Antler Joe and the Accidents - go commercial EP

Label: Feral Kid Records; Year: 2022; Format: 7" Vinyl EP

First and foremost nice to see that a Buffalo based label was involved in making this reissue of this rare Florida punk gem possible. I certainly do not remember having come across this band so when I saw some talk about it online it caught my attention and I listened to Dogshit on Youtube and instantly liked it. Little is known about Antler Joe but breakmyface.com has some info relating to the band so hop on there and read the full story, albeit brief. What you get on this originally in 1981 on Killer Sheep Records released EP are three heavily New York influenced punk rock songs which all rock in their own way. 300 copies were pressed back in the day hence needless to say it's rare as hell so hurry up and grab this reissue before it's too late yet again. In above mentioned link on breakmyface singer John elaborates on his regreting of the addition of a saxophone on 'Who needs a woman'. I absolutely disagree as I think it suits the song and is not out of place at all. X-Ray Spex have successfully done so before these guys, and I think if executed well it adds to the music. Alright, apologies for losing myself here a little bit in the world of saxophones in punk rock but if that's not your thing then don't worry as the other two tracks have none of it and are equally great. For 1981 this Fort Myers band probably sounded a bit lagging in time but I personally like that as they weren't from a big metropolitan area chasing the next trend which would have been hardcore punk at the time. If the NY Dolls or Heartbreakers are your cup of tea then you'll love this record, and if not you'll still love this record. Now go commercial and buy it!

V/A - Powerpoppers Vol. 1 LP 

Label: On The Run Records (Unofficial); Year: 2001; Format: Vinyl LP

I've always had a hard time warming up to the Powerpop genre, maybe because I always thought that there was just too many one hit wonders and not much more to it. But those one hit wonders can truly be hits and this bootleg LP has quite a few brilliant tracks. First off though let me tell you though that the person behind this boot never made it to Vol. 2 so this remains to be the only one in this "series". Fourteen tracks from the late '70s and early '80s are to be found on this platter and while three to four of them are lame and weak the rest of them are good if not outstanding. To me the track that stands out the most is Toutes Les Nuits by all female French band Les Calamites. Said track was originally released on a single on New Rose Records. On the punkier side of Powerpop on this Compilation are The Donkeys with What I want and The Clerks with No good for me. The Donkeys material has been compiled on Detour Records and might very well be checking out while The Clerks hailed from Birmingham and it just might be one of those one offs but above mentioned track is a truly great Punk Pop smasher. Definitely worth mentioning are The Boys from Australia, yes not the much better known band from the UK. Hurt me babe is a truly great Powerpop hit and I wonder if the rest of their material is as strong. Some of the tracks to be found on here are major record releases, such as Keep in Touch by Low Numbers produced by Jimmy Pursey of Sham 69 fame. All in all this is an enjoyable compilation if you can find it cheap sitting around collecting dust in a record store. Whether you like your Powerpop on the punkier side or more on the Mod side you'll find stuff on here you will dig. 

The Clean - Boodle Boodle Boodle and Tally Hoe reissues

Label: Merge Records; Year: 2021: Format 12" 45RPM EP

One of the many reasons I don't post often enough on this blog is the fact that I love listening to podcasts. Besides podcasts dedicated to politics or law or other subjects causing more headaches and an upset stomach I sometimes listen to Dynamite Hemorrhage Radio which I can highly recommend as it has introduced me to many a band I was unaware of with New Zealand's The Clean being one of them. I heard a song off of this originally in 1981 released EP on one of the shows and was instantly hooked and intrigued. Luckily Merge Records reissued this rarity last year so nobody needs to fork out some serious dosh on an original on the hugely influential Flying Nun record label. All five songs on this record are killer, and I mean it man! It's hard to describe The Clean's sound as they draw from psychedelic influences to punk and post-punk with a heavy bass driven sound. I wish I had been drawn to these type of bands earlier in life as the older I get the more I appreciate the edginess and artiness of bands like the Clean. The band formed in 1978 in Dunedin, NZ and has influenced countless bands in the indie scene throughout the years. I cannot stress enough how great this record is and that you too should get a copy. Comes with a nice reproduction of the original cartoon of the EP as pictured below. 

