V/A - T-Bird Party! A Swangin' Slew of Greasy R&B - 1957-64

Label: Lido (Official?); Year: 1995; Format: Vinyl LP

Not too long ago I took a short bus trip to a relatively new record store in the suburbs of Buffalo, NY and returned home with a nice haul of interesting records, one of them being the compilation reviewed today. First and foremost though I learned that T-Bird is a colloquial for Fort Thunderbird, a personal luxury card entering the market in 1955. Considering the fact that the songs contained on this LP are all from 1957 through 1964 my guess is that a T-Bird Party would involve a drive-in restaurant where people gathered around their cars and fast food being served by girls on roller skates. It would also make sense that people attending those parties came up with ideas to start bands, after all it was the beginning of the Rock'N'Roll era and excitement was in the air. Unfortunately as with many of these compilations there is absolutely zero information provided about the artists featured, which is a big shame as this record seriously kicks ass and is still widely available on vinyl as well as on all streaming platforms. I really don't know whether Lido was actually a real record label, and I seriously doubt it. Regardless, the little information I have been able to find, mainly through discogs, is all I have and it will have to do. "A Swangin' Slew of Greasy R&B" actually describes all the songs fairly accurately as each one of them will take you on a wild trip to a time that in my imagination must have been much more exciting in many ways as the modern world we know and live in was just starting to take shape and music was part of that whole evolution. By the Mid-50s Rhythm and Blues has contributed to the development of Rock'N'Roll and the seventeen songs on this record highlight how exciting it must have been to be part of such an incredibly important period in our more recent history. Some of my favorite tracks to be found on this platter are 'Chewing Gum' by Danny Brown, 'The Kangaroo' by Charles Sheffield or 'The Chase' by Davey Jones. If you are interested in finding out how modern music has evolved over time, do yourself a favor and pick up this record or many others in this vein as they will not only enrich you musically but also culturally when it comes to the rich and vast history of African-American artists.

Crazy Cavan 'N' The Rhythm Rockers - Rockability LP

Label: Charly Records; Year: 1976; Format: Vinyl LP

Let me tell you straight off the bat that it sure as hell isn't easy to do many blog entries during the summer months as I am not someone whose energy levels feed off of hot weather, actually quite the opposite. Luckily I don't live in one of those States where it's constantly 110 degrees, otherwise I'd have to hide in a freezer for the remainder of the summer. Anyway let's get down to business, and with that I am talking music and to be more specific Crazy Cavan 'N' The Rhythm Rockers. Since I was a little kid I've always had a bit of an ear for Rockabilly as my father had a little stack of LPs of artists like Buddy Holly, Bill Haley & His Comets and a few others hence I was exposed to the music early on and it stuck with me ever since, at least to a degree. Teddy Boys on the other hand were not exactly the best friends of punks, at least not in Europe where I grew up. As a result of that I had very little to no exposure to local Rockabilly scenes with the exception of a few people that were open minded and frequented the punk scene as well. It must have been 2010 or 2011 though when I did see Crazy Cavan with his band at the 100 Club in London and I remember having a blast. My friend and I kind of stuck out with our rather casual clothes as most people were dressed in their Teddy Boy and Girl uniforms rocking out to the tunes of Crazy Cavan. I discovered Crazy Cavan through a good friend of mine back in Switzerland as he's always been a big fan and is a good few years older than myself having experienced the Rockabilly revival scene first hand. Cavan Crogan (aka Crazy Cavan) got his band together as early as in the late '60s celebrating long forgotten American artists like Charlie Feathers. They played their socks off in little clubs during the early '70s and were eventually discovered by two DJs in London's East End. After having released two 7"s on their own Crazy Rhythm label and the first LP on Rockhouse Records the band eventually signed to Charly Records in February of 1976 and "Rockability" was the first record to have come out on said label and was the beginning of a lengthy collaboration. One thing I would like to bring up as food for thought is the fact that when it comes to the months and years pre-dating the punk rock explosion it is often glam rock or pub rock that are mentioned as the main influence of early UK bands. I don't remember ever hearing or reading much about the rockabilly revival scene and their influence on punk rock, maybe due to both fractions viewing each other with contempt. Musically as well as fashion wise though it should be said that without a doubt rockabilly has definitely had an influence on early punk rock acts, at least in the UK, leading to quite a few punks discovering said roots in the early '80s through bands like the Stray Cats for instance. As for "Rockability" I really love the album and can't think of even one song that could have been scrapped. Whether you like your rockabilly up-tempo in songs like 'Stompin' Shoes' "Nobody Else Like you" or my favorite "Knock Knock" or you prefer the more swooning songs such as "Delores" or "Sweet Little Pretty Thing" you will find plenty of both on this full length. For now I own just this one LP by the band but I definitely keep my eyes out for their first and third LPs so stay tuned for more. Unfortunately Cavan Crogan passed away in 2020 (RIP), aged 70 years old. Should you want to find out more about the band's history please click on below link for an interesting article in Vintage Rock Mag. 

