Slobodna Europa - Pakaren LP

Label: Opus; Year: 1991; Format: Vinyl LP

Bratislava is the capital of Slovakia, and at one point this rich in history city was situated in Czechoslovakia, which was before the split, and the subsequent formation of the Czech Republic, and Slovakia. Bratislava always had a small and active punk rock scene, even way before communism ended as a result of the velvet revolution in 1989. The earliest punk rock acts from Bratislava were Extip and Zona A, and Slobodna Europa developed out of those two bands when some members of Zona A left the band, and decided to form a new band around the charismatic singer Whisky. "Pakaren" is the bands's first full length album, and was released in 1991 when publishing music became possible in post-communism  CSSR. I was born in Bratislava, hence I always had a keen interest in the punk rock history of my hometown, but by no means does one have to have such close ties to the place in order to appreciate this album. Sixteen songs were packed on to this release and there is not a single song I do not like, which means something for a full length. All songs represent a great mix of early Rolling Stones, Sex Pistols, and Ramones influenced songs, paired with a good dose of the bands' own style including Slovak lyrics.  The result is a great album celebrating Sex, Drugs & Rock'N'Roll in the best way possible, meaning that yes, some of the songs lyrically deal with substances that might numb you, but so what, it's a punk rock record, and some cliches are unavoidable. It is the music that is the absolute winner here, and the songs immediately grow on you, no matter whether is is the upbeat ones, or the more melancholic ones, as they all possess a way to draw you in through great song writing, such as the inclusion of a saxophone in some songs. Slobodna Europa is still going strong to this day, and has released three more albums in the meantime, developing musically and also lyrically. As often though, it is the first release that gets talked about the most, which is no different in this case. Should you have a chance to grab a copy of this record then don't hesitate if you don't want to miss out on eastern European punk'n'roll history!

V/A - Es Chaos is die Botschaft! Es Wurschtun es! Austrian Punk Scene 78-84 LP

Label: Luziprak Records; Year: 1997; Format: Vinyl LP

Seventeen years ago Vienna/Austria based Luziprak Records released this excellent collection of Austrian punk/hardcore punk recorded in the late '70s and early '80s. Since the release of this compilation LP the world of collector scum has seen reissues by bands such as Schund, Chuzpe, or Dead Nittels to name a few. Never the less, the importance of this piece of vinyl can not be understated, as it was the first time for many of us interested in international punk rock to being introduced to the sounds of mainly Vienna based bands from the golden age of punk and hardcore punk. I couldn't point to a single weak track on this platter and the tracks vary from raw basement recordings of female fronted hardcore punk act Schund to the Ramones influenced Kleenex Aktiv to the simply amazing '77 punk of Chuzpe. You get seventeen punk/hardcore punk smashers here, including a great cover and an insert with band histories (in German), from a country that is not exactly known for much punk rock export and to this day will always be remembered for Falco, without doubt the biggest Austrian pop export ever. In 2010 Luziprak issued a second installment of this series, which I unfortunately don't own and have not heard to this day. 

Disper-Azione - Sempre Immutata Fede EP

Label: Chaos Produzioni; Year: 1985; Format: Vinyl 7"

Fans of international hardcore punk from the '80s will widely agree that Italy had one of the best, most active and highly interesting hardcore scenes back in the heyday of said musical genre. Everybody will be familiar with bands such as Negazione, Raw Power or CCM, but amongst those internationally well known and established acts there was an even greater amount of lesser known acts such as Disper-Azione, whom hailed from provincial town Como in the Lombardy part of Italy, not that far from the Swiss/Italian border. A long time ago I remember owning Disper-Azione's 1st LP, and for some reason I don't have it in the best of memories and must have parted with it at some point. Well, all I can say is that if the LP sounded anything like this EP, then I must have been a real dumb-ass to have done so. This seven song EP is filled with energy, and your typical chaotic but musically highly skilled italian hardcore punk the way many of us just love so much, and can never get enough of. In 1985 many bands in the United States started to sound metal and the whole crossover scene was exploding, which not all hardcore punks appreciated. Instead of giving up on it, one only had to look across the ocean, as Europe was full with bands such as Disper-Azione, sticking to true DIY hardcore punk with zero metal. A minor classic, and to my knowledge not reissued to this day....

