The Brat - Attitudes LP

Label: Radiation Records; Year: 2023; Format: Vinyl LP

Firstly my apologies to the few regular readers I have for not having posted any new content in a while but that's how it is going to be until December due to a work related exam I am studying for. The good news though is that thanks to the two incompetent and useless political parties running and ruining our lives here in the U$ of A and the avoidance of a government shutdown this blog here gets funded for at least another forty five days. I hope everyone is enjoying the last few warm days before we shall bundle up again as I sure as hell am, and today was a perfect day to put on a recently purchased reissue I have been patiently waiting for some time. East LA's the Brat formed in 1978 when lead guitarist Rudy Medina and his guitarist-nephew Sid Medina met Teresa Covarrubias from Boyle Heights. In the highly recommended and excellent book "We Were Going To Change The World" by Stacy Russo (this will get an extensive review/interview in the near future) Teresa is featured as one of the women having been part of the '70s and '80s Southern California Punk Scene where she goes to explain that despite the widespread belief that Punk Rock was all inclusive she did not think it mirrored the experience the Brat had having felt rather marginalized and isolated from the Hollywood Punk scene on the West Side of LA. Teresa further explores: "I think the first show that we did that was a real concert was probably at Madam Wong's in '78, '79. Actually, it was kind of important. I think John Doe and Exene were there that night, and they really dug the band. I always say that I think they had a lot do to with helping us break that barrier, because I always felt there was a barrier. After Exene and John came and they met us afterwards, they really helped us try to break into the whole scene on the Westside. We opened for X many times, because they requested that we did." But not only did X help the Brat to achieve more exposure, the East Side of LA also got its own venue in the shape of the Vex as a result of Chicano muralist Willie Herron teaming up with Self-Help Graphics founder Sister Karen Boccalero concluding that the space they were using could as well be used to put on shows. The Vex became crucial to the development of the Brat and it must have been at said venue where Tito Larriva of the Plugz discovered the band and liked them so much that he offered to produce and release their 10" on his newly created Fatima Recordz back in 1980. A year later the five song EP titled "Attitude" was reissued as a 12" and thereafter it disappeared into obscurity as many great records have. Fortunately Radiation Records has decided to put out the original five songs that appeared on the first record plus eight more track recorded between 1981 and 1985 on this neatly packaged LP fittingly called "Attitudes". If you have never heard of the Brat you are in for a nice surprise if you like well crafted punk songs with a good dose of pop sentimentality. On top of that I would go as far as saying that the Brat created a unique sound by blending punk rock's energy with influences ranging from pop, new wave, and country music backed with intelligent lyrics tackling political and societal issues. After the release of "Attitude" the band was planning on releasing a further record on a Major Label, but it is to be assumed that the suited men and ladies were not fond of the band's critical lyrics hence by 1985 the band disbanded. If you want to get a taste for the Brat I suggest you listen to my personal favorite track "The Wolf", recorded in 1982 at Santa Barbara Sound, as it can only be described as an incredibly powerful and brilliant song dealing with the hypocrisy we call democracy in this country. It is without a doubt that the Brat were more than talented enough to write excellent punk songs with a pop edge, or pop songs with a punk edge, but as was the case for many of their peers it wasn't meant to happen for them. It is never too late and I can only hope that this excellent reissue reaches new fans of the band as they truly deserve more recognition. Grab a copy while they last! 

Photos borrowed from https://thebrat.net

Wretched Ones - S/T LP; Live EP; Tributes Suck EP and Live on a Five Single 

Label: Headache Records; Year: 1993; Format: Vinyl LP

I had planned to do this Wretched Ones entry quite a while back as May 23 of this year marked the 25 year anniversary of seeing them in Hamburg, Germany supporting the Angelic Upstarts. Anyway better late than never so here we go with a longer entry dedicated to this quartet from Midland Park in New Jersey. Not too long ago I posted about one of the Headwound EPs on Headache Records and had a bit of a look on their FB page since they seem to be still going strong. There I stumbled upon a German podcast dedicated to Headache Records, which was run by Pit, the singer in the Wretched Ones. Quite frankly not much is to be found on the worldwide intranet about the New Jersey '90s Oi scene, or the Wretched Ones in particular, but in a way I really like that even though the band deserves much more recognition for their output. In said podcast the guys talked about quite a few bands that appeared on Headache Records, but I was really mostly interested to hear what they had to say about the Wretched Ones. It was no surprise that they too thought the band brought a fresh wind to the Oi genre. I have never been much of a fan of Oi per se but during the '90s the Wretched Ones from the East Coast and Bonecrusher from the West Coast were two of my favorite bands, both capable of fusing elements of '80s hardcore punk with mean and raw Street Rock'N'Roll. In that sense the American Oi bands set themselves apart from the more traditional '80s UK Oi sound, which in my opinion was more often than not quite lame in contrast. The Wretched Ones have a history in hardcore punk as two of their members, Pit on vocals and B.T. on guitar, were members of The Burnt who released an LP on Mutha Records back in 1985, followed by a few EPs on Headache Records. The band transitioned into the Wretched Ones as early as 1988, but it wasn't until 1993 when the first LP was released, and what a cracker of an LP it is. I am nearly ashamed to say that at one point I had almost the entire catalogue of the Wretched Ones in my collection but when I needed money the records exchanged hands and wandered to a friend of mine in the UK, at least they are in good hands. Luckily some years ago I was able to find a copy of this LP for cheap and I will continue buying back whatever I don't have anymore. The 16 songs on the LP can be described as American Oi classics, and I do mean each one of them. Stand out tracks are "Going down the Bar", "Working Man" or "Time marches on" but again they're all brilliantly simple yet ass-kicking songs. The Wretched Ones had a habit of writing as many songs as possible about drinking beer and working bonebreaking jobs without ever getting boring, and I mean that as a compliment. In all fairness Schaefer Beer should have paid the guys large sums for their free advertisement and the Toxic Avenger should have hailed these guys when saving New Jersey from the next chemical disaster. Fill your fridge with beer and give this one a spin, you won't regret it.  