https://www.vintagerockmag.com/2020/07/crazy-cavan-a-rockabilly-star-in-heaven/

Blue Angel - S/T LP

Label: Polydor Records; Year: 1980; Format: Vinyl LP

A few months ago when on a quick visit to New York City my wife and I went to an interesting photo exhibition called 'New York New Music 1980 - 1986' highlighting photos, flyers and other artifacts from that time period, presenting all kinds of music of different genres, including of course punk rock. But, this entry isn't about anything punk rock related but rather about Cyndi Lauper and her first band, Blue Angel. The reason I am bringing up the exhibition is that photos of Blue Angel gigs were on the wall and reminded me that I finally need to get a copy of the LP as I have been an admirer of Cyndi since the '80s. Just this past weekend I went to a garage record sale up the street from our house and guess what, for a few bucks I got a mint copy of the Blue Angel album. Recorded and released in 1980 it is very much a New York record encapsulating the mood and state of the Big Apple in said year. With a new decade on the horizon and a fresh start palpable in every possible way it truly is a positive record in the sense that the twelve songs will instantly lift your mood, which is never a bad thing. I listened to the record this morning being off from work for Juneteenth while doing my stretching exercises to help with my joint problems, and instantly felt better, okay it's a slight exaggeration folks. Truth of the matter is though that it's a great pop record, while also being a good power pop, new wave or rockabilly record as it stylistically draws from all those genres mixing them seamlessly from one song to the next. Cyndi Lauper started to sing at the age of twelve and by the time this record was released she was already twenty-seven years old, hence there were many years in between even though at some point she was told by doctors she would never be able to sing again after having damaged her vocal cords. Needless to say those doctors were wrong, very wrong...Having grown up in the pre-Beatles era it is clear that Cyndi must have been fascinated by early Rock'N'Roll as the Rockabilly influence on this record is to be heard on several tracks. But, at the same time let's not forget that Blondie and the B-52's had already released several albums by 1980 and it would be wrong not to mention that there is a vibe throughout this record closely reminiscent of those two bands. Unfortunately, or as in the case for Cyndi actually more fortunately, the band didn't last too long as they broke up after a fall out with their manager. As a result of that the band was sued for a large sum of money which forced Cyndi to pick up odd jobs at stores and such. In 1981 while singing at a New York bar she was discovered by David Wolff, who would become her manager and the rest is history. I highly recommend tracking down a copy of this, you won't regret it. Cyndi Lauper is turning 70 years old later this week - Happy Birthday! 

Cyndi Lauper with Blue Angel (Photo taken at NY New Music 1980-1986 exhibition)

Little Richard - Here's Little Richard LP

Label: Specialty Records; Year: 1957; Format: Vinyl Stereo LP

Let's face it, if it wasn't for Little Richard, born on Christmas Day in 1935 in Macon, Georgia, I most likely wouldn't be writing about all these exciting records that were released way later then this one here,  dating all the way back to 1957. It all has to start somewhere and when it comes to Rock'N'Roll then Little Richard is often referred to as the "Architect of Rock'N'Roll", and I for one certainly don't think that to be an exaggeration. I got this LP not all that long ago and it's definitely seen better days, but it's tough to come across Little Richard LPs out there in the wild hence I was happy to shell out three bucks for a somewhat beaten up copy which still plays perfectly fine though. And let's be honest here; I am far more excited to buy old records than reissues as the smell and feeling of the old ones just can't be beaten. But back to Little Richard now, who I am sure most of the losers reading this blog will be familiar with, and if not, then I seriously have to ask myself under which stone you were hiding for the last god knows how many decades. I think what fascinates me most about Little Richard is the fact that he was one of the earliest black artists bringing people of all races together, and let's face it back in the roaring fifties that was a big deal as segregation here in the United States was unfortunately a daily thing. I hear the words 'game changer' way too often these days and honestly I really don't like them and never use them, but there are exceptions as to when they can be used and this is one of them. Little Richard transformed popular music and had a huge impact on so many artists and bands that the list would be endless. Lemmy of Motorhead for instance is just one of many who always made sure he mentioned Little Richard when asked about his main influences. The world of Rock'N'Roll, Soul, Funk, Rhythm & Blues and the list goes on was changed once and for all by Richard Penniman and we should all be thankful for that. Oh right, what about the record? Well, all of you will have heard "Tutti Frutti" or "Long Tall Sally" at some point in your life, but the rest of the LP is just as good, if not even better. My favorite is "Rip It Up". Little Richard lived a long life and passed away in the spring of 2020, RIP. Luckily his music lives on forever.  

