Tuesday, January 10, 2023

The Clash - Clash in Hamburg LP 


Label: No Rock Stars (Unofficial); Year: 20??; Format: Vinyl LP

By 1980 the Clash have blossomed from a relatively small unknown unit from London having played a huge part in the punk explosion of 1977 to a well-oiled Rock'N'Roll machine touring not just the UK but also the European continent. In hindsight they certainly did not change the world but Joe Strummer and the gang certainly changed the lives of thousands of teenagers in the late seventies and early eighties. With success a band gains a lot of new fans and loses some of the old faithful. This bootleg LP of the Clash playing in Hamburg, Germany on May 19 in 1980 was originally released in 1980 and at some point in the 00's the version you are seeing herein came out as a "boot of a boot" so to speak. What I find most interesting about this record and the gig itself is not the music contained on vinyl. First and foremost I am not the biggest Clash fan myself and quite frankly despite the sound quality on this record being quite decent I must say that to me it's just a good rock'n'roll performance, nothing more and nothing less. But with the punk scene getting more and more politicized the Clash gig at the Markthalle has a special place in punk rock history and therefore I decided to translate Rudi Krawall's personal account of that night from German to English as per his piece for the excellent "Keine Zukunft War Gestern" book published many years ago: 

"The best gig I have ever seen, and since then I am the biggest Clash Fan ever. The band was accused of having sold out by having signed to CBS and gradually changing their style of music. The venue was stormed by an angry mob that night but the Clash didn't give in despite a riot, blood and emotions flying high. 
The anger that spilled over that night was not spontaneous and neither a coincidence but rather a result of a gradual built-up. I recall a gig with some local bands in a youth centre nearby Hamburg (Shalom in Norderstedt) and if I am not mistaken Scrubby Kids, Slime, Razors and Kotzbrocken played said night. 
Anyway, someone from the crowd grabbed the mic between the bands and started to shout about the upcoming Clash gig at the Markthalle, and that we should all boycott the show. The main reason was that the ticket price of Deutsch Mark 17 or 18 was way too high compared to other international Punk acts having played Hamburg with ticket prices being somewhere between Deutsch Mark 9 and 12. And on top of that the Crass song "Punk is Dead" was mentioned as well and the fact that the Clash being on a major label were nothing short of money grabbing "revolutionaries". 
A plan was agreed that night that we would all meet in front of the venue in order to prevent anyone from entering the Markthalle. On the night of the gig I arrived on time in front of the venue and a mob of around 70-80 punks had gathered in front of the entrance as planned. More and more kids started to arrive with their tickets in their hands but the punk mob resisted and prevented them from entering. Of course at some point the Security folks realized something was not right and intervened so the kids could get in. It was at the moment when the boycotting mob realized that their tactic was failing when they just started to push against the Security people of which there were maybe six. At that point the boycotting mob grew maybe to about 150 and after having overcome the Security said mob just stormed the Markthalle up the stairs and quickly inside. Some people that arrived a bit late that night got in for free as the Security guys just didn't feel like to bother anymore to avoid more confrontation. "Storming" of gigs became fashionable after the Clash gig and reoccurrences were frequent but never again with such a big following. 
When The Clash finally entered the stage that night the atmosphere was already quite heated. On the one hand you had the kids that paid full price for their tickets in order to see the band, and on the other hand you had the punks that stormed the venue to try to disrupt or stop the band from performing. The Clash figured out quickly what was up and played their songs professionally as if nothing was happening. A lot of the punks kept pushing towards the front of the stage and kept shouting "Punk is Dead" in between songs. The Clash were not bothered by that and kept playing even after some of the punks started throwing stuff at the band or spat at them. 
At some point it seemed that the situation was calming down despite the sound quality getting poorer by the minute as some of the punks managed to twist some of the cables on the stage. With the band still continuing to perform despite everything going on more and more punks gained respect for the band and stopped the harassment until Joe Strummer decided to lift his guitar and smash it against the head of one of the punks up front that kept shouting abuse at him. That obviously caused a major stir and I remember some punks climbing up the stage only to be wrestled by the band's roadies. Thereafter the band played a few more songs and the show came to a quick end. After the gig I stood outside the Markthalle with some of the Barmbeker Punks and we noticed two cop cars pulling up. After the police entered the venue they came out about five minutes later with Joe Strummer handcuffed in their company. Two of my friends came up with a quick improvised version of "Police and Thieves" for good ole' Joe and the whole story was all over the tabloid newspapers the next morning."
"I hate" Clash badge. Source: "Keine Zukunft War Gestern" book 2008

With so much of the Clash' history having been covered in books, magazines and what not relatively little coverage has been given to the gigs the band played in Mainland Europe hence despite the music on this bootleg not being the highlight me thinks this is an interesting little anecdote from decades ago. And remember Punk is Dead! 

Rudi Krawall's Original Text in German. Source: "Keine Zukunft War Gestern" book 2008


Photos and Ticket from the Clash Markthalle Gig. Source: "Hamburg Calling" book 2020

Saturday, January 7, 2023

AK-47 - The Badge Means You Suck LP


Label: Splattered Records; Year: 2022; Format: Vinyl LP

AK-47 from Houston, Texas are one of those bands that many of us into obscure worldwide punk rock must have discovered through a Killed By Death compilation LP. I don't recall when I heard "The Badge Means You Suck" for the first time but it certainly has been a good while hence the band has fallen off my punk radar until a well written 2021 Texas Monthly article about the band's history and their fascinating connection to police brutality and killings from the past and present subsequently revived my interest in the band (Link to article at the end of this entry). It's only fitting that just a few days ago I visited my local record shop and found a copy of the already hard to find official reissue of the band's material collected on a Full-Length. While the two songs from the originally in 1980 released 7" are the ones many of us are after on vinyl I must say that the remaining eight songs are just as intriguing and good. The true gems on this record are the six songs that the band recorded in 1981 and put up on bandcamp in 2021 as "Singularities". These six songs previously unreleased on vinyl highlight the development of the band after the demise of their original singer and are in my opinion worth every penny spent on this LP. With the addition of Penny Smith on vocal duties it is widely believed that the band really found its style and peaked during that time. Songs like "Isaacs Social Disease" or "Brain on a Pillow" to name just two of the six take the band in all kinds of musical directions without ever losing their Art-Punk roots. Mix angular post-punk with some hard rock and new wave and you get an idea as to how those six songs sound like, and trust me you will not be disappointed. Two more songs recorded actually in recent times are to be found on this wonderful record, with one of them - Trumpelstilstkin - being proof that these Texans haven't lost their art of social commentary in the modern day and age. Get a copy of this record while you can! 

Link to the Article in Texas Monthly:
https://www.texasmonthly.com/arts-entertainment/houston-punk-bands-protest-anthem-still-resonates-forty-years-after-release/