Wasted Youth - I'll remember you/My friends are dead 7"

Label: Bridge House Records; Year: 1980; Format: Vinyl 7"

Let me start off by telling you that these east London blokes should not be confused with the L.A. band going by the same name. Since this is the only release I have by this band, and can't even remember how it got into my hands, I had to do a bit research in regards to the history of this band, and learned that these guys started out in post-punk 1979. Apparently the band members were previously in bands ranging from power pop to hard rock, but with Wasted Youth settled on creating an interesting mixture of dark, psychedelic sounds predating goth rock and fitting well into what is widely considered as post-punk. I especially like "My friends are dead", a goth/post-punk hit with fantastic song arrangements and good production. When it comes to the label this was released on, one could fill many pages on the history and importance of the Bridge House in the Canning Town area of east London. This place established itself as a pub, rock venue and record label at the same time, and interestingly enough also served as the stepping stone to the careers of bands such as Iron Maiden or Depeche Mode. I might as well get more of Wasted Youth's back catalog at some point as the history and the sound alike are intriguing.

Ulster - M-19 EP

Label: ABC Records; Year: 1995; Format: Vinyl 7"

You want noise? Alright, I got noise for your ears here in the most distorted and primitive way one can only imagine. But let me put things into context here before this review starts to sound like I am bashing this release, or the band. Quite the contrary because Ulster were one of the earliest bands to emerge out of Brazil, in particular out of the ABC industrial complex in Sao Paulo. The excellent KFTH website informed me that the band started as a reaction to high unemployment and socio-economical problems in their ABC area of Sao Paulo, and channelled all their anger and frustration into a visual and sonic attack. The tracks on this EP were originally all recorded during demo sessions in 1982, and as hinted above resulted in songs that will make your ears bleed. This is hardcore punk at its most primitive, but taking into consideration the circumstances and the environment these guys came from, one should quickly realize that the band did not have the same technological opportunities as bands in Europe or America, and as a result of that you get a very raw but honest sounding time document. Further to the extreme music, Ulster were aggressive and provocative in their approach of getting their message of anti-government lyrics across. The whole package of this EP tells the story of real urban struggle, and a violent three chord reaction to it. When it comes to the recorded music then this might not be top notch, but at the end of the day this is a fantastic time document from a scene that was just starting to explode at the time of these recordings.

The Spastics - Cherry Pop/I wanna be a cop 7"

Label: Rip Off Records; Year: 1996; Format: Vinyl 7"

Greg Lowery's Rip Off Records started as a label promoting his own band, the Rip Offs, and like minded bands playing a similar style of primitive and snotty garage punk'n'roll. In the early to late '90s he was known to release singles by bands such as the Registrators, Rip Offs, and others such as the Spastics whom were from San Francisco and came out of the ashes of the equally great Spoiled Brats. On this one sided little platter you get two great garage punk hits that can't be beaten when it comes to snottiness and a 100% pogo factor. I don't suppose I need to really add anything more as this will appeal to anyone into 77 punk with a good dose of garage punk thrown in there. Greg's label continued to be active until the latter stages of the '2000s but in my opinion lost the magic of its early days once he started to release full lengths and no longer such modern day classics as this one here.