Label: Knock Out Records; Year: 1999; Format: Picture 7" EP

God knows how many days I have lived now in my nearly fifty three years of existence on this screwed up planet, but in all fairness how many of those days do I or any of us remember? I think it's fair to say not many. But, there are those days which we'll never forget, and for me May 23 of 1998 is certainly one of them. On said beautiful Spring Saturday I boarded a train heading from Zurich, Switzerland to Basel early in the morning and from there I got on a Deutsche Bundesbahn express train that got me to Hamburg by around 4pm. I recall heading straight to the Hafenstrasse by Hamburg's vast port and there was already a large contingent of Punks and Skins drinking cans of beer and generally having a good time. A friend of mine from Switzerland was meant to come along on the trip but had to cancel last minute. I had no problem going up to Hamburg on my own as up to that point I had never seen the Upstarts and the Wretched Ones alone would have made that trip worthwhile for me hence it was a no brainer. On top of that the gig took place at Grosse Freiheit 36, a renowned venue that hosted early Beatles gigs and is up to this day one of the most famous locations for live music in Hamburg. The atmosphere leading up to the gig in front of the venue was absolutely electrifying as people from around Europe had made the trip to Hamburg to witness an unforgettable evening. It so happened that at some point I was approached by a group of Skins who had made the trip from the Eastern parts of Germany (former GDR) asking me where I came from. Somehow they were fascinated by the fact that I had come up from Switzerland and bought me several rounds of beers throughout the night which I definitely didn't mind. What can be said about the gig, and in particular the Wretched Ones? I thought all bands put in a great shift, including Oxymoron who jumped in last minute to replace the Dropkick Murphys. By 1998 the Wretched Ones were not as unknown in Germany as one would think as Mosh of Knock Out Records has licensed the first two LPs by the band and as a result of that the guys from New Jersey had a dedicated fan base in Europe, mainly in Germany. The fact that the band was flown in just for the one show in Hamburg baffles me to this day, but I am glad they were. The Wretched Ones sure as hell didn't disappoint and the crowd of more than 1'000 thanked them loudly. The four songs on this Live EP are proof for the remainder of this civilization that New Jersey produced some fine music, and the Wretched Ones are never to be forgotten for that. After the gig I joined some of the people of Klasse Kriminalle from Italy, members of Red London and B.T. from the Wretched Ones on a trip to a bar on the famed Reeperbahn and I'll never forget how B.T always ordered two beers at the same time, one to down really fast and the other one to last a bit longer. After a long night of great live music and drinking I walked down to Hamburg's train station and took a train to Cologne to catch Motorhead the next day, a Sunday night. It wasn't until Monday morning that I finally returned to Switzerland, tired and with my ears ringing, but full of memories I will never forget. Cheers! 

Back of the Live EP as well as the ticket to the gig and to my surprise I even kept the train ticket in the record, great memories!

Label: Headache Records; Year: 1998; Format: 7" EP

In 1998 the Wretched Ones and Headache Records had enough of waiting on some labels to release Tribute records and decided to put their contributions on an EP appropriately called "Tributes Suck". The four songs enshrined on this EP are all classics in their own right, and I'll be a lazy bastard and just type up what the back of the EP says: 

1. Pirate Love - Originally recorded for Sky Krebs Records (who?) over four years ago. This guy was gonna put out the best tribute ever, blah...blah...Last we heard the master tape was stolen out of his car (yeah right). 

2. Just To Get Away - We agreed to get this in right away, the release date, after all is already next month. Half a year later we get word it's out. We are lied to a few more times that copies are in the mail. We figure we'll never see it. (Note: we got 'em now as this goes to print, thanks)

3. No More Heroes - Recorded for Elevator Records, this guy has bullshited us along for two years now that this thing would be out in another "month or two" Our feeling is he's about an hours drive away from a punch in the head. 

4. America The Beautiful - Dictators! OK now we're cooking. What song do you want us to do? What's that? America? That's note a Dictators song. Huh? It was on a Japanese 45 or in a movie? Can we do something else? Oh well OK we'll do this if it's that important. Well it's been way over a year ago, we've heard nothing about a release date, and our contact has since quit the label. Serves us right I guess. 

Well, hopefully in the end the band got copies for all those wonderful Tribute records, but even if not, this EP rules as the Wretched Ones obviously paid tribute to those songs the right way. 