Label: Merge Records; Year: 2021; Format: 7" Vinyl Single

Honestly I wasn't even aware of this reissue until I saw it at my local Indie Record Store so I picked it up along the above reviewed 12" EP. Tally Ho is a punky/new wavy upbeat song that kicks serious ass with Platypus being a slower song definitely more in the post-punk vein. This is a classic two song single with two killer tracks hence you can't go wrong. I will have to make some time and dig deeper into the rich catalogue of the Clean to see how the band's sound evolved over the years and whether I will be buying and reviewing more of their records. End of rant. 

Glo - Diskoackel and Nerv EP Reissues

Glo - Diskoackel EP

Label: Re-Ken-Records; Year: 2019; Format: 7" EP

Back in the '90s Barny of Incognito Records from Stuttgart in Germany released a bunch of brilliant Compilation LPs entitled Back To Front. That's when I first heard of Glo from Asa near Gothenburg in Sweden as the song "Du For som Dom Vill" appeared on Volume 5 of above mentioned Comp Series. With both songs on this originally in 1979 released EP you get value for your money in form of upbeat drunken punk rock smashers with singer Patrik shouting on top of his lungs. Think Ramones meets Rude Kids and you know what I mean. Oh, and yes there is a third "song" on here but it's only 18 seconds long hence no need to mention it. One of the many great early Swedish punk rock gems. 

Glo - Nerv EP

Label: Re-Ken-Records; Year: 2019; Format: 7" EP

Thanks to Ken Records you get to enjoy the second Glo EP as well without having to dig deep into your pension fund. Personally I prefer this one over the first one and originally this came out in 1980. The production on this one is superior and louder and less muddy hence the songs are just more in your face. Musically this isn't any different from the first EP with all three songs (yes there is a fourth and it's 5 seconds long) being obnoxious straight forward punk rock hits. According to the Encyclopedia of Swedish Punk by Peter Jandreus these guys not only sounded punk but also had the look and were quite a heavy drinking bunch. Apparently on the way to a gig in Sundsvall the band managed to take apart an entire train compartment. So much for the well behaved Scandinavian youth listening to Abba... If you like your punk loud and snotty this is for you. 

Inocentes - Panico em S.P. Mini-LP

Label: WEA Brazil; Year: 1986; Format: 12" Mini-LP

In 1983 Inocentes from Sao Paolo in Brazil self-released a fantastic raw hardcore punk 7" titled "Miseria E Fome". Unfortunately even the reissue is so rare that at this point I won't be reviewing said classic. This Mini-LP was gifted to me by a good friend in Europe and while their self-titled EP was put out by the band itself, three years later Inocentes found themselves on WEA Brazil, a major. While their earlier output was influenced by Discharge, Rattus and the likes, three years later the band went much more melodic without losing its edge. The six songs on here are well produced mid-tempo punk rock smashers with great hooks and really brilliant songwriting. One can definitely hear a Clash influence but I would also compare them to '80s French bands like Camera Silens or Komintern Sect. It's pretty obvious that the members went through a phase where they started to listen to more melodic bands while taking that direction with their own songs. Interestingly enough not only UK's The Insane have a song called "El Salvador" but so do Inocentes and it's a hit as well. From the little I have heard from here on the band's releases gradually started to get poppier and far more mainstream sounding hence nothing I would seek out. This one though is a true gem and will have you pogo in your living room!

Nickey & The Warriors - Wild Cherry EP

Label: S.E.X Records; Year: 1986; Format: 12" EP

When I visited Tokyo in 1997 a Japanese friend of mine made me a tape with bands such as Sheena & The Rokkets, Nukey Pikes, Cobra or the herein reviewed Nickey & The Warriors. He obviously preferred the more melodic side of Punk Rock from Nippon and I loved that cassette. I instantly fell in love with the sound of Nickey & The Warriors and one day back in '97 above mentioned friend took me on a wild motorcycle ride with his Yokohama through Tokyo with me on the backseat fearing for my fuckin' life. When I listened to this 4-song EP today for some reason I was instantly taken back to that memory. Nickey & The Warriors started out in 1983 as the Road Warriors originally without Nickey on the mic but with Keigo of Stalin, G-Zet, Cobra fame on vocals. It was a little later that the teenage singer Nickey, who was a friend of then wife of Michiro Endo (The Stalin) joined the band. This EP and the "Born To Ride" 7" from the same year have some of the best material ever recorded by them in my honest opinion. All four songs here are well produced upbeat Bubble Punk smashers with lots of hooks and ooh ooh's and aaah aah's in the background, obviously heavily influenced by the Ramones but by no means were they ever a copycat band. Nickey's vocals could be described as cute, and they definitely have a lot of charm. As a matter of fact "I wanna be yourself" is one of my favorite songs by them, just a fantastic mid-tempo pop punk song from the '80s. At some point I will review the "Born To Ride" 7" as it's equally good. 

