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V/A - T-Bird Party! A Swangin' Slew of Greasy R&B - 1957-64

Label: Lido (Official?); Year: 1995; Format: Vinyl LP

Not too long ago I took a short bus trip to a relatively new record store in the suburbs of Buffalo, NY and returned home with a nice haul of interesting records, one of them being the compilation reviewed today. First and foremost though I learned that T-Bird is a colloquial for Fort Thunderbird, a personal luxury card entering the market in 1955. Considering the fact that the songs contained on this LP are all from 1957 through 1964 my guess is that a T-Bird Party would involve a drive-in restaurant where people gathered around their cars and fast food being served by girls on roller skates. It would also make sense that people attending those parties came up with ideas to start bands, after all it was the beginning of the Rock'N'Roll era and excitement was in the air. Unfortunately as with many of these compilations there is absolutely zero information provided about the artists featured, which is a big shame as this record seriously kicks ass and is still widely available on vinyl as well as on all streaming platforms. I really don't know whether Lido was actually a real record label, and I seriously doubt it. Regardless, the little information I have been able to find, mainly through discogs, is all I have and it will have to do. "A Swangin' Slew of Greasy R&B" actually describes all the songs fairly accurately as each one of them will take you on a wild trip to a time that in my imagination must have been much more exciting in many ways as the modern world we know and live in was just starting to take shape and music was part of that whole evolution. By the Mid-50s Rhythm and Blues has contributed to the development of Rock'N'Roll and the seventeen songs on this record highlight how exciting it must have been to be part of such an incredibly important period in our more recent history. Some of my favorite tracks to be found on this platter are 'Chewing Gum' by Danny Brown, 'The Kangaroo' by Charles Sheffield or 'The Chase' by Davey Jones. If you are interested in finding out how modern music has evolved over time, do yourself a favor and pick up this record or many others in this vein as they will not only enrich you musically but also culturally when it comes to the rich and vast history of African-American artists.

Sozz - Patrol Car and Law N' Order Singles

Label: Farmer Records; Year: 1979; Format: 7" Single

It's about time to pump some life into this blog, and since the sun has come out here in Buffalo for the first time in some time today my mood is a little better after having suffered through too many grey days when it becomes just too hard to do anything besides going to work. Back in the late '70s punk rock reached the most peculiar places on earth by infecting the local youth with a virus that would have long lasting effects on music and society in general. Switzerland, a beautiful and peaceful country in the middle of Europe, and the country where I lived most of my life, gave the world some wonderful early punk rock 7"s that are sought after around the world. Many of the early Swiss punk acts came from Zurich, but there were some notable exceptions, and Sozz is most certainly one of them. Out of the ashes of No Fun, founded in 1978, came a quartet which consisted of three brothers (Andreas, Ernest and Stefan Maeschi) and hailed from the small village of Bueren an der Aare in the Kanton of Bern. In April of 1979 the band entered the Sunrise Studios in Kirchberg where many early Swiss punk records were recorded resulting in the 'Patrol Car' single with 'Lurch Gang' being the other track. I don't think the first single is as good as the second one, but Patrol Car is a cracking song and provides a hint as to what direction the band was going to take. Influenced heavily by the Clash it is a melodic yet hard stomping song with lyrics depicting problems of urban nature and far removed from the idyllic views of village life, yet unsurprisingly appealing to a bunch of punk rockers literally lost in Heidi-Land. Lurch Gang on the other hand is the weakest song to be found on either of the two singles, but despite sounding disjointed it maintains high levels of that certain charme of late '70s rudimentary punk rock. 

Sozz band photo (Source: Patrol Car 7" fold out cover)