Label: Headache Records; Year: 1996; Format: 5" Single

Well, time to grab a beer, some food and finish this off with the last record for this extended Wretched Ones blog entry. And guess what, it's a 5" record, and the only one in my collection. Two live songs are to be found on this tiny piece of vinyl with "We're not stopping now" recorded live in Wanaque, NJ by Harry Baggs one one side, and correct me if I am mistaken but I think that's the place I looked up when reviewing the Headwound EP hence the show was probably with them. And by the way the town seems almost as small as the 5" record. On the other side you get "I hated school" recorded live in Newark, NJ by an unknown audience member. Who knows and maybe this blog entry will solve the mystery and we'll finally find the unknown audience member. Please contact the HQ of HFTP as soon as you can! Cheers! 

Hated - 4 Song EP and Pressure/Stereotyped 7" Single Reissues

Label: Meat House Productions; Year: 2021; Format: 45RPM 7" EP

If you are like me and love the early Southern California sound of bands like T.S.O.L, Agent Orange, Adolescents, Shattered Faith et al then you are in for a treat with Hated who hailed from Huntington Beach and released three 7"s in the very early '80s. As it goes with those records they cost in the hundreds and are collector items and unfortunately not to be heard by the vast majority of us punk record nerds. Luckily Meat House Productions has finally made these gems available again for everyone to be able to buy for a few bucks and that's just what the world needed. I sure as hell have come across Hated, but whether it was this Hated or another one, I really don't recall. The band really doesn't get much mentioned in all the books and documentaries on Southern California punk history that are out there now while they really should be up there with the likes I name dropped earlier on. Originally released on the band's own Stress Records in 1982 the four songs are nothing short of superb and had they been produced better and especially louder the record would be even better as it already is. Angst-ridden vocals combined with the typical surf music influenced punk guitar sound of Southern California and an equally aggressive yet melodic bass and drum sound are all the ingredients a perfect record needs and they are to be found in abundance on all four songs. My personal favorite is "Enemy", but in all fairness I could pick any of them. Brilliant EP!

Label: Meat House Productions; Year: 2021; Format: 45RPM Single

I don't know which of these two records came out first in 1982 but just like the 4 Song EP this two song single containing 'Pressure' and 'Stereotyped' is an absolute scorcher. Interestingly across the front cover from left to right the letters read in German "ich kann ihn nicht leiden", meaning I cannot stand him. Who the band was referring to is unknown to me but considering Hated were part of the early '80s hardcore punk contingent from Huntington Beach I imagine they had lots of enemies in the general population by just looking somewhat different from the rest. Hard to think that these days just about anyone walking down the Huntington Beach pier looks somewhat punky, well slightly exaggerated but not that far off from the truth me thinks. In comparison to the 4 song EP the two songs on this single are better produced and while they are stylistically very similar I cannot help to hear a bit more of an Angry Samoans vibe in both songs. Maybe I should mention that bass player Chalmer Lumary went on to join Vandals and I am not one hundred percent sure whether another member, Joe Wood, is the same person that would go on to front the second incarnation of T.S.O.L and married Jack Grisham's sister. Maybe someone out there knows? Hopefully I can find a copy of the reissue of the band's first record from 1981 and from what I saw on the Hated official FB page a new record is to come out on Puke'N'Vomit as well. Unfortunately Hated's singer Steve Reehl aka Steve Real passed away last year, RIP. Get these reissues while they last!

Cuckoos Nest Poster and Live Shot stolen from the band's FB page.

Gestapo Khazi - S/T Mini-LP

Label: Dead Beat Records; Year: 2009; Format: 12" 45RPM EP

First and foremost this is somewhat of an abnormality when it comes to my blog entries as this record was recorded and released in 2009, which for this blog seems like yesterday. It's funny how records sometimes find their way into your house as up until I had bought this 12" about a year ago I have never heard of Gestapo Khazi from Long Beach, CA unlike the label this was released on - Dead Beat Records - a true household name when it comes to solid releases by bands from around the world. As a matter of fact I used to trade with Tom from Dead Beat quite a bit during my active label/distro years so in that sense sometimes things come full circle. I found this scorcher of a record at my local record store up the road and since finding punk records there doesn't happen very often I took this one home with me, even though I don't really buy anything beyond the '90s. Still, this was well worth the few bucks as it sure as hell really is a terrific record. I presume the guys in the band were inspired by the old UK band The Blood when it comes to the band name and they without a doubt were inspired by the underground sounds of the '80s when it comes to the songs on this Mini-LP which really should have been a full length, that's just how good this is. Take the melancholy of the Wipers, throw in a heavy Jeffrey Lee Pierce vibe, and mix that in a blender with the post-punk sound of Gang Of Four and more traditional early '80s Southern California punk and voila you get Gestapo Khazi. The funny thing is that this trend seems to repeat itself throughout the years and while I haven't followed new bands actively in years, I am well aware that bands of that ilk are quite the hype in the underground scenes of 2023, hence I suggest that you kiddos seek out this record while it's still available for next to nothing as any of the songs could appear on Killed By Death # 166 to be released in the year 2030.   