Label: S.E.X Records; Year: 1986; Format: Flexi One Sided 7"

This one-sided Flexi 7" was inside my copy of above reviewed 12" so when I pulled it off of the shelve today I was wondering whether it was originally included with the EP but from what I read on Discogs this Flexi was a promo from the short-lived Nickey & The Warriors official Fan Club and was sent out with the "Warriors Times" zine. The previous owner was nice enough to slip it into the 12" hence I consider myself a lucky bastard owning this one as well. Feel Good is yet another upbeat bubble punk smasher in the vein of the other songs on the 12". Definitely made my day today. 

Bob Suren - Crate Digger (An Obsession with Punk Records)

Publisher: Microcosm Publishing; Year: 2015; Format: Book

I am absolutely positive that the name Bob Suren will sound familiar to anyone that has gotten into punk either in the '80s or '90s as Bob was a very active guy on an international level with his record store/distribution/label out of Florida. Crate Digger is a fantastic little book revolving around 30 years of collecting punk records with the book divided up into chapters containing the name of a certain band's record. This way stories around records by the likes of the Misfits, Rattus, Stalin, DOA etc. take us from the humble beginnings of Bob discovering punk rock through his many years running Sound Idea and everything connected to the store all the way up to him selling his entire record collection. Each little chapter revolves not just around the band's record but a certain period in the author's life. As one would expect there are just hilarious stories where for instance the FBI gets involved in a record trade gone wrong between Bob and a fellow in Oregon, or that one time when a drug addict enters Bob's stores with several boxes of rare records selling them on the cheap only to realize after the drugs have worn off that he made a big mistake. A lot of the chapters have real personal stories enabling readers to participate on this wild punk rock journey with its ups and downs. I wish there were more books like this one as it's just a fun read with passion and dedication seeping through each page.

Interview with Bob on the Publisher's website from 2015: https://microcosmpublishing.com/blog/2015/05/an-interview-with-bob-suren/

Honkas - S/T EP

Label: Static Shock Musik; Year: 2019; Format: 7" EP

Another great reissue from the house of Static Shock in Berlin. Just like the Harnrohrer EP this little platter was originally released in 1982 as well, also on Pogar Records as 002. Honkas formed in 1980 in the city of Wolfsburg (Volkswagen anyone?) and were named after the rather infamous serial killer Fritz Honka. The ueberhit on this gem of an EP is "Fur Fritz", a killer track that also landed on one of the Bloodstains Across Germany Bootleg Comps. This is an interesting EP as it is hard to describe the style but it stands the test of time thanks to its raw DIY Punk charm. The vocals and the guitars are at times frantic and all over the place but never really out of place and add a lot of character. It does not come as a surprise that singer Max Mueller had relocated to Berlin in 1982 where he later formed Camping Sex and Mutter and is also the brother of Wolfgang Mueller of Die Toedliche Doris fame. The artsy and edgy approach to music was already there with the Honkas and was just the beginning for him. Also, I'd be very interested to learn how many copies Pogar at the time distributed to Fresh in the UK, Vote Vasko in Finland or Importacoes Carnaby in Brazil as these fine institutions were listed as distributors back then. I hope Iffi of Static Shock Musik will keep reissuing more of the Pogar Catalogue, such as the Marplots Ep....Sehr gut!

Harnrohrer - S/T EP

Label: Static Shock Musik; Year: 2019; Format: 7" EP

It was about time someone reissued this early '80s German gem as Harnrohrer are not only criminally underrated but most likely just not very well known outside of Germany. They hailed from the small city of Freiburg Im Breisgau in South Germany, a place I am very familiar with having visited on numerous occasions when still living in Europe. Originally this killer EP was released on Berlin's Pogar Records as 001 in 1982 and all four tracks are filled with great guitar hooks, fitting choruses and simply fantastic song arrangements in a real catchy way. Since this came out in 1982 and the trend in Germany was to sound like Discharge I can assure you it's nothing like that. This is more akin to '77 Punk and the production of Music Lab producer Harris Johns is top notch as well. It is a real shame these guys didn't release more material as this is Pogo-Punk at its very best. Grosse Klasse!