Label: Farmer Records; Year: 1980; Format: 7" Single

Just like with the first single Sozz self-released their second singe on their own Farmer Records after entering the studio in January of 1980. While 'Patrol Car' pre-shadowed the potential the band had, the two tracks on this single are both smashers. 'Law N' Order' is by far my favorite Sozz track and a perfect '77 punk cracker, again not shy of a heavy Clash influence. If melodic and anthemic punk rock is your thing, you will want to hear this song as well as 'All the cops in the streets' on the flipside. I really wish I could write more about Sozz as they are often somewhat forgotten when it comes to early Swiss punk history. Over the years I've gotten to know one of the three brothers, bass player Buzz, to a lesser degree. In the early '90s he opened up a small record shop in Zurich selling mostly punk vinyl and also vintage clothes and I was lucky to find some really great records there but was never able to strike up much of a conversation with the proprietor. It is a shame as I am pretty certain that Sozz were approached to participate in the making of Lurker Grand's great book on early Swiss punk - Hot Love, but turned down not just that, but also subsequent interest in reissuing these two rare examples of great early Swiss punk. You can find their songs on Youtube and if I am not mistaken some of the songs have made it onto some KBD comps, but don't quote me on that. I was lucky in the sense that a friend of mine gifted me these two records years ago, but the hope remains that one day a reissue of sorts will become reality. I should note that out of the ashes of Sozz came Last Romance and especially Hungry For What, a band that gained more international recognitinon and will be reviewed on this blog in the future. Members of Sozz also ended up in Sophisticated Boom Boom and nurtured and released records by the all-female band Chin Chin.

Old gig poster and other Sozz related material. Source: Hot Love (Swiss Punk & Wave 1976-80); Book by Lurker Grand and many others

Ton Steine Scherben 1st LP and Das Schillernde Leben des Nikel Pallat von Ton Steine Scherben Book

Ton Steine Scherben - Warum geht es mir so dreckig? LP

Label: David Volksmund Produktion: Year: 199?; Format: Vinyl LP

A few weeks back I listened to the latest episode of "Und Dann Kam Punk" podcast from Berlin, a podcast dedicated to finding out what brought people to punk rock, young and old. In the case of Nikel Pallat, the interviewee is not directly someone connected to punk rock but nevertheless played an important role in the development of said genre, especially through the distribution of the music (more about that in the book review below). The podcast episode not only prompted me to actually order a copy of Nikel's biography, but to pull out also my copy of the band's first LP, originally released in 1971. Ton Steine Scherben formed 1970 in West-Berlin around their charismatic singer Rio Reiser and famously played along Jimi Hendrix at the Love & Peace Festival on the isle of Fehmarn, situated between Germany and Denmark. After the band has established itself as a powerful and popular live band on Berlin's live circuit by 1971 it was time to record the first LP. It is unbelievable how well this record has aged, lyrically as well as musically. Ton Steine Scherben are considered to be one of the earliest German-language rock bands, if not the earliest. And with Rock I don't mean some watered down soft-rock band, but an ass-kicking, angry and socially aware band cranking out tunes that meant a lot back then, and still do to this day. The band quickly gained a fanbase within West-Berlin's anarcho and squatter circles, no doubt due to their direct anti-capitalist approach as a band. Ton Steine Scherben released their records on their own David Volksmund Produktion label and thanks to Nikel Pallat managed to gain distribution channels throughout West Germany after the band was initially only known mostly in West-Berlin. I would go as far as comparing Ton Steine Scherben to MC5 or London's Third World War in the sense that they were proto-punk before the term was ever coined. They foreshadowed what was to come later in the decade and musically one can hear Ton Steine Scherben in early German punk bands such as The Pack or Big Balls & The Great White Idiot. Lyrically Ton Steine Scherben influenced countless Deutschpunk bands in the '80s and were also covered quite a few times, most famously by Slime from Hamburg. Even though the band sings in German and many of you out there will not understand the lyrics I highly encourage everyone to seek out this and the band's second LP. They are timeless classics and have shaped radical music in Germany in many ways. RIP Rio Reiser (1950-1996)

Nikel Pallat mit Christof Doerr - Das Schillernde Leben Des Nikel Pallat von Ton Steine Scherben

Publisher: Hannibal Verlag; Year: 2023; Format: Softcover book (German language)