Slapshot - Back On The Map Mini-LP 

Label: Taang Records; Year: 1986; Format: 33 1/3 12" EP

On my daily bus commute heading home this afternoon I thought I better get my lazy ass up and write up a blog entry tonight. Several records came to mind, but then I thought we are in the midst of the Stanley Cup Final hence Slapshot would be the perfect fit after all they wish their beloved Boston Bruins had not exited the play-offs in the first round after outplaying the entire league in the regular season by a mile. If you are reading this and happen to be an ice-hockey fan like myself then let me tell you that the Vegas vs. Florida final has not grabbed my interest whatsoever as I don't believe in hockey under palm trees, but to be fair to both teams they deserve to be where they are. On to music though now and a classic record that belongs in every record collection, something that must be said. Back in 1986 Crossover was in full swing and while said sub genre without a doubt gifted us some great records there were a lot of lame bands that the world has forgotten about a long time ago. Out of the remnants of Last Rights, Negative FX and DYS came Slapshot in 1985 and while they stayed true to their classic Boston Style Hardcore Punk they definitely threw in a good measure of UK Oi Punk in the vein of Blitz, Business et al. The seven songs contained on this Mini-LP are all simply fantastic melodic yet aggressive songs that on top of that were recorded 24 Tracks which makes a huge difference, and which I wish a lot of bands had done back in the day. Shoot that puck hard and stay out of the penalty box!

Headwound - Look good...? It is! EP

Label: Headache Records; Year: 1996; Format: 45RMP EP

It is early on a Sunday morning and this week I set out to do at least three entries so here goes my slap-up, albeit not sure whether it's as good as the one depicted for Headwound's fourth EP from the good ole' 90s. I have no idea as to how Headwound got their start but my guess would be that the idea came in a basement in New Jersey where the guys sat around some beers and thought it might be a good idea to start a band. The wonderful thing about that is that even more remote scenes - of which Northern New Jersey bands like Headwound hailing from a little town in Wanaque county were part of - had an outlet for their music, and in their case it was Headache Records, which was run by Armen of the Wretched Ones. The four songs on Headwound's fourth and last EP they released in said decade are typical of that time period and for that particular sound, hence comparisons to Blanks 77, Wretched Ones or early Dropkick Murphys come to mind. So, if American Oi Punk is your thing you will dig this as I sure as hell do, especially on a Sunday morning when I don't want to think too much and just sit back and relax. The '90s were a fun time in many ways and to my surprise Headwound seem to be still going strong according to their Facebook page. I am hungry now and looking at that sleeve in front of me I can't stop thinking of breakfast and coffee. Oi!  

Solger - S/T EP

Label: Bag Of Hammers; Year: 1995; Format: 33RMP 7" EP

After my previous review of the "We're not here to entertain" book I was in the mood to put something on that would match the contents of the book and came up with Solger from Seattle, WA. I'd probably go as far as saying that they are the soundtrack to the book as they are not a big name in terms of US hardcore punk and they came from somewhat of an outlier city away from trendier and more hip places on the West Coast, at least until Grunge hit... There isn't a ton of information on the intranet when it comes to these guys but do check out the link at the end of this review with an informative interview with Kyle of Solger. When researching Solger I was reminded as to how many great bands originally hailed from Seattle, for instance the Lewd who relocated to San Francisco or love em' or hate them The Mentors who moved to sunny California as well. Solger was a very short lived band having released an ultra rare EP back in 1981. In 1995 Seattle's Bag Of Hammers reissued the EP and a few years later Empty Records released a CD/LP with the EP and some extra tracks. Five raw hardcore punk tracks influenced by the Germs and Black Flag can be found on the EP with "Dead Soldier" being the winner in my opinion. It is not a great record by any means but as is often the case with records like this one it's the stories leading up to the release and what came after that's really fascinating. Simply put the guys in Solger were fed up with the more artsy approach to punk rock in their city and wanted to create an ugly and raw sound calling it hardcore punk. They definitely succeeded at that and don't get me wrong despite the poor sound quality the EP is enjoyable in its own way and supposedly sounding better than the original thanks to some cleaning up in a studio. It's interesting to read that at least one of the Mudhoney guys was at the Black Flag show when Solger opened up and was blown away. The same goes for Blain of Fartz/the Accused. What I am hinting at here is that Solger may not have been the most prolific band but they certainly left a mark that led to bigger things in hardcore punk and other forms of underground rock. Definitely an interesting piece of US hardcore punk history from the West Coast worth checking out. 

Interview with Kyle of Solger and band history: http://www.dementlieu.com/users/obik/arc/solger/index.html#basics

Kevin Mattson - We're Not Here To Entertain (Punk Rock, Ronald Reagan, and The Real Culture War of 1980s America)

