Buzzcocks with Howard Devoto - Time's Up LP 

Label: Raven Records (Unofficial); Year: 1979; Format: Vinyl LP 

I stumbled across this record not too long ago at my local record shop up the road from where I live and didn't hesitate a single minute purchasing it. Buzzcocks are one of those rare bands that I enjoy hearing even some of the newer material of as they never lost the magic touch of coming up with great songs. So, according to the little research I have done the version I have is an Australian bootleg released in 1979 and is basically a bootleg of an earlier bootleg for history's sake. More important is the music and that was taken from a session in October of 1976 even before these Manchester lads recorded their self-released first EP. So what you get is Buzzcocks at its rawest with Howard Devoto still part of the band. Now, some people will argue that Buzzcocks have never sounded better than at this point where they really had that unfiltered early raw punk sound as opposed to the cleaner and better produced sound of their later output. Now, that is up to everybody's own taste but this LP is definitely worth getting providing you with a chance hearing tracks like Boredom, Breakdown or Orgasm Addict recorded without dubs live in a studio when those songs were just ideas the day before so to speak. I think what is really enjoyable the most about this record is hearing the spontaneity of the time, and in that regard it is hard to beat. Domino Records have released the session in recent years officially but from what I saw the tracking list is a little different. Last but not least listen to the drumming on You Tear Me up and tell me whether that is not the beginning of D-Beat. 

Davova Psychoza - Antropofobia LP 

Label: Papagajuv Hlasatel Records; Year: 2015; Format: Vinyl LP

In 1979 my parents fled the former Czechoslovakia and its communist regime and we ended up in Switzerland where I spent most of my life. Davova Psychoza are from Bratislava in Slovakia where I was born and are active to this day, as a matter of fact they just embarked on their 35 years of Davova Psychoza Tour across Slovakia and the Czech Republic. Antropofobia was their first LP and was originally released in 1991 on Opus, a Major. According to the insert of the repress I am reviewing here the band even got some flack back then for doing so but Opus was a relatively small company and a DIY network barely existed after the fall of communism hence the band was happy someone took a chance on them and released the record. Totally understandable. Davova Psychoza formed in late 1987 and recorded their first demo two years later just before the communist party lost control. According to the liner notes inside the repress the band members remember that time as a once in a lifetime experience where the whole country was in a positive mood and the future looked bright. It was in this environment where Davova Psychoza wrote the material for this record and frankly one can hear it in the songs. Musically speaking the band was influenced by North American acts like Verbal Assault or SNFU, hardcore punk played fast but with lots of melodic hooks. On the other hand being from Bratislava with a tradition of older UK punk influenced bands such as Zona A or Extip some songs are just great mid tempo pogo punk hits. Lyrically it's an interesting album as well with some being very personal and others more about fun and drink. The production and the band member's fitness on their instruments and vocals add to an overall really enjoyable album from a band that on an international level is sadly not well known at all even though they have been going all these years having released five albums in the meantime. Highly recommended! 

Jim Ruland - Corporate Rock Sucks (The Rise & Fall of SST Records) 

Publisher: Hachette Books; Year: 2022; Format: Book

When it comes to the vast area Los Angeles covers geographically speaking than punk rock historians as well as many old timers from Lala land love talking or writing about the early Hollywood punk scene. What is so fascinating about the greater Los Angeles area is that different scenes sprung up in different areas roughly around the same time, and I am being somewhat generous with that statement for the sake of my argument. My argument is that the punk rock history of the South Bay of Los Angeles is in many ways far more interesting than the one of the fairly short lived Hollywood scene, at least that's my take. A long while ago I already reviewed Craig Ibarra's "A Wailing of a Town" book which focuses a lot on the Minutemen and befriended bands from San Pedro. At some point in the future I shall review Keith Morris' "My Damage" as well but I recently bought and instantly read Jim Ruland's Corporate Rock Sucks and came away with a wealth of knowledge not just about SST Records, but the South Bay Area hardcore punk scene in general. First and foremost the book is divided into fourteen chapters with each one SST squaring against a different entity. Chapter one is called SST vs. Bomp! and Chapter fourteen is titled SST vs. History. Inbetween SST takes on the world so to speak, a statement which pretty much sums up the book in many ways as Greg Ginn seems to have a very combative personality and an admirable hunger for success. The author has truly done a great job at researching this book as it is filled with many important anecdotes from the humble beginnings of SST Electronics all the way up to the downfall of the once so influential indie label. The many legal battles SST fought alone would be worth another book in my opinion as it becomes clear that legally speaking SST mistreated quite a few bands by hurting them not just financially but in their overall development. I think what really saddened me to a degree is the fact that at some point the record label was run almost like a major where the personal interaction between the owners and the employees became less important and money ever so more important. To be fair though SST was not alone in the sense that they became the victims of their own success. And yes, of course Black Flag are a big part of the story in the book as well, but I wanted to focus on the label. I can't say that I own too many records from the vast catalogue of SST but I will make an attempt to dig deeper into some releases in the future. In the meantime do yourself a favor and pick up this book or visit your local library as you will not regret it. Corporate Rock Sucks indeed. 

