The Pits - "Introducing My New High" and "Belief in Ruins" Rapid Pulse Singles 

Label: Rapid Pulse Records; Year: 2001; Format: 7" Single

For this blog an entry from 2001/2002 is new so to speak as unfortunately the loser typing this entry sold most of the '90s and early '00s records a long time ago. Many are not missed while some are, and some have luckily never left the collection. Very little to nothing is known about the Pits from Sunderland in the North East of the UK. I remember reading about them in the brilliant 3rd Generation Nation Fanzine from Germany all those years back and that's all the exposure they got I suppose. They certainly deserved more but most likely never made it much farther than beyond the local pub scene. Still, they managed to release some brilliant records of which two ended up on vinyl on the American label Rapid Pulse, which back then kind of specialized in '77 style punk and powerpop releases. The two tracks on this single are both mid tempo and anthemic in a very typical old school UK punk fashion. The band certainly reminds me of the Professionals and the likes hence if that's your cup of tea you'll love this one! 

Label: Rapid Pulse Records; Year: 2002; Format: 7" Single

While the above reviewed single is great and worth getting, I shall proclaim that this one is the better one and every loser with no life whatsoever reading these lines needs to get this one. Both tracks are upbeat '77 punk smashers with "Your Violence is Sinister" being one of my all time Pits favorites. The production on this single is also cleaner and louder, and I repeat myself if you like your punk rock anthemic with great hooks and choruses then you should give these Sunderland lads a chance. The band also released two CDs and a Mini CD which I shall review at some point in the future as well. The drummer also played in Red London for some time but considering how little Sunderland is that shouldn't come as a surprise, right? It's too early in the day to have an ale but this goes down well with some booze. Cheers! 

Micro Edge - '83 Demo LP 

Label: Ugly Pop Records; Year: 2019; Format: Vinyl LP (45 RPM)

1983 was a good year for hardcore punk, there is no doubt about that. Many classic records were released said year and are raved about to this day. Here in the United States established scenes in places like Washington DC, Southern California or the Midwest had independent labels being there at the right time to document the bands and the recorded material. Unfortunately not the same can be said about Toronto, Canada which is the biggest city in Canada and boasted a small but very active hardcore punk scene in the early '80s. I say unfortunately because it is a shame the T.O. scene didn't have somebody to fill the gap with a record label at that point but at least quite a few tapes and some records ended up being released, mainly thanks to Brian of Youth Youth Youth fame who was a big supporter of Micro Edge as well. Forward to the last few years and Toronto has seen a true resurgence in activity, especially when it comes to documenting the early '80s hardcore punk scene. Micro Edge from presumably the suburb of Scarborough as the band members met at a school there, are by no means a known entity even to minor freaks like myself hence I am grateful for Ugly Pop Records having released this record as it sure as hell kicks ass. For a demo tape put on vinyl it certainly sounds great and fresh and let me tell you that in my opinion had this record been released back in the day some people would be raving about it to this day as with many other so called hardcore classics. What you get is sixteen angry, pissed off hardcore punk tracks that will remind you of early Dischord bands or certain West Coast acts such as D.O.A or Circle Jerks. I love the loud and aggressive bass sound and the equally abrasive drumming. The guitar player certainly knew how to write songs and the singer fit the bill. Not much else really needs to be said and if '83 style hardcore punk without even a hint of metal is your thing than you will love this record as much as me. Ugly Pop did a wonderful job with this release which also comes with a copy of the band produced skater fanzine Bong Out. Killer Release! 