Publisher: Oxford University Press; Year: 2020; Format: Hardcover Book

Let me tell you that between last night and this morning I spent probably two to three hours preparing for this entry as Kevin Mattson's book not only deserves that, but literally requires that in terms of the depth of his book. Mattson's book was published in the middle of the pandemic and I remember being instantly drawn to it. At the time I also listened to the New Books Network podcast interview (see link at the bottom) with the author and knew that I had to get the book immediately, which I did. I read it a while ago and last night I re-read bits and pieces of certain chapters on top of listening to above mentioned podcast again as well. I think by now you get the drift that Mattson's book is packed with information and with that I mean historical facts that are the result of probably hundreds of hours of research the author has put into for this tome. I am of the firm belief that more books such as this one need to be published in order for us fans of '80s hardcore punk, scholars and curious minded people out there to be able to gain a better understanding as to what really happened across America between 1979 and 1985 to be specific about the years Kevin covers for his book. I didn't grow up in America, so to this day after having lived here for something over a decade now, I still learn a lot about cultural history, and for that this book is just significant. It is important to point out that Kevin Mattson is a Professor of U.S. cultural and intellectual history at a University in Ohio and was an active participant of the early '80s Washington D.C. hardcore punk scene, as well as being one of the cofounders of Positive Force in 1985. When we think of punk books then most of the time oral histories come to mind and an endless amount of books have been published in such way, some more interesting than others. This book is a very different proposition in the sense that Mattson succeeds to juxtapose the punk rock world versus the 'Entertainer In Chief' Ronald Reagan highlighting in detailed chapters how the death of the 1st wave of punk rock and the record industry opened up the doors for an energized and politically minded youth across the U.S. to take matters into their own hands to counter the mainstream culture and the advent of MTV. What's outstanding about Mattson's approach and research into this matter is the inclusion of film, art, poetry, fanzines and other forms of communication that helped to spread DIY culture outside of the cultural epicenters on either Coast. Vic Bondi of Articles of Faith sums up the book as follows: "Firmly establishes American hardcore in the politics of the moment and the economics of the music industry at the time. An essential read for anyone wanting to understand the cultural history of the 1980s." I couldn't agree more with the statement and will have to revisit the book again soon to dig deeper into certain sections of it to learn more, and more. Highly recommended! 

New Books Network Podcast Link: https://newbooksnetwork.com/were-not-here-to-entertain-1

Legionaire's Disease - Catch The Disease 10"

Label: Lunar Lab; Year: 1995; Format: 10" Vinyl 

The sleeve notes on the back of this brilliant piece of vinyl and Texas punk rock history start of like this: Q: What do you get when you cross a pimp, a whore, a Ferris wheel operator, and a dog trainer? A: One of Houston's most infamous early punk bands - Legionaire's Disease. Whereas in today's world I would assume bands are often started through some ideas on some social media platform back in the late '70s Legionaire's Disease were pretty much an idea that originated while singer Jerry and guitarist Mike met in a jail cell and the conversation turned to music. But, not only did the two of them meet there but their original drummer Rick was also shoved into the cell for operating a Ferris wheel while being drunk and thinking it would be fun to keep it spinning for beyond 20 minutes. The Legionaire's live shows were said to have attracted more attention than any of their contemporaries such as the Hates or Really Red and one could always count on seeing outrageous outfits, some nudity, a bit of destruction, and almost always some boys in blue. It was actually a fan of the band that helped get the band into the studio resulting in the 1979 single "Rather See You Dead" b/w "Downtown". The eight tracks on this 10" are all from said studio session and the world is a better place and should be forever thankful to Lunar Lab for having released the material back in 1995. I will keep it simple and promise you that if you like your punk raw, primitive and with a good dose of humor and goofiness you will simply love this record. All eight songs are pure pogo hits and as stated in the sleeve notes "there's some obvious aping of the Sex Pistols and other well known punk bands of the era, but the Disease couldn't help but infuse the tunes with their sick sense of style. Hey Punk, you want some jailhouse rock? Drop the needle and turn it up!" Killer release.

Houston Press Article about the band: https://www.houstonpress.com/music/houston-punks-legionaires-disease-band-gone-but-hardly-forgotten-6568274

Fuck-Ups - FU82 EP

Label: PukeN'Vomit; Year: 2023; Format: 33RPM 7" EP

About time this piece of wax has been reissued as it's only been forty years since this came out originally in 1982. According to everything I have read about the band's reputation S.F. Punks at the time were really split as to whether they liked or sincerely disliked the Fuck-Ups. In the Boulware/Tudor book "Gimme Something Better" about punk and hardcore in the Bay Area I remembered that a nice little chapter is dedicated to Bob Noxious and the Fuck-Ups which I happily revisited for this review. Back in the early '80s San Francisco and many other major cities in North America and beyond attracted young people for multiple reasons. The streets were filled with excitement, life was much cheaper than these days and one could squeeze out a living by scamming the government and pan handling during the day. The punk scenes absorbed some of those colorful characters and I mean that in a positive way. Dave Dictor of MDC claims in the above mentioned book that "The Biafra-Tim Yohannan world really didn't know what it was like to live that way." The song "White Boy" didn't sit well with the more educated and politically correct part of the S.F. punk scene and Dictor further explains; "Sometimes they have a racial attitude but it's not deep. It was like, you get jumped by people coming back from the soup kitchen or some girl gets threatened in an alley, and something get ingrained in you, this tough thing. The Food stamp workers weren't much more sympathetic - 'You're a white kid from the suburbs. Why don't you go home to your momma and finish your college and get a real job?' Dictor concludes "We had to deal with prejudice on that level". But no worries this entry is not going to end up being just about the circumstances of life on the streets in the Mission District of S.F at the time but also about the record itself. If you like your punk mean, nihilistic, pissed-off and obnoxious then this EP will definitely be up your alley. I personally love the record as amongst the six songs you'll find both, the fast and abrasive tracks as well as the slower and in a sense artier yet still very fucked up songs. It's hardcore punk the way it was meant to be and that is never a bad thing. The Fuck-Ups had three back up singers which went by the name of the Fuckettes. Two of them were originally from France and Leslie explains the main reason for becoming involved with the Fuck-Ups: "We grew up in a nice little house outside of Paris and went to a terrible nun school for 12 years. My parents uprooted us and moved us to the States when I was almost 18. We became the Fuckettes because the Fuck-Ups were playing the Sound of Music in the Tenderloin. You had to be 21 to get in the show, unless you were in the band. So we did backup vocals on one song." You may argue that some of the stuff the Fuck-Ups came up with went too far and isn't funny but so be it, punk was meant to piss people off and not to be taken so seriously. Grab a copy before you'll have to wait another forty freakin' years. 