The Clean - Boodle Boodle Boodle and Tally Hoe reissues

Label: Merge Records; Year: 2021: Format 12" 45RPM EP

One of the many reasons I don't post often enough on this blog is the fact that I love listening to podcasts. Besides podcasts dedicated to politics or law or other subjects causing more headaches and an upset stomach I sometimes listen to Dynamite Hemorrhage Radio which I can highly recommend as it has introduced me to many a band I was unaware of with New Zealand's The Clean being one of them. I heard a song off of this originally in 1981 released EP on one of the shows and was instantly hooked and intrigued. Luckily Merge Records reissued this rarity last year so nobody needs to fork out some serious dosh on an original on the hugely influential Flying Nun record label. All five songs on this record are killer, and I mean it man! It's hard to describe The Clean's sound as they draw from psychedelic influences to punk and post-punk with a heavy bass driven sound. I wish I had been drawn to these type of bands earlier in life as the older I get the more I appreciate the edginess and artiness of bands like the Clean. The band formed in 1978 in Dunedin, NZ and has influenced countless bands in the indie scene throughout the years. I cannot stress enough how great this record is and that you too should get a copy. Comes with a nice reproduction of the original cartoon of the EP as pictured below. 

Label: Merge Records; Year: 2021; Format: 7" Vinyl Single

Honestly I wasn't even aware of this reissue until I saw it at my local Indie Record Store so I picked it up along the above reviewed 12" EP. Tally Ho is a punky/new wavy upbeat song that kicks serious ass with Platypus being a slower song definitely more in the post-punk vein. This is a classic two song single with two killer tracks hence you can't go wrong. I will have to make some time and dig deeper into the rich catalogue of the Clean to see how the band's sound evolved over the years and whether I will be buying and reviewing more of their records. End of rant. 

V/A - Texas-Mexican Border Music Vol. 1 (An Introduction 1930-1960) LP

Label: Folklyric Records/Arhoolie; Year: 1975; Format: Vinyl LP

I love picking up records like this compilation of at least to me absolutely unknown artists from the Texas-Mexican border with songs recorded between the 1930s and the early 1960s. It is kind of similar to discovering and learning more about blues music in the sense that it is music from the working people sweating in factories, packing houses or in the fields picking fruit. As the notes from editor Chris Strachwitz say it's the music of the Tejanos, Chicanos, Nortenos or Mexican-Americans. The recordings vary in quality and the songs recorded later sound generally louder and better but this is a highly enjoyable record taking you back in time to a place that certainly must be special and fascinating to this day. Migrants from Mexico have crossed the Rio Grande headed for the North back then and still do to this day in the hope of a better life in the US. Back then they have brought a different music with them and it would be interesting to see what a compilation like this one would sound like with current artists. I will definitely try to scoop more records from this series. Una historia de la musica de la frontera! 

Glo - Diskoackel and Nerv EP Reissues

Glo - Diskoackel EP

Label: Re-Ken-Records; Year: 2019; Format: 7" EP

Back in the '90s Barny of Incognito Records from Stuttgart in Germany released a bunch of brilliant Compilation LPs entitled Back To Front. That's when I first heard of Glo from Asa near Gothenburg in Sweden as the song "Du For som Dom Vill" appeared on Volume 5 of above mentioned Comp Series. With both songs on this originally in 1979 released EP you get value for your money in form of upbeat drunken punk rock smashers with singer Patrik shouting on top of his lungs. Think Ramones meets Rude Kids and you know what I mean. Oh, and yes there is a third "song" on here but it's only 18 seconds long hence no need to mention it. One of the many great early Swedish punk rock gems. 

Glo - Nerv EP

Label: Re-Ken-Records; Year: 2019; Format: 7" EP

Thanks to Ken Records you get to enjoy the second Glo EP as well without having to dig deep into your pension fund. Personally I prefer this one over the first one and originally this came out in 1980. The production on this one is superior and louder and less muddy hence the songs are just more in your face. Musically this isn't any different from the first EP with all three songs (yes there is a fourth and it's 5 seconds long) being obnoxious straight forward punk rock hits. According to the Encyclopedia of Swedish Punk by Peter Jandreus these guys not only sounded punk but also had the look and were quite a heavy drinking bunch. Apparently on the way to a gig in Sundsvall the band managed to take apart an entire train compartment. So much for the well behaved Scandinavian youth listening to Abba... If you like your punk loud and snotty this is for you. 