V/A - Powerpoppers Vol. 1 LP 

Label: On The Run Records (Unofficial); Year: 2001; Format: Vinyl LP

I've always had a hard time warming up to the Powerpop genre, maybe because I always thought that there was just too many one hit wonders and not much more to it. But those one hit wonders can truly be hits and this bootleg LP has quite a few brilliant tracks. First off though let me tell you though that the person behind this boot never made it to Vol. 2 so this remains to be the only one in this "series". Fourteen tracks from the late '70s and early '80s are to be found on this platter and while three to four of them are lame and weak the rest of them are good if not outstanding. To me the track that stands out the most is Toutes Les Nuits by all female French band Les Calamites. Said track was originally released on a single on New Rose Records. On the punkier side of Powerpop on this Compilation are The Donkeys with What I want and The Clerks with No good for me. The Donkeys material has been compiled on Detour Records and might very well be checking out while The Clerks hailed from Birmingham and it just might be one of those one offs but above mentioned track is a truly great Punk Pop smasher. Definitely worth mentioning are The Boys from Australia, yes not the much better known band from the UK. Hurt me babe is a truly great Powerpop hit and I wonder if the rest of their material is as strong. Some of the tracks to be found on here are major record releases, such as Keep in Touch by Low Numbers produced by Jimmy Pursey of Sham 69 fame. All in all this is an enjoyable compilation if you can find it cheap sitting around collecting dust in a record store. Whether you like your Powerpop on the punkier side or more on the Mod side you'll find stuff on here you will dig. 

Buzzcocks with Howard Devoto - Time's Up LP 

Label: Raven Records (Unofficial); Year: 1979; Format: Vinyl LP 

I stumbled across this record not too long ago at my local record shop up the road from where I live and didn't hesitate a single minute purchasing it. Buzzcocks are one of those rare bands that I enjoy hearing even some of the newer material of as they never lost the magic touch of coming up with great songs. So, according to the little research I have done the version I have is an Australian bootleg released in 1979 and is basically a bootleg of an earlier bootleg for history's sake. More important is the music and that was taken from a session in October of 1976 even before these Manchester lads recorded their self-released first EP. So what you get is Buzzcocks at its rawest with Howard Devoto still part of the band. Now, some people will argue that Buzzcocks have never sounded better than at this point where they really had that unfiltered early raw punk sound as opposed to the cleaner and better produced sound of their later output. Now, that is up to everybody's own taste but this LP is definitely worth getting providing you with a chance hearing tracks like Boredom, Breakdown or Orgasm Addict recorded without dubs live in a studio when those songs were just ideas the day before so to speak. I think what is really enjoyable the most about this record is hearing the spontaneity of the time, and in that regard it is hard to beat. Domino Records have released the session in recent years officially but from what I saw the tracking list is a little different. Last but not least listen to the drumming on You Tear Me up and tell me whether that is not the beginning of D-Beat. 

Davova Psychoza - Antropofobia LP 

Label: Papagajuv Hlasatel Records; Year: 2015; Format: Vinyl LP

In 1979 my parents fled the former Czechoslovakia and its communist regime and we ended up in Switzerland where I spent most of my life. Davova Psychoza are from Bratislava in Slovakia where I was born and are active to this day, as a matter of fact they just embarked on their 35 years of Davova Psychoza Tour across Slovakia and the Czech Republic. Antropofobia was their first LP and was originally released in 1991 on Opus, a Major. According to the insert of the repress I am reviewing here the band even got some flack back then for doing so but Opus was a relatively small company and a DIY network barely existed after the fall of communism hence the band was happy someone took a chance on them and released the record. Totally understandable. Davova Psychoza formed in late 1987 and recorded their first demo two years later just before the communist party lost control. According to the liner notes inside the repress the band members remember that time as a once in a lifetime experience where the whole country was in a positive mood and the future looked bright. It was in this environment where Davova Psychoza wrote the material for this record and frankly one can hear it in the songs. Musically speaking the band was influenced by North American acts like Verbal Assault or SNFU, hardcore punk played fast but with lots of melodic hooks. On the other hand being from Bratislava with a tradition of older UK punk influenced bands such as Zona A or Extip some songs are just great mid tempo pogo punk hits. Lyrically it's an interesting album as well with some being very personal and others more about fun and drink. The production and the band member's fitness on their instruments and vocals add to an overall really enjoyable album from a band that on an international level is sadly not well known at all even though they have been going all these years having released five albums in the meantime. Highly recommended! 

Jim Ruland - Corporate Rock Sucks (The Rise & Fall of SST Records) 