Steve Miller - Detroit Rock City: The Uncensored History of Rock'N'Roll in America's Loudest City

Publisher: Da Capo Press; Year: 2013; Format: Book

I am glad to have found this book very recently for close to nothing at a place I've never been to before in Manhattan. Rest assured though that the price tag does not reflect the quality of the contents in this book. I have heard about Steve Miller's book a while ago, and I certainly wanted to improve my knowledge of Detroit based Rock'N'Roll so having to read this one book one day was definitely inevitable. Many of you will know Steve Miller as the vocalist for much famed Lansing, MI hardcore punk band The Fix, or as the editor of the Touch and Go book that was published a few years back. Some of you might not know that he's actually a veteran when it comes to investigative journalism, and author of several books outside the music genre covering real crime. Needless to say that for a massive project such as writing on the rich history of Rock'N'Roll out of Detroit he was the right person to succeed at it. There are not many books that manage to cover as much ground as this book does, and let's be honest which other book will give you the pleasure to read about bands and artists such as MC5, Alice Cooper, Ted Nugent, Mitch Ryder, Destroy All Monsters, Negative Approach, Laughing Hyenas, The Gories or the White Stripes, all at the same time? My guess is as good as yours, ladies and gentlemen. What I find really fascinating about this book is the fact that Steve has not only found a way to describe many anecdotes for the reader to feel like one is right there in the middle of the chaos, but at the same time he has done an outstanding job when it comes to the chronology of the debauchery that took place in Detroit and its surrounding towns. The only part I didn't really enjoy in this book was about Bob Seger, and this was when he was already a well known act on the national circuit. I yawned a lot through that part only to be awaken by more crazy stories from Wayne Kramer and other luminaries that were fed up with the status quo, and were starting to form new bands. And believe me, that was the only slow part in this book as the rest of it will take you through clubs such as Bookie's and bands associated with that scene, the early '80s hardcore punk explosion with Negative Approach on the forefront, the aftermath of hardcore and some crazy drugged stories involving John Brannon and Larissa Strickland of Laughing Hyenas, and the start, or shall we say return to garage rock from Detroit with The Gories and bands and scenes that evolved out of that time including Bantam Rooster, White Stripes or Von Bondies. Have I told you this book covers a lot of ground? Okay, there are two omissions I was disappointed with. For whatever reason the bands Death and Cinecyde get very little to no mention at all, and members from those two bands contributed little to nothing for this oral history. That sucked but still, it takes very little away from what this book gives the reader, and that is a detailed and at times mind blowing account of what was happening in Motown. This is widely available, and even your local library has probably a copy of this book, hence I really don't see an excuse for any of you out there for not reading this!

Craig Ibarra - A Wailing Of A Town - "An Oral History Of Early San Pedro Punk And More 1977 - 1985"

Publisher: END FWY Press; Year: 2015; Format: Book

First and foremost I'd like to point out that this book is almost hot off the press, and was published not all that long ago, and therefore I am excited to not already having finished reading it, but also reviewing it after having purchased it a couple of months ago on my quick visit to Southern California. When it comes to the punk history of Los Angeles then much of it has been covered extensively by having covered the Hollywood scene with the bands and scenesters associated with the more glamorous side of punk rock made in L.A. This book here concentrates on the South Bay of Los Angeles, and in particular the seaport town of San Pedro. Trust me, I too had to look up where exactly San Pedro is located in the Los Angeles area. When I first heard about this book, I already liked it, and I tell you why. I too was once a young kid discovering punk rock and hardcore, and I was also living in a suburb albeit thousands of miles away from San Pedro. Still, I can truly associate with the scene, and its people as the stories to be found in this book resemble in so many ways my personal story. This book does not talk about people sporting punk fashion, frequenting famous punk clubs or taking in an immense amount of drugs. Instead this book concentrates on real DIY ethos, and how a few people were able to create an open minded community that helped each other with putting on gigs, doing flyers, recording and distributing records, and so on. I have to admit that I don't own a single record by the Minutemen - whom hailed from San Pedro - but after having read this book I will need to change that. Sure, many pages in this book do deal with the history of the Minutemen and in particular the sadly deceased D. Boon but they also cover the very beginnings of punk rock in San Pedro with the Reactionaries, as well as later acts such as Saccharine Trust, Hari-Kari, Mood of Defiance and others. This book also covers crazy stories involving a certain Jimmy Smack, a talented local dancer who was tremendously helpful with putting on punk gigs, many accounts involving Black Flag and SST Records and their help getting the San Pedro scene off the ground, venues that opened their doors to punk rock, and the eventual arrival of big bands such as the Dead Kennedys making it to San Pedro and putting the town on the punk rock map. Craig has done a fabulous job by covering every little detail of this town's rich history of punk rock and beyond, and can only be congratulated for his efforts. One can only hope that more books of this kind will start to spring up, and people in different parts of this country and far beyond will start writing about their own punk rock adventures beyond the lights of hip inner cities. This is a true must read!