Inocentes - Panico em S.P. Mini-LP

Label: WEA Brazil; Year: 1986; Format: 12" Mini-LP

In 1983 Inocentes from Sao Paolo in Brazil self-released a fantastic raw hardcore punk 7" titled "Miseria E Fome". Unfortunately even the reissue is so rare that at this point I won't be reviewing said classic. This Mini-LP was gifted to me by a good friend in Europe and while their self-titled EP was put out by the band itself, three years later Inocentes found themselves on WEA Brazil, a major. While their earlier output was influenced by Discharge, Rattus and the likes, three years later the band went much more melodic without losing its edge. The six songs on here are well produced mid-tempo punk rock smashers with great hooks and really brilliant songwriting. One can definitely hear a Clash influence but I would also compare them to '80s French bands like Camera Silens or Komintern Sect. It's pretty obvious that the members went through a phase where they started to listen to more melodic bands while taking that direction with their own songs. Interestingly enough not only UK's The Insane have a song called "El Salvador" but so do Inocentes and it's a hit as well. From the little I have heard from here on the band's releases gradually started to get poppier and far more mainstream sounding hence nothing I would seek out. This one though is a true gem and will have you pogo in your living room!

Nickey & The Warriors - Wild Cherry EP

Label: S.E.X Records; Year: 1986; Format: 12" EP

When I visited Tokyo in 1997 a Japanese friend of mine made me a tape with bands such as Sheena & The Rokkets, Nukey Pikes, Cobra or the herein reviewed Nickey & The Warriors. He obviously preferred the more melodic side of Punk Rock from Nippon and I loved that cassette. I instantly fell in love with the sound of Nickey & The Warriors and one day back in '97 above mentioned friend took me on a wild motorcycle ride with his Yokohama through Tokyo with me on the backseat fearing for my fuckin' life. When I listened to this 4-song EP today for some reason I was instantly taken back to that memory. Nickey & The Warriors started out in 1983 as the Road Warriors originally without Nickey on the mic but with Keigo of Stalin, G-Zet, Cobra fame on vocals. It was a little later that the teenage singer Nickey, who was a friend of then wife of Michiro Endo (The Stalin) joined the band. This EP and the "Born To Ride" 7" from the same year have some of the best material ever recorded by them in my honest opinion. All four songs here are well produced upbeat Bubble Punk smashers with lots of hooks and ooh ooh's and aaah aah's in the background, obviously heavily influenced by the Ramones but by no means were they ever a copycat band. Nickey's vocals could be described as cute, and they definitely have a lot of charm. As a matter of fact "I wanna be yourself" is one of my favorite songs by them, just a fantastic mid-tempo pop punk song from the '80s. At some point I will review the "Born To Ride" 7" as it's equally good. 

Label: S.E.X Records; Year: 1986; Format: Flexi One Sided 7"

This one-sided Flexi 7" was inside my copy of above reviewed 12" so when I pulled it off of the shelve today I was wondering whether it was originally included with the EP but from what I read on Discogs this Flexi was a promo from the short-lived Nickey & The Warriors official Fan Club and was sent out with the "Warriors Times" zine. The previous owner was nice enough to slip it into the 12" hence I consider myself a lucky bastard owning this one as well. Feel Good is yet another upbeat bubble punk smasher in the vein of the other songs on the 12". Definitely made my day today. 

Rutto - Ei Paluuta and Ilmastoitu Painajainen EP Reissues

Rutto - Ei Paluuta EP

Label: Final Doomsday Records; Year: 2022; Format: 7" EP

When I was a teenager back in Switzerland I loved bands like Rattus, Bastards, Riistetyt et al. The sound, the Finnish language and the way the punks from this northern country looked just appealed to me on all levels. I don't remember ever hearing about Rutto, a band from the town of Tornio where also much better known Terveet Kadet came from. With Piasky filling in on bass and the original having been released in 1983 on Laja's of TK fame IKBAL Records it is pretty clear that Rutto were close to TK. What we get on this EP is mid-paced rudimentary female fronted punk rock that reminds be a bit of UK bands like Anti Pasti or Action Pact. The tracks all sound a bit alike and if there is one stand out song then I'd pick "Sa Et Haluu" which has a nice 77' punk feel to it. By no means one of those classic '80s Finnish hardcore punk records but nice to have a reissue and Final Doomsday have done a nice job in that regard. 