Publisher: Hachette Books; Year: 2022; Format: Book

When it comes to the vast area Los Angeles covers geographically speaking than punk rock historians as well as many old timers from Lala land love talking or writing about the early Hollywood punk scene. What is so fascinating about the greater Los Angeles area is that different scenes sprung up in different areas roughly around the same time, and I am being somewhat generous with that statement for the sake of my argument. My argument is that the punk rock history of the South Bay of Los Angeles is in many ways far more interesting than the one of the fairly short lived Hollywood scene, at least that's my take. A long while ago I already reviewed Craig Ibarra's "A Wailing of a Town" book which focuses a lot on the Minutemen and befriended bands from San Pedro. At some point in the future I shall review Keith Morris' "My Damage" as well but I recently bought and instantly read Jim Ruland's Corporate Rock Sucks and came away with a wealth of knowledge not just about SST Records, but the South Bay Area hardcore punk scene in general. First and foremost the book is divided into fourteen chapters with each one SST squaring against a different entity. Chapter one is called SST vs. Bomp! and Chapter fourteen is titled SST vs. History. Inbetween SST takes on the world so to speak, a statement which pretty much sums up the book in many ways as Greg Ginn seems to have a very combative personality and an admirable hunger for success. The author has truly done a great job at researching this book as it is filled with many important anecdotes from the humble beginnings of SST Electronics all the way up to the downfall of the once so influential indie label. The many legal battles SST fought alone would be worth another book in my opinion as it becomes clear that legally speaking SST mistreated quite a few bands by hurting them not just financially but in their overall development. I think what really saddened me to a degree is the fact that at some point the record label was run almost like a major where the personal interaction between the owners and the employees became less important and money ever so more important. To be fair though SST was not alone in the sense that they became the victims of their own success. And yes, of course Black Flag are a big part of the story in the book as well, but I wanted to focus on the label. I can't say that I own too many records from the vast catalogue of SST but I will make an attempt to dig deeper into some releases in the future. In the meantime do yourself a favor and pick up this book or visit your local library as you will not regret it. Corporate Rock Sucks indeed. 

The Clean - Boodle Boodle Boodle and Tally Hoe reissues

Label: Merge Records; Year: 2021: Format 12" 45RPM EP

One of the many reasons I don't post often enough on this blog is the fact that I love listening to podcasts. Besides podcasts dedicated to politics or law or other subjects causing more headaches and an upset stomach I sometimes listen to Dynamite Hemorrhage Radio which I can highly recommend as it has introduced me to many a band I was unaware of with New Zealand's The Clean being one of them. I heard a song off of this originally in 1981 released EP on one of the shows and was instantly hooked and intrigued. Luckily Merge Records reissued this rarity last year so nobody needs to fork out some serious dosh on an original on the hugely influential Flying Nun record label. All five songs on this record are killer, and I mean it man! It's hard to describe The Clean's sound as they draw from psychedelic influences to punk and post-punk with a heavy bass driven sound. I wish I had been drawn to these type of bands earlier in life as the older I get the more I appreciate the edginess and artiness of bands like the Clean. The band formed in 1978 in Dunedin, NZ and has influenced countless bands in the indie scene throughout the years. I cannot stress enough how great this record is and that you too should get a copy. Comes with a nice reproduction of the original cartoon of the EP as pictured below. 

Label: Merge Records; Year: 2021; Format: 7" Vinyl Single

Honestly I wasn't even aware of this reissue until I saw it at my local Indie Record Store so I picked it up along the above reviewed 12" EP. Tally Ho is a punky/new wavy upbeat song that kicks serious ass with Platypus being a slower song definitely more in the post-punk vein. This is a classic two song single with two killer tracks hence you can't go wrong. I will have to make some time and dig deeper into the rich catalogue of the Clean to see how the band's sound evolved over the years and whether I will be buying and reviewing more of their records. End of rant. 

V/A - Texas-Mexican Border Music Vol. 1 (An Introduction 1930-1960) LP

Label: Folklyric Records/Arhoolie; Year: 1975; Format: Vinyl LP

I love picking up records like this compilation of at least to me absolutely unknown artists from the Texas-Mexican border with songs recorded between the 1930s and the early 1960s. It is kind of similar to discovering and learning more about blues music in the sense that it is music from the working people sweating in factories, packing houses or in the fields picking fruit. As the notes from editor Chris Strachwitz say it's the music of the Tejanos, Chicanos, Nortenos or Mexican-Americans. The recordings vary in quality and the songs recorded later sound generally louder and better but this is a highly enjoyable record taking you back in time to a place that certainly must be special and fascinating to this day. Migrants from Mexico have crossed the Rio Grande headed for the North back then and still do to this day in the hope of a better life in the US. Back then they have brought a different music with them and it would be interesting to see what a compilation like this one would sound like with current artists. I will definitely try to scoop more records from this series. Una historia de la musica de la frontera!