Photo Source: 'Gimme Something Better' by Jack Boulware and Silke Tudor

Keith Morris with Jim Ruland - My Damage (The Story Of A Punk Rock Survivor)

Publisher: Da Capo Press; Year: 2016; Format: Hardcover Book

It's not surprising that I remember more about the circumstances as to when and how I bought this book instead of the contents. Back in 2017 when I was still living in Brooklyn I recall taking the R Train on a sunny Sunday afternoon from Bay Ridge where my wife and I lived at that time to lower Manhattan where the big Strand Book Store is located to this day. I spotted Keith Morris' book was priced at $11.95 instead of the $25.00 list price and I sure as hell didn't think twice picking up a copy. Later said afternoon I sat outside in Union Square Park and read several of the short chapters of this great book and a few days later I was done with it. Some time ago I reviewed Jim Ruland's "Corporate Rock Sucks" book, another really fascinating book, but before Jim got to write that he spent quite some time with one of the founding members of the Southern California punk and hardcore sound, Keith Morris. According to a Decibel interview Jim and Keith would drive around in a car and visit places pertinent to the rich punk and hardcore history of Los Angeles and its surrounding areas in order to coax memories out of Keith. The book takes the readers on a wild ride from Keith's childhood days in his hometown of Hermosa Beach in the South Bay to him fronting Black Flag and Circle Jerks all the way to the days of OFF!. One thing's for sure and that is that Keith does not hold back one single bit about his own life and how happy he is to be still alive after having gone sober in 1988. We further learn how Keith's dad was a thug having been kicked out of Inglewood High for kidnapping the principal and how Keith got exposed to music at an early age when seeing Arthur Lee and Love perform at a matinee show in the South Bay. What most of us probably didn't know is that at one point in his life Keith worked as an A&R for Richard Branson's V2 label, an experience Keith has some salty words to tell you about. It truly is everything you would expect from a man that has lived an interesting and fast life. The book was apparently the result of Keith and Brendan Mullen (RIP) having become good friends over the years and Brendan pushing Keith to write about his life. A good thing he did as this is without a doubt one of the better autobiographies and comes highly recommended. 

Keith and a few beers. Photo by Spot (RIP). 

A more recent photo of Keith ;-)

The Freeze - Rabid Reaction LP

Label: Taang Records; Year; 2021; Format: Vinyl LP

I am certain everyone can relate to the dilemma I have tonight. After having come home from work I decided to spin the originally in 1985 released second Freeze album "Rabid Reaction" after not having heard it in ages. As much as I love the Freeze this record does not convince me to the fullest though, and that's a bummer. But, one thing after another. Back in the early '90s I bought the first two Freeze albums on Modern Method and absolutely loved "Land of the Lost". I certainly never held "Rabid Reaction" in the same regard, but it would be hard for anybody to follow up with an equal to "Land of the Lost". At some point I stupidly parted with both albums as I needed the money and got the CD collecting both albums. At some point I thought I would really want to get both back on vinyl, reissue or not. So, not too long ago I got my fingers on a Taang copy of Rabid Reaction and I am a little torn. Don't get me wrong, it's a good record and most likely a record that whenever I will listen to again I will like more as it is more layered and is one of those record that grows on you the more you listen to it. In that sense it doesn't offer the same instant gratification of the first LP but it certainly is still a Freeze album and that stands for high quality. The ten songs are a departure from the faster first album and hint as to what was to come in years to come in the long career of this Cape Cod band. The songs are rockier, more melodic and in some ways more experimental. A perfect example for that would be the version of "Trouble if you hide" found on this LP compared to the one the band recorded for the classic 1982 Comp. LP "This is Boston, Not L.A.". What you get here is not as fast and furious but a more rounded and structured song performed at a lower speed level with more hooks and melody. The lyrics are as always critical of American society and the ten songs are over with in twenty-five minutes. Not as great as the first one, but still a must! 