V/A - Messthetics # 103 - DIY '77-81, Midlands, Part 1

Label: Hyped To Death; Year: 2007; Format: CD

Fans and collectors of obscure DIY punk and post-punk bands from the UK and North America will be familiar with Chuck Warner's Hyped To Death website and compilation CDs. Chuck has put an incredible amount of time and love into his little DIY empire, enabling many of us to hear the most obscure sounds of times past. This particular compilation deals with bands from the Midlands part of the UK and as Chuck put it in the CD; between 1977 and 1983 literally hundreds of bands released their own records and cassettes throughout the UK. As one can only assume, some were more talented musicians, whereas others weren't, but didn't lack anything when it comes to drive and true DIY spirit. The songs compiled on this CD sum up what was just said, offering hidden gems such as the Prefects "Things in General", or The Shapes "I saw Batman in the launderette", whereas other songs are rudimentary to the bone without lacking originality and charisma. Overall you get over twenty songs on this Messthetics volume, a great booklet with tons of information about the bands and the times where everything seemed possible. Not many people can own all the originals found on these compilations, hence I see no reason to not stocking up on these. Essential stuff!

Donna Gaines - A Misfit's Manifesto; The Spiritual Journey of a Rock & Roll Heart

Publisher: Villard Books; Year: 2003; Format: Book

I don't even know where to start with a review for this book as it is 380 pages long, and it has taken me a good while to get through it. Many books occupying my book shelves were bought a long time ago, but I am only getting to them in recent days and months, one by one. I wouldn't even remember where I got this memoir by Donna Gaines, but that's not the point here. In my honest opinion, this book could have easily been just 250 pages long, and it would have packed everything of interest in, which would have helped with the flow of this memoir. Instead I must say that in parts this is a difficult book to get through, but in the end it's definitely worth to read from cover to cover. Dr. Gaines is a well known sociologist and cultural examiner, and her memoir really covers her entire life with its many ups and downs up until publication of this book. The early part of the book covering her childhood and jewish upbringing in Rockaway Beach is for the most part interesting and educational, especially if one wants to gain knowledge how that particular part of Queens was developing back in the '50s and '60s, really fascinating. Donna was from her childhood onward a music fanatic, and early on she developed a real love for doo wop, later to be replaced by the likes of Frank Zappa. It should come as no surprise that one of the most interesting parts of the book, at least for me, is the part when Donna moved out to Long Island and started dating a member of legendary punk'n'roll act The Slugs. That's where I really got into this book, and enjoyed every single bit of it. Other bands that get quite a bit of mentioning due to also being from Long Island include Corpse Grinders, Nihilistics, Sea Monster and a few others. Her stories from Slugland, as she referred to the band members and extended family members and fans, are often hilarious, funny and definitely rock'n'roll. One musician Donna really admired was Johnny Thunders, and good ole' Johnny is being celebrated in many pages throughout the book. The Ramones get mentioned a lot too, but it isn't until very late in the book that Donna actually gets to meet Joey, Johnny and the rest of the gang. 'Life in the Post-Ramones empire of NYC' is another great chapter covering Donna's friendship with Joey Ramone, up until his tragic death. Really touching, sweet and an absolute highlight of this book. In between all these musical anecdotes there is a lot of ground covered that pertains to personal issues Donna was getting through, such as fighting alcoholism, drug overdoses in her circle of friends, and above all also many issues related to her blood family. Many of these parts are not always interesting, often too detailed and messy to get through, but as I said, in the end it's all worth it. All in all this should appeal to New Yorkers, as they would be the ones understanding the finesses the best. As someone that has moved to this city not that long ago, I didn't experience difficulties understanding the geographical aspects of the stories, but would have probably appreciated it even more had I been brought up here. In conclusion I must say that if you decide to pick up this book, be patient, but rest assured that you can learn a good lesson about life and human beings, amongst some entertaining rock'n'roll stories.