V/A - Rough Mixes From Switzerland Ten Inch

Label: Konnekschen Records; Year: 1981; Format: Shaped Vinyl 10"

The older crowd amongst the readers of this blog will be in the know that Switzerland had a very active and interesting punk scene in the late ‘70s despite being a country in the middle of Europe surrounded by mountains and not much to do, but maybe that sheer boredom enforced everything even more. Zurich’s Nasal Boys really got the ball rolling in 1977 by releasing a fabulous single that many punk rock scum collectors would love to have the original of. In 1981 even the good ole’ Germans caught on that their southern neighbors were not just yodelers and fond of chocolate and cheese, but could deliver some pretty hefty punk rock tunes too. Konnekschen Records from the northern city of Hamburg released this wonderful piece of wax collecting three swiss punk records originally released in 1979 on one nice shaped and colored 10”. If you don’t want to shell out big bucks for the Sick/Chaos Split 12”, the Sperma 12” and Rudolph Dietrich’s BOF’s 7” then do yourself a favor, and pick this one up as you will not be sorry. If there is a winner amongst the three, then it is the Sick/Chaos split that would be my pick. In all fairness to the Austrians it should be noted that Chaos were actually an Austrian band from a border town near Switzerland but very active on the swiss scene at the time. If you like your ’77 punk upbeat with lots of hooks and choruses then you won’t be disappointed. Second in my book is Rudolph Dietrich with his BOFs 7”, a punk rock gem with saxophone in the background and intelligent song writing. Sperma’s 12” might be a very sought after record but at least in my opinion it is not one of the top swiss punk records at all, but still a decent record. For folks out there unfamiliar with early swiss punk rock this is a nice way to start your collection.

Testors - Original Punk Recordings New York City 1976 - 1977 Ten Inch

Label: Incognito Records; Year: 1995; Format: Vinyl 10"

There are truly not that many original punk rockers still touring the world, year in and year out. Sonny Vincent is one of the rare human species that is not only still doing that, but is still rather damn good at it too to this day. Back in 1975 Sonny formed the Testors in NYC with a guitar in his hand and lots of anger in his stomach. The band named itself after the Testors glue company, which would eventually get them into legal trouble, and set out to provoke the audience, sonically and physically. They did that with two guitarists, a drummer, and no bass player, and that seemed to work fine at venues like the CBGB’s or Max Kansas City but at one point Sonny got himself even arrested in Philadelphia for inciting a riot. The band never had any ambitions to record so thank god Incognito Records from Germany unearthed the recordings of this wild bunch that created some damn fine noise all these years back. Four studio songs, and two live songs are to be found on this 10”, and they not just kick ass, but are delivered with such furiousness and aggressiveness that many hardcore punk bands years later must have taken note of. The liner notes were penned by Cheetah Chrome and a second volume with more madness from this trio was also released on 10”, and will be reviewed in the not so distant future. 

The Humpers - My Machine LP

Label: Slusaj Najglasnije; Year: 1990; Format: Vinyl LP

Many people out there are probably familiar with the Humpers' output on Epitaph Records, due to said labels' international distribution deals and high sales volumes. Before being signed to one of the best known labels in punk rock, the Humpers' beginnings were far more modest though, and after The Suicide Kings' break-up (pre-Humpers '80s band) the band got together in 1990, and in the same year recorded this magnificent piece of a debut full length for the underground Croatian record label Slusaj Najglasnije (Listen Loudest). In fact, the bands' second full length from 1991 entitled "War is Hell" was released on a cassette on the same label as well, and then again as a CD-R in the early '2000s after people in the war-torn regions of the former Yugoslavia were able to start new lives. At some point I will also review the 2nd album, for sure. Now back to the origins of this album, the Humpers' debut, which contains twelve songs recorded live in one day, resulting in a true garage sounding production which only adds to the greatness of this album, and will most definitely kick your ass. All songs are just pure dirty and unfiltered punk'n'roll hits, filled with great guitar leads and hooks, and of course Scott Drake's incomparable vocals. Anybody out there reading this that is interested in the early stages of this bands' output should try getting a copy of this killer album even though it has become rare and hard to get. Even better, some label should really reissue this as I am sure many more people would just love to hear this one!