I thought it came handy to combine the review of Ton Steine Scherben's first LP with this book, even though it is in German, hence it's not that easily accessible which is a shame as it's a truly great read. As mentioned above I learned about the life of Nikel Pallat and this book through a podcast and how glad I am I did as the book is not just highly entertaining and informative, but above all inspirational. Pallat first heard Ton Steine Scherben when attending the Fehmarn Festival in September of 1970. Interestingly enough for a young man infected with the Rock'N'Roll virus he had a serious background when it comes to his professional life as a Tax Office employee by trade. According to Nikel back in the '60s places like the Tax Office were a haven for Nazis who often ended up in higher positions, being rewarded for war crimes as if World War II never happened. After having experienced Ton Steine Scherben live and having moved to West-Berlin Nikel was determined to not only meet the band, but to get involved. Initially he had sly hopes to become a member as he had written some songs, but that wasn't to be until a later point. Since the guys in Ton Steine Scherben liked Nikel and learned about his background in finances, they figured why not put the man in charge of distributing the band's "Macht Kaputt" single. And this is exactly the point where Nikel's life changed once and for all as fairly quickly it became clear that Ton Steine Scherben had found themselves not just someone who's good with numbers but also capable of managing the band and gradually turning them into a household name for polito-rockers across West-Germany. Nikel is probably most famous for his TV outburst in 1971 wherein during a discussion about Independent Music he sets out to destroy the table with an axe in order to send a radical message (Link: https://www.youtube.com/watch?v=tN1GEiO1vmI ). Said event marked just the beginning of Nikel's colorful and fascinating career in the independent music scene. After establishing himself as the manager and distributor of Ton Steine Scherben Nikel started Efa (Energie Fuer Alle) in 1983, Germany's first independent record distributor. As mentioned above Nikel did play a significant role in the evolution of punk rock in Germany by bringing labels such as Crass Records or Alternative Tentacle under the umbrella of Efa. Everything comes to an end they say, and so did Efa, but not Nikel's hunger to continue where he left off. Indigo Musikproduktion und Vertriebs GmBH, which exists to this day, is Nikel's home away from home, a record distribution and music production company having succeeded to exist in the age of Spotify, a company Nikel despises by the way. The book is divided into short chapters in which some reflect about Nikel through the voice of a third person. It becomes clear that Nikel is not just a well liked person but someone many look up to as to how to lead a fulfilling life. At 77 years of age Nikel still works full time for/at Indigo and I imagine that will never change. I hope this book gets translated into English at least in order to give Nikel's story more exposure. 

Photos borrowed from the book. The one with the various people in it depicts a scene from the apartment Nikel lived at in West-Berlin with Ton Steine Scherben. 

Varaus - 1/2 LP

Label: Larmattacke Records; Year: 2022; Format: Vinyl LP

What better way is there to spend the afternoon reviving this somewhat dormant blog of mine while the wind is blasting arctic air at god knows how many miles per hour in god forsaken Buffalo, NY. And thanks to Tangerine Orange Herbal Tea made by Zinger the whole experience reached another level by not only keeping me warm but reminding me that I am a somewhat old fart sipping on tea while sat in a recliner. But, let's go back to the year 1997 while I was traveling in sunny California and walked into a record store called Vinyl Fetish in Hollywood, Los Angeles. There, to my big surprise, I came across a copy of the 2nd pressing of the original self-released Varaus 1/2 LP from 1983, and you wouldn't believe it that I paid somewhere close to forty dollars only. Yep, no kidding. I imagine it was one of the owners who rang up my lucky ass while saying: "I know this is super rare and I could ask for much more, but who in the hell would buy it?" Well, I did, but about ten years later in dire need for cash I sold it on eBay to somebody in Australia if I am not mistaken, and the chap definitely shelled out much more than what I had paid. It just goes to show you how much '80s Finnish Hardcore Punk has grown in popularity over the years, and rightfully so, even though Instagram and Facebook definitely play a big role, but so be it. Hence I consider myself pretty lucky again to be an owner of this 2022 reissue as even this one is hard to come by nowadays proving that it's just one of those records that will always be hard to come by not because it's so great, but because it is so hard to get. But, on to the record itself, which again was self-released by the band back in 1982 (1st pressing). Unfortunately there is very little to nothing to be found about Varaus on the intranet so the only information I gathered is from Discogs where I learned that the band hailed from the town of Hyryla, somewhere quite south in Suomi-Finland. The fact that the original first two pressings fetch such incredible amounts of money does irritate me somewhat as musically speaking this is not one of the classic great Finnish Hardcore records, at least not in my opinion. Fact is that the band in the spirit of the time must have thought that the songs were good enough to press onto vinyl even though in all fairness it does sound like a practice tape and nothing more. That doesn't mean it's horrible, but the band definitely lacked in tightness and song-writing, which they made up for a lot in spirit. Don't get me wrong as I do think it's an excellent document from a forgotten time when guys and girls in spiked leather jackets tramped to gigs in terrible weather to trash out to bands like Varaus, hence if you like rudimentary Discharge style Finnish Hardcore you will dig this, just don't expect the heights of records by better known compatriots of Varaus. I was sad to learn that two members of Varaus, Hande Pussinen and Jone Vaarala, are no longer with us hence may they rest in peace. 

Insert from the Larmattacke repress (probably same as the original) and a band photo stolen from the band's discogs page.