Lost Kids - Bla Bla LP

Label: Medley Records; Year: 1980; Format: Vinyl LP

I am glad that King Diamond is not the only musical export Denmark was able to produce, otherwise this Scandinavian country would not be even on the map, at least the one I am looking at on my wall. The ever growing fan base of KBD punk will of course be familiar with the "Cola Freak" EP by Lost Kids, but I would assume that not that many people have given this LP a proper chance. While it is true that a good third of the seventeen songs to be found on this LP are either silly pop or new wave, the ten other songs are still ass kicking punk rock smashers in the cola freak fashion with those awesome dual male/female vocals, clicking in anywhere between one and two minutes to keep your adrenalin flowing. I remember owning Bla Bla 2 as well, which moved even further away from the punk roots, and only had maybe a handful of good songs to bolster. Quite the contrary is the case here with the majority of the songs still being refreshing Dansk Punk!

Nog Watt - Fear EP

Label: Revenge Records; Year: 1985; Format: 7"Vinyl

Before I go on to say anything about this particular release I would like to ask why in the heck has this not been reissued yet? God, it's 2014 and nearly thirty years have passed since the release of this absolute classic from the Netherlands. These four women from Amsterdam just knew how to write angry and pissed off politically minded hardcore punk tracks, through and through. While the majority of the six songs on this EP are fast, and well executed, it is in my opinion the title song "Fear" that wins the title of the stand out track, a mid-tempo, mean and gloomy song, just plain perfect. I honestly haven't listened to this little platter in a good while, but when putting it on today I just held my breath, and realized how lucky I am to be still able to enjoy this sort of music. A superb release that should be made available again for a new generation!

Update June 2022: Eight years have passed since my original post and while reviewing the reissues of the two Rutto EPs from Finland I discovered that Final Doomsday Records has reissued this classic in 2021. Hurry up before it's too late!!!

Rejectors - Thoughts of War EP

Label: Fartz Records; Year: 1982; Format: Vinyl 7"

There is really not all that much that I intend on saying about this EP other than the fact that the Rejectors, who were from Seattle/WA, played politically-minded fast and furious hardcore punk that was typical for Reagan-era acts of this kind. This EP was recored in early '82 and delivers 9 angry numbers that are hard to distinguish from one another, yet will still convince anyone into early '80s US hardcore punk. The band went on to record a split-LP with much better known Seattle act The Accused a year after this EP was released. Good stuff!

Horrorcomic - I don't mind/England 77 7"

Label: Fan Club; Year: 200?; Format: Vinyl 7"

What we've got here is a bootleg pressing of an incredibly rare, and incredibly good 7" that was originally released on Lightning Records in 1978. Horrorcomic are a bit of a mystery when it comes to their band history, and in the past it has been said that the band actually recorded these tracks as '60s R&B act Downliners Sect in disguise. I could not find any information backing this up, but rather found facts that before becoming Horrorcomic, these fine gentlemen were active as the Crackers since the early '70s, and released a pretty good glam influenced 7" in 1975 with "Judy, Judy, Judy" on it. Since they didn't see any future in continuing playing that type of sound, they jumped on the punk wagon, and as a result of that released three 7"s, with the last one having been withdrawn and resulting to be the rarest of all of them as only a handful were pressed. The one herein reviewed was the middle one, and often viewed as their best one. Both tracks are stomping '77 punk hits at their very best with choruses and chords that will definitely get you out of your armchair to pogo around like crazy. The singer, Roger Rep aka Roger Semor, is an executive of the Sanctuary Records company and therefore it should be of no surprise that a compilation CD of the entire Horrorcomic catalogue was released on said label a few years back.