Los Violadores - s/t LP

Label: Fanclub; Year: 199?; Format: Vinyl LP

First and foremost, let me tell you that this full length has been officially reissued two years ago by Spanish label Beat Generation so there is absolutely no need to hunt down a copy of this counterfeit release which came out about fifteen years ago when I had obtained it. It's a good thing that many of those releases that were first bootlegged in the '90s are now slowly but surely seeing the light of official reissues, becoming accessible to old and new punk aficionados alike. And even though I do not support or particularly like counterfeit releases, in many cases it is, or at least was the easiest and cheapest way to hear certain releases that one has nearly no chance of landing an original copy of. Before I bore you to death about that issue though, you will probably have guessed why you need to check out the reissue of this outstanding release, because let me tell you, it is an extraordinary good punk rock record, and does not contain a single daft song, nope. Los Violadores started life in 1980 and there is an excellent write up about the history of this Argentinian band that I found online, so please feel free to click on the link provided at the end of this review. As for the twelve songs found on this platter I could write an entire book worth of praise, not kidding you. Why this LP does not appear on all these countless lists of best ever punk rock LPs really baffles me as honestly it should be plastered all over the place. If people were looking to the United States or the U.K. in 1983, when this LP was originally released, then they found mostly raging hardcore punk on one continent, or the relatively boring sounds of countless UK82 bands on the other side of the Atlantic. One only needed to have an open mind and venture south to Argentina where Los Violadores were from. If you like your punk rock fast, yet tuneful, filled with melodic hooks and a loud and caring bass guitar, then this LP will satisfy your punk rock needs 150%. Think of D.O.A. at their very best, or New York's Kraut, Finland's Lama, and so on, you get the picture. Plus let me tell you, Spanish is a great language, and it works well for punk rock, doesn't it? The band continued to release more records since the early '80s, and even as recent as 2009, but from what I have heard they really became far more mainstream in the '80s already, and only their 2nd LP is still worth a listen. Still, it's about this release here which should be in everybody's collection!

Band History: http://www.shit-fi.com/articles/LosVioladores

Slobodna Europa - Pakaren LP

Label: Opus; Year: 1991; Format: Vinyl LP

Bratislava is the capital of Slovakia, and at one point this rich in history city was situated in Czechoslovakia, which was before the split, and the subsequent formation of the Czech Republic, and Slovakia. Bratislava always had a small and active punk rock scene, even way before communism ended as a result of the velvet revolution in 1989. The earliest punk rock acts from Bratislava were Extip and Zona A, and Slobodna Europa developed out of those two bands when some members of Zona A left the band, and decided to form a new band around the charismatic singer Whisky. "Pakaren" is the bands's first full length album, and was released in 1991 when publishing music became possible in post-communism  CSSR. I was born in Bratislava, hence I always had a keen interest in the punk rock history of my hometown, but by no means does one have to have such close ties to the place in order to appreciate this album. Sixteen songs were packed on to this release and there is not a single song I do not like, which means something for a full length. All songs represent a great mix of early Rolling Stones, Sex Pistols, and Ramones influenced songs, paired with a good dose of the bands' own style including Slovak lyrics.  The result is a great album celebrating Sex, Drugs & Rock'N'Roll in the best way possible, meaning that yes, some of the songs lyrically deal with substances that might numb you, but so what, it's a punk rock record, and some cliches are unavoidable. It is the music that is the absolute winner here, and the songs immediately grow on you, no matter whether is is the upbeat ones, or the more melancholic ones, as they all possess a way to draw you in through great song writing, such as the inclusion of a saxophone in some songs. Slobodna Europa is still going strong to this day, and has released three more albums in the meantime, developing musically and also lyrically. As often though, it is the first release that gets talked about the most, which is no different in this case. Should you have a chance to grab a copy of this record then don't hesitate if you don't want to miss out on eastern European punk'n'roll history!

