next day in New Haven, CT, this time if memory serves me right with The Unseen. What I do remember vividly to this day though is that on the way up to New Haven we stopped at a gas station somewhere in the Queens/Brooklyn area and the Japanese punks and skins stuck out even for a city like New York as they definitely attracted a lot of looks. Funny enough the same year as the above mentioned gig I travelled to Tokyo, Japan and ran into Peter, singer of the Discocks, at the Antiknock Club in Shinjuku when One Way System were playing five shows in the Tokyo area. We had a brief chat after the show and he handed me the flyer that's been stuck in my copy of the band's first release up to this day. Ladies and gentleman, now after boring you to death with my travel stories let me remind myself that there is actually a record to be reviewed here and while preparing for this post tonight I also found out that the Discocks actually have a Wikipedia entry, now that's quite fancy me thinks. The "Voice of Youth" EP having come out in 1994 on the band's own New Age Records (also licensed to UK's Helen Of Oi) is in my opinion their best release by a mile. Their later stuff on Knock Out is okay, but doesn't come even close to this as this record is nothing short of a great effort of youthful UK82 influenced Oi Punk in the great tradition of Blitz, the Partisans or the Ejected to think of a few. My two favorite songs on this EP are "Street of '92" and "Punk and Proud" with a loud bass guitar and great choruses leaving you with no option as to sing along like a maniac. I sometimes wish I could go back in time and relive those days, great memories. 

Stigmathe - Suoni Puri Dalla Liberta and Lo Squardo Dei Morti EPs

Label: No Plan Records; Year: 2013; Format: 45RPM EP

Little to nothing is known to me about the history of Stigmathe, a band that hailed from the Northern City of Modena in Italy. Rest assured though that the two EPs reviewed herein though are a little different from what one would expect when it comes to '80s hardcore punk releases from Italy as neither is full-on Italian Hardcore the way we all love it. The first EP was originally self-released by the band in 1983 and the copy I own is a 2013 No Plan reissue, a label known for releasing great but mostly unknown gems. The band's first output is first and foremost very much influenced by what had musically happened in the UK underground scene from '79 to '82. The two tracks on Side A are solid UK82 influenced smashers and if they were not sung in Italian they could just as well have been recorded by the likes of GBH, Discharge or Dead Wretched. 'Italia Bruccia' on the B-Side is a little different in the sense that it is very melodic, mid-tempo and takes cues from 2nd Generation Brit bands like Angelic Upstarts, the Ruts et al. while a big Clash influence cannot be overheard either. Overall this is a great little platter. Mille grazie! 

Label: Meccano Records; Year: 1985; Format: 33RPM EP

Two years after having self-released their 1st EP Stigmathe released a 2nd EP, this time on Meccano Records from Torino. Worth mentioning is that the person behind Meccano Records, Giulio Tedeschi, was born in 1952 and could hence be considered "too old" to give a band like Stigmathe a chance but Giulio was always a man in pursuit of giving bands with a true DIY spirit a chance hence Stigmathe's 2nd EP landed with said label. Compared to the first one the 2nd EP is somewhat different yet again as the two songs on the first side are no longer just UK82 influenced but draw equally from post-punk and gothic as well creating an interesting mix with echoey vocals over dark and fast sounds while Side B is a great upbeat punky reggae track. In my opinion the 1st EP is the winner but both are equally strong outputs and  worth tracking down if said above is up your alley. 

Discharge - Hear Nothing See Nothing Say Nothing LP 

Label: Clay Records; Year: 1982; Format: Vinyl LP

It was yesterday forty years ago that this LP was released hence I thought it was a great idea to give this classic a spin. Discharge formed in Stoke-On-Trent in 1977 but sounded nothing like the wall of sound they would become famous for. According to their own words they kind of figured out their sound by just playing faster and harder and eventually created a style that would influence countless bands around the world and across genres. Of course by the time this LP was released Mike Stone of Clay Records has already released several of the infamous and classic Discharge EP's. Still and without doubt it can be said that this LP catapulted Discharge into a league on their own and leather studded punks in the squats of Berlin or in the rubbles of Sao Paolo took note and started to create their own wall of noise. One can have a million and one records on their shelves but let's be honest how many of them stand the test of their time? This one here has turned forty and will be celebrated equally another forty years down the road provided the human race has not eradicated itself. Free Speech For The Dumb! 