Larry Williams - Unreleased LP

Label: Specialty Records; Year: 1986; Format: Vinyl LP

The beauty of walking into a record store and hearing instantly something played over the stereo that I like is a feeling that I have always cherished, and that will hopefully never die out. So, it was only a week ago when I took a long walk in my neighborhood and stopped at my local record store up the road from the house. Over the stereo was blasting Larry Williams, an artist I had not been familiar with but instantly fell in love with. This week I was also thinking that at some point in the not so distant future I will introduce you to the two record stores here in Buffalo, NY that I mainly use for record shopping these days. I don't buy many records, and as you will have noticed if you read this blog, only old stuff and reissues, but I thought especially for people traveling through Buffalo it might be good knowledge to have hence stay tuned. On to Mr. Williams (nee Lawrence Eugene Williams) then, born 1935 in New Orleans, Louisiana. After having been uprooted by his parents' move to Oakland, California Larry returned to New Orleans in 1954 where he began working for his cousin Lloyd Price as a valet. Larry was eventually introduced to Little Richard and with being a piano player for Lloyd, Williams eventually signed his own record deal with Art Rupe's Specialty Records. This record collects quite a few previously unreleased or alternate version of songs from the label's vast vault. According to the sleeve notes by Joey Mattia the LP was compiled and mastered by Little Walter of Boston, a prominent DJ and expert in the field of 50's and 60's rock'n'roll: "We have compiled this album with some of the most rocking tunes you'll hear. Some of the songs are alternate takes from the sessions where the original hit was recorded. These alternates are every bit as exciting as the ones that were originally released. At the time, Art Rupe, founder of Specialty Records, felt that maybe these sides were not as good as they could have been, but hearing them anew, we all felt they were dynamite!"

While researching for this entry this morning I came across the fascinating history of Specialty Records and the fact that Art Rupe just died recently at the age of 104. It could very well be argued that without artists and independent record label owners such as Rupe the DIY punk rock explosion would have never taken off the way it did as inspiration has to always come from somewhere. It could also be argued that sadly it is often the case that record labels try to cash in on artists that are no longer with us and by 1986 when this record had come out Larry was already dead for several years after having committed suicide in 1980. Williams' later life was plagued by drug abuse and violence, sadly nothing uncommon with a lot of artists from his generation. If you appreciate well crafted and wild' '50s rock'n'roll then you will not be disappointed with this record and should get your greedy hands on a copy of this. Rockin' Pneumonia it is!!!

Art Rupe obituary from The Guardian: https://www.theguardian.com/music/2022/apr/18/art-rupe-obituar

Baby's Got A Gun - Suicide Girl EP

Label: MBC Record; Year: 1987; Format: 45 RPM 12" Vinyl

Really not sure where I bought this one and when but it was without doubt decades ago. An interesting release it is though as there is little to no info at all to be found about Baby's Got A Gun from Scotland on the intranet. If my memory serves me right there was a little report about them in an old MRR but I am certainly not going to spend hours looking for it now. Should I come across it, I'll upload it here. Baby's Got A Gun existed from 1985 to 1995 and this 12" EP was their first release. Remember how 45 RPM EPs were a thing in those days. Equally interesting is the label that put out this release as MBC Records, or McDonald Brothers Corp, was the label that brought the world six volumes of Punk - A World History, a little side note I found rather interesting. There is no doubt in my mind that this Scottish bunch will not be ingrained in punk rock history but this EP is in fact actually quite good. Side A was recorded in 1987 and the B-Side a year earlier and the four songs are kind of tough to describe but if anything I would describe them as Punk-a-billy as corny as that may sound. By the time the band got together the world has seen punk rock come and go and evolving in different directions which is very much in the foreground on this record. Equally influenced by the Revillos or the Ramones '83-'86 period the four songs blend influences from punk rock to rockabilly and some goth rock into an interesting musical mash that works. I suppose there was a lot of these bands around at the time but they just weren't on my radar very much as I just about gotten into hardcore punk, and by that I mean nothing as melodic as this record. It's one of those records that if you see it somewhere for a couple of bucks grab it as I think it needs a new generation of listeners. I guess the band took their band name from the Only Ones...?