V/A - Es Chaos is die Botschaft! Es Wurschtun es! Austrian Punk Scene 78-84 LP

Label: Luziprak Records; Year: 1997; Format: Vinyl LP

Seventeen years ago Vienna/Austria based Luziprak Records released this excellent collection of Austrian punk/hardcore punk recorded in the late '70s and early '80s. Since the release of this compilation LP the world of collector scum has seen reissues by bands such as Schund, Chuzpe, or Dead Nittels to name a few. Never the less, the importance of this piece of vinyl can not be understated, as it was the first time for many of us interested in international punk rock to being introduced to the sounds of mainly Vienna based bands from the golden age of punk and hardcore punk. I couldn't point to a single weak track on this platter and the tracks vary from raw basement recordings of female fronted hardcore punk act Schund to the Ramones influenced Kleenex Aktiv to the simply amazing '77 punk of Chuzpe. You get seventeen punk/hardcore punk smashers here, including a great cover and an insert with band histories (in German), from a country that is not exactly known for much punk rock export and to this day will always be remembered for Falco, without doubt the biggest Austrian pop export ever. In 2010 Luziprak issued a second installment of this series, which I unfortunately don't own and have not heard to this day. 

Wasted Youth - I'll remember you/My friends are dead 7"

Label: Bridge House Records; Year: 1980; Format: Vinyl 7"

Let me start off by telling you that these east London blokes should not be confused with the L.A. band going by the same name. Since this is the only release I have by this band, and can't even remember how it got into my hands, I had to do a bit research in regards to the history of this band, and learned that these guys started out in post-punk 1979. Apparently the band members were previously in bands ranging from power pop to hard rock, but with Wasted Youth settled on creating an interesting mixture of dark, psychedelic sounds predating goth rock and fitting well into what is widely considered as post-punk. I especially like "My friends are dead", a goth/post-punk hit with fantastic song arrangements and good production. When it comes to the label this was released on, one could fill many pages on the history and importance of the Bridge House in the Canning Town area of east London. This place established itself as a pub, rock venue and record label at the same time, and interestingly enough also served as the stepping stone to the careers of bands such as Iron Maiden or Depeche Mode. I might as well get more of Wasted Youth's back catalog at some point as the history and the sound alike are intriguing.

The Spastics - Cherry Pop/I wanna be a cop 7"

Label: Rip Off Records; Year: 1996; Format: Vinyl 7"

Greg Lowery's Rip Off Records started as a label promoting his own band, the Rip Offs, and like minded bands playing a similar style of primitive and snotty garage punk'n'roll. In the early to late '90s he was known to release singles by bands such as the Registrators, Rip Offs, and others such as the Spastics whom were from San Francisco and came out of the ashes of the equally great Spoiled Brats. On this one sided little platter you get two great garage punk hits that can't be beaten when it comes to snottiness and a 100% pogo factor. I don't suppose I need to really add anything more as this will appeal to anyone into 77 punk with a good dose of garage punk thrown in there. Greg's label continued to be active until the latter stages of the '2000s but in my opinion lost the magic of its early days once he started to release full lengths and no longer such modern day classics as this one here.

V/A - Messthetics # 103 - DIY '77-81, Midlands, Part 1

Label: Hyped To Death; Year: 2007; Format: CD

Fans and collectors of obscure DIY punk and post-punk bands from the UK and North America will be familiar with Chuck Warner's Hyped To Death website and compilation CDs. Chuck has put an incredible amount of time and love into his little DIY empire, enabling many of us to hear the most obscure sounds of times past. This particular compilation deals with bands from the Midlands part of the UK and as Chuck put it in the CD; between 1977 and 1983 literally hundreds of bands released their own records and cassettes throughout the UK. As one can only assume, some were more talented musicians, whereas others weren't, but didn't lack anything when it comes to drive and true DIY spirit. The songs compiled on this CD sum up what was just said, offering hidden gems such as the Prefects "Things in General", or The Shapes "I saw Batman in the launderette", whereas other songs are rudimentary to the bone without lacking originality and charisma. Overall you get over twenty songs on this Messthetics volume, a great booklet with tons of information about the bands and the times where everything seemed possible. Not many people can own all the originals found on these compilations, hence I see no reason to not stocking up on these. Essential stuff!