V/A - Na Eller Aldri - Samle EP

Label: X-Port Plater; Year: 1985: Format: Vinyl 7"

I have spent most of my life in central Europe, and ever since having gotten into hardcore punk, I was always fascinated with bands from Scandinavia. But it was always groups from either Sweden, or Finland (officially not Scandinavia) that were more accessible, at least so I remember. Bands from Norway were lesser known, and there just wasn't so many around. I saw So Much Hate when they toured Europe for the first time, and that was well impressive. But before So Much Hate, there was Kafka Prosess, who are of course to be found on this classic compilation EP of Norwegian hardcore punk acts from the mid '80s. Other bands represented on here include Siste Dagers Helvete, Bannlyst, Akutt Innlegelse and three more. Speaking of Akutt Innlegelse, whom had a young fellow named Thomas Seltzer in their rows, the same Thomas who would some years later on to form Turbonegro. In my opinion only one song should not have been picked for this EP, all the other ones range from absolutely brilliant to almost brilliant, you get the picture. If you like your hardcore punk fast, loud and distorted, then this is for you. I remember reading somewhere that the reason so many of the Norwegian hardcore acts from the '80s had a more rock'n'roll guitar sound to them than say the Swedes or Fins, was down to the fact that many of the people involved in those bands had very varied tastes in music. I for one always thought that the Norwegian bands did sound quite different from their neighbors, and it certainly did them well. Shocking to see that to this day this EP has not been reissued. I wonder why, bearing in mind this is an absolute classic.

Kriminella Gitarrer - Complete Studio Recordings + Demos LP

Label: Klippan Records; Year: 1999; Format: Vinyl LP

A highly interesting release here by Kriminella Gitarrer from Klippan, a small town in Sweden. These first generation punk rockers were just kids when they managed to release three 7"s between '78 and '79, and all of them don't quite sound alike. The first one was apparently already sought after just two years after its release and was compared to the sounds of the swedish highways during rush hour. Well, I can see where the fanzine writer at the time was coming from, but I must add that the first 7" and the demo tracks on the B-Side of this collection are in parts noisy proto-hardcore, and we're talking '77 and '78 here, impressive for a group of 15 year olds from small town Sweden. It might have been the distance to bigger cities and those scenes that provided them with the ability to really build on their own sound instead of trying to sound like another band. The 2nd and 3rd 7"s, here to be found on the A-side, along the 1st one, are to a degree more melodic, musically more developed, and pop oriented, but in my opinion those are the best tracks the band has ever recorded as they are true '77 punk smashers. Apparently the band only ever played fewer than ten gigs, and this release looks like a bootleg even though it has an insert with all the info on the band and the history. While the original 7"s are impossibly hard to find and expensive, even this LP is not easy to get, and certainly not cheap. In the early 2000s a compilation CD with even more tracks surfaced, but the same problem prevails as it is hard to get a copy. A label specializing in reissuing hard to find international punk should really look into doing a proper release of this material as there are some exceptionally good songs Kriminella Gitarrer managed to crank out.

Gobblinz - S/T CD

Label: Nat Records; Year: 2006; Format: CD

This is a real mixed bag of a CD, compiling all the recorded material by UK band Gobblinz, whom were from Peterborough. Until I was given this CD by a friend of mine, I knew very little about this band, and looking at forums and groups on the net I discovered that their two original 7"s that came out in '78, and '79 respectively are sought after records. But, no worries, Nat Records also reissued those in their original artwork, and the five songs to be found on those two platters are the best this band recorded, and I mean by miles. And that's where I question a release such as this one, consisting of thirteen songs, of which two are pure disaster and could have been recorded by Queen for all we know, while the other six pass as okay, but not really worth the time. On a positive note though, and if you don't care whether you have their good songs on vinyl or CD, then the CD will save you some of your hard earned money. So, those five songs I have been mentioning, being "London", "Women in Love", "Love me too", "Communique" and "All this and more" are damn fine powerpop/punk tracks, without a single doubt. These guys came together as a band in 1975 and played in other bands before, which one can clearly hear as these people were seasoned musicians by the time they started Gobblinz, and the influences ranged from glam rock to pub rock, eventually being all incorporated into a New Wave sound. An interesting release for sure, but I would have been perfectly fine with just about half of the songs on the CD. Last but not least it might be worthwhile to mention that singer and guitar player Ian Graham went on to form The Name in late 1978, a band well known in the revival Mod scene of the late '70s. End and over.