Sunday, April 23, 2023

The Jam - In the City LP


Label: Polydor (Spain); Year: 1977; Format: Vinyl LP

Many, many years ago when I got into Punk/Hardcore Punk I scoffed at bands like the Jam or even the Clash for that matter. I was of the opinion that those were nothing else than boring rock bands trying to sound somewhat punk rock. Throughout the decades though my taste and understanding of music has gradually changed to the point where I eventually reached the point of exploring the Jam catalogue. The band's history is interesting in the sense that it starts as far back as 1972 when school friends Paul Weller and Steve Brookes set out to start a band in the unassuming London suburbs of Woking in Surrey. Their early live shows often happened at youth clubs or workin men's clubs and consisted of mainly covers of fifties rock'n'roll acts, but they did have some of their own original numbers as well. Another intriguing fact is that from very early on Paul's father, John Weller, a featherweight champion and cabbie, was heavily involved in the music career his son would go on to have. Unlike many other parents of that time he was very supportive of what Paul was doing and through some of his boxing contacts things started to come together for the band as by 1974 the band started to play in London and landed a supporting slot for Thin Lizzy at Croydon's Greyhound. By 1976 Paul Weller was exposed to the nascent Punk Rock explosion happening in London and things started to take off for the Jam, now a trio of Paul Weller on guitar/vocals, Bruce Foxton on bass guitar and Rick Buckler on drums. According to Alex Ogg's punk bible "no more heroes" it was actually devoted fan Shane MacGowan of Nipple Erectors and later the Pogues who pushed the Jam to Chris Parry of Polydor. Their first LP, released in 1977 is in some ways an odd record in the sense that it is definitely not a pure punk rock record, but neither is it a Mod record. Nevertheless what counts most is that it is a good record, built on the Jam's live performances and recorded in just eleven days. Paul Weller has never made it a secret that he will forever be loyal to his love of '60s music, be it the Who, the Beatles or Motown. And that's exactly what you can expect from this album as the raw energy of punk rock collide with the pop sentimentality of Paul Weller's songwriting resulting in great songs such as "In The City" or my favorite "Away From The Numbers". In many ways this first album only foreshadows as to what was to come and should be viewed merely as an appetizer when it comes to the talent the Jam had. Stay tuned for more from the Jam down the road. 

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