Sheer Terror - Old, New, Borrowed and Blue 10"

Label: Blackout! Records; Year: 1994; Format: 10" Vinyl EP

Sheer Terror is one of those bands that in many ways bypassed me throughout the decades. I never dismissed their existence but for some reasons they never grabbed my attention as much as they probably deserved to. A few days ago I listened to a recent podcast interview with Paul Bearer (link at the end of this post) and I must say I not only had a good laugh but also learned a bit about the band's history which I always find fascinating. That was reason enough to pull out my only Sheer Terror record this morning and play it loud while exercising my arthritis knees to the mean beats blasting out of the speakers. What a shame that so many of these records have become so expensive if you want them on vinyl as this little 10 inch containing four songs is definitely well worth tracking down. What I probably like the most about it is that no song sounds like the other one and the three Sheer Terror originals deliver everything people expect of the band. While the typical brutal and mostly fast "Walls" is probably my favorite song on the record, the other two are equally great but slower, darker and heavier. Last but not least the record also contains a great cover version of the Saints' hit "Everything's Fine". Well, this leads me to the conclusion that at least when it comes to their old material I hope to find some more of it out there in the wild. 

Update August 1,  2023: Blackout! Records has reissued the 10" as of last week. 

Link to the Post-America Podcast with Paul Bearer

https://soundcloud.com/the-post-america-podcast/160-paul-bearer

V/A - 415 Music LP

Label: 415 Records; Year: 1980; Format: Vinyl LP

During lunch time I often either take a good walk or if the weather is not so great, which can be the case often here in Buffalo, I at least trudge up to the main library to check out the latest books. Such was the case last week when I stumbled upon "Kalifornia Kool Photographs 1976 - 1982" by Ruby Ray. After spending the entire lunch looking at the photos I decided to take the book out and inspect the wonderful photography of Ruby at home. A lot of the photos were either taken at the Mabuhay Gardens or in people's homes and are wonderful snapshots of a time that this world will never experience again. Everything seemed possible and the spontaneity in music and the arts seemed endless. While leafing through the book this past weekend it occurred to me that to round up this San Francisco centered weekend I should spin my copy of 415 Music, a compilation from 1980. Now, as always with compilations that document a particular scene and a particular time keep in mind that most of the time not all the bands are worth checking out but 415 Music gives you actually not just good value for your hard earned dollar but also a nice oversight as to what was going on in S.F at the time. Of course by 1980 the underground music scene was at a crossroads with the first wave of punk already gone and New Wave and Power Pop on the rise. What you get on this compilation is a bit of everything above with maybe two to three songs that can be categorized as lame New Wave and a waste of vinyl. The rest though is good, if not great Power Pop or New Wave of the sort I can definitely dig. Winners are The Readymates with "415 Music", The Mutants with "Baby's No Good", SVT "Always Come Back For More" and above all The VIPs with "She's a Put On", an incredibly catchy Synth Power Pop smasher. Overall this is well worth tracking down and if you want to dig even deeper into 415 and the Rise of New Wave in S.F. Hozac Books will sort you out with a book dedicated to said label. I should really order a copy for myself as well! As written on the back cover: 415 is the police code for disturbing the peace. Turn this record up and DO IT! 

Source for the Photos of the Mutants and the Offs: Ruby Ray - Kalifornia Kool Photographs 1978-1982 book. 

Suburban Lawns - S/T LP

Label: Superior Viaduct: Year: 2021; Format: Vinyl LP

If someone had played me this record say back in '87 when I was thrashing to bands like Rattus, E.N.T or Inferno I am one hundred percent sure I would have just shaken my head while laughing out loud by discrediting it as cheesy new wave. New Wave it certainly is but this originally in 1981 released album on I.R.S is the kind of New Wave I have over the years come to appreciate. It's edgy, angular, punky and asks a lot of questions. I love reading about the early Southern California punk scene and I must have come across Suburban Lawns on many occasions but for some reason the band never stuck with me until I was at my local record store not too long ago and the proprietor played the record over the speakers. Now this isn't the first time I am saying that but a good record store owner knows his customers so I sure as hell like that. The songs caught my attention and I asked who that was and when I was told Suburban Lawns it clicked in the sense that I have heard the name many times but it just wasn't on my radar so to speak. Suburban Lawns started out in 1978 in Long Beach, CA and according to the excellent liner notes their earliest shows were with The Reactionaries (pre-Minutemen) as well as the Alley Cats. Their first two singles were self-released and "Gidget Goes To Hell" is worth looking up on Youtube as it's not just a great song but the video itself is something else. The band played the usual Los Angeles area underground clubs and by 1981 they have caught the attention of a bigger label leading up to this LP on I.R.S. The liner notes describe the album as "quintessential Reagan-era new wave/punk" and I couldn't agree more. No song is really like the other as the vocal duties switch back and forth between the members leading to a really varied and interesting album that never gets boring. It's clear that the band was tired of the beach and technology encroaching on life in every aspect and songs like "Computer Date" amazingly foreshadow modern day society years ahead of time. I think you're getting the picture here as this isn't your happy New Wave band playing songs to please everybody but rather a group of intellectuals taking new wave in a more sophisticated, artsy and intriguing direction. One band member, Su Tissue, has supposedly vanished completely after the band fell apart in 1983 and to this day nobody seems to know where she is. This record certainly deserves to be examined over and over as it is full of interesting details, musically as well as lyrically. Highly recommended! 