Photo Credit: Baby's Got A Gun Official FB page

The Jon Spencer Blues Explosion - Jukebox Explosion Rockin' Mid-90s Punkers!

Label: In The Red Records; Year: 2007; Format: Vinyl LP

The Special Note on the back of the record states: The music on this album is wild, low-tech rock'n'roll, and although it has been mastered from the best possible original discs and master tapes there will still be slight surface noise noticeable on some tracks. Couldn't agree more. I have heard of the Jon Spencer Blues Explosion for years but never had sought out any of their albums or music. Not too long ago I stumbled across a sealed copy of this album for a few bucks at my local record store and spontaneously decided to get it. Tonight I thought I'd give it a spin for the blog and I must say for the most part I dig this shit, referring to the song that the band was supposed to play live on NBC's Saturday Night Live, which of course never happened as an argument over the use of profanity broke out. This LP basically compiles rare tracks off of the band's early singles with some of them being taken from the In The Red Records Jukebox singles series. I am no expert when it comes to noise rock but I would definitely say that first and foremost The Jon Spencer Blues Explosion can be described as such. On the other hand they certainly drew influences from lots of genres and styles such as blues, garage punk, rockabilly and even hip hop. A lot of the song arrangements are definitely crazed but absolutely interesting and in some ways innovative. I will see if I can find more of their back catalogue for cheap as songs like Ghetto Mom from 2002 are absolute boogie punk scorchers. If you plan on wrecking a party and need the right soundtrack keep this one in mind. 

 

Big Wheelie and the Hubcaps - Christmas Grease LP

Label: Wheelie Records; Year: 198?; Format: Vinyl LP

A day too late I arrive with this post, but I am sure most of you are still in the holiday spirit and won't mind a Christmas record post. I bought this a year ago after having just moved to Buffalo and found this for next to nothing at my local record shop. I played it twice last year, and again this Christmas and always enjoy it. Big Wheelie and the Hubcaps were a local rock'n'roll revival band that started out in the early '70s and kept going for forty and some odd years. From what I heard singer Chuck "Big Wheelie" Vicario sadly died of Covid not all that long ago. Christmas Grease was according to an interview with Chuck recorded in Florida where he lived for some years during the '80s. Since there is no release year mentioned on this record and also since it was self-released on Wheelie Records it might actually be hard to track down a copy should you be a Big Wheelie Fan or a collector of rock'n'roll revival records. Big Wheelie have in the past performed with the likes of Little Richard or Chuck Berry and have to my knowledge been hugely popular in the Western New York area. And I can see why as this record is nothing short of good tunes putting you instantly in a good mood should you enjoy Christmas at least a little bit, which personally I do so call me a sucker. Eleven rockin' and rollin' tracks will have you dance and twistin' around your tree while singing along to cheesy Christmas songs. I for one know for sure that I will put this record on again next Christmas. 

 Mojo Nixon And Skid Roper - S/T LP

Label: RBI Records; Year: 1985; Format: Vinyl LP

I recently bought this album as it was for one sitting for a cheap price at my local record shop and secondly I had a vague knowledge of Mojo Nixon hence why not. I wasn't disappointed when giving this a spin this past weekend. This album will take you on a wild ride on a mixture of blues, country and rockabilly with Mojo handling the guitar, singing and the foot while Skid is operating the washboard and a stick drum. Throw in some hilariously funny and witty lyrics reminiscent of literally madmen of the past and you get an album that never gets boring. The first track "Jesus at McDonalds" sets the tone music and lyric wise and other hits include "I'm in love with your girlfriend" and "Art Fag shuffle" amongst others. Enigma Records marketed this album worldwide but I doubt it made any waves whether it's here Stateside or anywhere else. It is one of those albums that in my opinion most likely went under at the time and needs to be rediscovered decades later. Glad I grabbed this one, and so should you. 

Update 2-8-2024: RIP Mojo Nixon (1957-2024) Below find link to a nice obituary:

https://www.rollingstone.com/music/music-news/mojo-nixon-dead-obituary-1234964257/?fbclid=IwAR0Im4eevm7k2MIiivBgGnpdFynbo8tgISSm-Ms1CZG-IUZXEoVfoAAXXF0