Abrasive Wheels - When The Punks Go Marching In! LP

Label: Riot City Records; Year: 1982; Format: Vinyl LP

Recorded and released in 1982 on Bristol's Riot City Records should give you quite a hint as to what to expect from this album. It is one of my favorite UK82 records as it just ticks many boxes. It's well produced, it's full of hits and quite frankly there isn't a single bad song on this first full length by Leeds' punks Abrasive Wheels. I haven't listened to this cracker of an album in some time but almost instantly I was able to sing along to most of the songs as they would be played on many a mixtape or punk disco after a show. Paying a bit more attention than usually it did not escape me that the album has a very '79 feel to it in the sense that while most of the songs are played at high speed with Dave's buzzing guitar sound and Shonna's aggressive singing typical in the foreground the choruses and melodies will be more reminiscent of 2nd generation punk acts like Sham 69 or Angelic Upstarts for instance. It all makes sense as I opened my copy of "Burning Britain" and read over the story of the Abrasive Wheels reminding myself that they actually had their beginnings in the late '70s hence those influences do not surprise at all. On this LP the band had also their strongest and most stable line up which led them to signing with Clay Records and releasing another LP in 1984 which in my opinion was nowhere near as good as this one having attempted to sound poppier and more accessible and failing miserably. The band reformed years later and actually released a record in the more recent years but I have never heard it. This one is a pure classic and whether you have the original or not what counts is that you have it and crank it up loud! 

Welly Artcore - Directions To The Outskirts Of Town

Publisher: Earth Island Books; Year: 2021; Format: Book

Look at me actually reviewing a book that has been published just very recently and which I just finished reading. To those of you having been into punk/hardcore since the ‘80s or ‘90s the name Welly Artcore should ring a bell as he is the man behind the excellent Artcore Fanzine still running to this day. “Directions To The Outskirts Of Town” basically combines Welly’s two tour diaries from the ‘90s, once as a roadie with Chaos UK in ’94 and then again with his own band Four Letter Word four years later. While the chapters with Chaos UK are funny and entertaining, they are often also short and could have used a bit more detail considering how crazy this tour was as it took them across the United States. Welly does make up for it big time when it comes to his entries for the ’98 tour with Four Letter Word. Not only did the band cover an insane amount of miles across the United States and Canada, but the tour was really in support of their album released on BYO Records. Welly himself admits that his band having been released on such a renowned label was due to the gold-digging punk rock decade the ‘90s was. This should in no way discredit Four Letter Word, a band I quite frankly am not familiar with at all though. Regardless, the tour diary of their tour is worth alone to get this book as it is full of funny and honest stories of four guys from Cardiff, Wales traveling thousands of miles across North America and quite often playing to a handful of people not knowing how to react. On said tour Four Letter Word did quite often open up to well-known acts such as Youth Brigade or 7 Seconds and it is during those shows that the hierarchies within the punk rock circuit are described with a high degree of honesty and humor by Welly. The DIY spirit of those days literally seeps through the pages of the book with bands crashing at the parent’s houses of people in attendance and surviving on shitty food and cheap beer for weeks on end. I am too old to know whether tours like the two in this book are still organized the way they used to but with Sat Navigation in the cars or on phones life as we know it is different from the ‘90s. Reading the book I often reminisced about those days where spontaneity ruled in the pre-internet days. 

V/A - Punk and Disorderly III - The Final Solution LP

Label: Anagram Records; Year: 1983; Format: Vinyl LP

Many years ago I used to drool over UK82 records and the bands associated with that particular sound and look. The older I got though, the more bored I became with the often monotonous and meaningless sounds from the countless bands that were around back then and held the flag high for the 3rd generation of punk rockers. Despite the fact that I have gotten rid off many of those records, I am glad I didn't flog them all. This particular compilation is the last of the Punk and Disorderly series and features stalwarts such as the Exploited, Abrasive Wheels, Chron Gen, and so on. In my honest opinion there is not one really bad song on this platter, hence I can recommend it highly if you are in the mood for some mohican-laden punk rock straight from the gutters of Britain in the early '80s. Even years after I have given this a spin the last time, the vast majority of these songs make you shout along and definitely bring back some forgotten memories.