Jakkpot - "Just One Fix", "You Ain't Shit" and "3,2,1 Go" 7" Singles

Label: American Punk Records; Year: 1995; Format: 7" 45 RPM Single

Many years ago I parted with most of my '90s records and included were some of the Jakkpot 7"s. Luckily a few years ago on a trip to the West Coast I found the first three of their total of six singles at a store in Orange County and spent a whole twelve bucks on them. The funny thing is that with the knowledge of hindsight the '90s produced some excellent records, especially on 45s. There sure as hell was an abundance of releases coming out during that decade including a million and one horrible pop punk, emo or crust records, but buried underneath all that garbage were releases by bands like Jakkpot from Baltimore, Maryland. The first single was put out by the band themselves on their American Punk Records label and both tracks are equally strong with "Insomnia" being the winner for me. The band started out in '91 and was according to an interview in Germany's 3rd Generation Nation fanzine somewhat of an 'All Star' line-up of Baltimore's who's who when it comes to old school punk rock. A winner!

Label: American Punk Records; Year: 1996; Format: 7" 45RPM Single

On their second single Jakkpot continue where they left off and deliver yet again a mean and in your face punk rock smasher in the form of "You Ain't Shit". On the B-Side they top it off with a great cover version of DC's Black Market Baby hit "Nobody Wanted Us". I have the slight suspicion that Jakkpot chose that song for a reason and interestingly enough Keith Campbell of Black Market Baby joined Jakkpot for their later singles. A match made in heaven me thinks! 

Label: Junk Records; Year: 1996; Format: 7" 45RPM Single

Out of the three singles I currently have this is probably their best even though they are all fantastic and worth having. "3,2,1 Go" and "Burnin' in 77" are just two perfect songs where the band delivers their brand of high octane punk'n'roll influenced equally by 77 Punk, Garage Punk and 'Feel The Darkness' era Poison Idea. While the songs are fast and furious they never lack melody and it must be said that these guys must have listened to a lot of good records throughout their young years as I can hear AC/DC, Motorhead, Dead Boys and Candy Snatchers to name just a few influences. The funny thing about records is that people are often after the super rare and expensive ones while the gems are sitting in the bins to be had for a few bucks. Do yourself a favor and pick up anything by Jakkpot as you won't regret it. I for one will make sure I get the three remaining singles for myself and shall review them at some point in the future. 

Rude A, Singer of Jakkpot on the Cover of Germany's excellent 3rd Generation Nation Fanzine from 2000

AK-47 - The Badge Means You Suck LP

Label: Splattered Records; Year: 2022; Format: Vinyl LP

AK-47 from Houston, Texas are one of those bands that many of us into obscure worldwide punk rock must have discovered through a Killed By Death compilation LP. I don't recall when I heard "The Badge Means You Suck" for the first time but it certainly has been a good while hence the band has fallen off my punk radar until a well written 2021 Texas Monthly article about the band's history and their fascinating connection to police brutality and killings from the past and present subsequently revived my interest in the band (Link to article at the end of this entry). It's only fitting that just a few days ago I visited my local record shop and found a copy of the already hard to find official reissue of the band's material collected on a Full-Length. While the two songs from the originally in 1980 released 7" are the ones many of us are after on vinyl I must say that the remaining eight songs are just as intriguing and good. The true gems on this record are the six songs that the band recorded in 1981 and put up on bandcamp in 2021 as "Singularities". These six songs previously unreleased on vinyl highlight the development of the band after the demise of their original singer and are in my opinion worth every penny spent on this LP. With the addition of Penny Smith on vocal duties it is widely believed that the band really found its style and peaked during that time. Songs like "Isaacs Social Disease" or "Brain on a Pillow" to name just two of the six take the band in all kinds of musical directions without ever losing their Art-Punk roots. Mix angular post-punk with some hard rock and new wave and you get an idea as to how those six songs sound like, and trust me you will not be disappointed. Two more songs recorded actually in recent times are to be found on this wonderful record, with one of them - Trumpelstilstkin - being proof that these Texans haven't lost their art of social commentary in the modern day and age. Get a copy of this record while you can! 

Link to the Article in Texas Monthly:

https://www.texasmonthly.com/arts-entertainment/houston-punk-bands-protest-anthem-still-resonates-forty-years-after-release/

Poison Idea / Ray & Glover - Single At Christmas 

Label: Tim/Kerr Records; Year: 1993; Format: Picture Disc 7" Single

Last night I listened to an entertaining episode of the "Vinyl Guide" podcast with Jerry A of Poison Idea fame as a guest. The interview prompted me to go through one of my 7" boxes to see which Poison Idea EPs I have and at the very end of the box I stumbled across this nice Christmas split between Portland's finest and the Blues/Folk duo Ray & Glover. So tonight I sat down to not just listen to the two songs but to type up the last entry for this year as every blogger needs a break too, and I am certainly craving one from my job and from my hobby. Poison Idea crank out a great version of the classic "Santa Claus is back in town" while digging deep into the blues while on the other side Ray & Glover deliver a nice and slow bluesy number with "I'm mad at the fat man". 

A nice and fitting end to my blog entries for this year me thinks and with having said that I would like to extend my thanks to everybody that has read my blog these past few months since I have been active again, it is much appreciated. 2023 will bring you more of the same so be ready for a wild ride and until then enjoy the holiday festivities and a happy and healthy New Year to you all!