Rutto - Ilmastoitu Painajainen EP

Label: Final Doomsday Records; Year: 2022; Format: 7" EP

Just like above EP the second Rutto EP was originally released on IKBAL, this one in 1984. A-Side has in my opinion the best songs Rutto recorded as those thrashers are as fast, frantic and chaotic as any Terveet Kadet song to make the comparison since Piasky served on bass. Guitarist Makinen (also of Kuolema) rips through those songs while Kana struggles to keep up screaming but the end result was as good as many of the far better known acts from the land of thousand lakes. It's a shame that the B-Side is a letdown and contains a badly produced mid-tempo punk song that quite frankly should have never made it onto vinyl. Still, if you are like me and can never get enough of that chaotic '80s hardcore punk from Finland then this is worth picking up for that one side only. As mentioned above I don't think anyone will place Rutto in the same league as Rattus, TK, Kaaos et al. but these reissues are nevertheless worth your hard earned cash. 

Civil Dissident - Menzies' Crack LP 

Label: Prank Records; Year: 1996: Format: Vinyl LP

What we have here is a little known gem of a band from the suburbs of Melbourne, Australia. Australia is a goldmine when it comes to loud, obnoxious and primitive Rock'N'Roll. What the land "Down Under" is not really known for that well is straight forward bludgeoning hardcore punk. Civil Dissident released officially just one 7" EP in 1985 and the songs on this LP are all from 1982, 1984 and 1985 when they disbanded. The inlay has a nice write up by Scotti from Resistant Harmony Fanzine and Civil Dissident's most consistent line up basically evolved out of three bands: Civil Dissident, Society's Victim and Mad Flowers. As a matter of fact Civil Dissident and Mad Flowers supported the Dead Kennedys in 1983 in Melbourne. Listening to the songs contained on this record I couldn't help thinking of UK bands like Icons of Filth or Antisect. Scotti's liner notes mention that the band drew influences from UK bands such as Crass or Discharge as well as Euro/Japan bands like Stalin or Negazione and of course US hardcore acts like SS Decontrol, Faith or Jerry's Kids. It makes sense as some songs have a heavy Boston influenced sound and are straight fast paced hardcore punk smashers whereas other songs are slower, heavier and lean more towards the UK Anarcho Punk bands. All in all this is a great time document of a band that I am sure does not get mentioned all that often. It is worthwhile to mention that Civil Dissident did end up on internationally quite well known compilation LPs such as Pushead's Cleanse the Bacteria or Life is a Joke on Germany's Weird System Records amongst others, meaning you might have come across this band more often than you think. Cracking LP! 

Update February 7, 2023 to a photo post on Instagram where I posted the link to this review in the comment section. This is what drummer Dave Ross had to say: "thanks for the review, mate! The same lineup did three recording sessions. The first was the officially released our “Fourth Rate American Thrash” in 1984. A limited release, each cassette cover was different, hand drawn by each band member. The tape was wrapped in a polystyrene meat tray! Second session was songs for the “Eat Your Head” and “Cleanse the Bacteria” comps. Third session was meant to be an album but we didn’t have enough money to release it ourselves so we put out the “First Blood” 7” EP ourselves instead. The rest of the songs from that session made it on various overseas compilations and “Menzies Crack”, organised by Scotti and released by a San Francisco label. I hope that helps fill in some blanks. Thanks for your interest!"

V/A - Digging in Water LP 

Label: Manic Ears Records/COR Records; Year: 1987; Format: Vinyl LP

My previous entry to this blog having reviewed Bob Suren's book made me think that there were a number of records back in the '80s that I used to spin over and over. A lot of them were Compilations as they were easily available and for a youngster with a limited budget they offered value for money. Digging in Water from 1987 is one of those LPs I dearly loved to bits and tonight was the first time in a long time I put this record on while enjoying a trip down memory lane. The A Side is the noisier and faster side of the two with great tracks my the likes of Chaos U.K., Concrete Sox, Extreme Noise Terror or Ripcord to name a few. Only Italy's CCM and Aussies Vicious Circle are not from the UK on this Comp. but they both deliver really strong songs with CCM's Ultracore one of the best in my opinion. Side B offers more variety and isn't as full on Stenchcore as the other side. One of the best songs on the entire record is Civilized Society's "The Fairer Sex", a superb melodic yet forward driving song. Also great are Depraved or the far lesser known Eyes on You, of which song I probably didn't enjoy as much back then as it's got almost a post-punk feel to it but being in my 50's now I thoroughly enjoyed it. Maybe the best song is Oi Polloi's "Pigs For Slaughter". This was their best phase if I dare to say with a brutal and loud bass sound making those songs instant pogo smashers. One little anecdote about ENT's fantastic contribution with the song "Bullshit Propaganda". Their sadly deceased shouter Phil (RIP) lived in Switzerland for a number of years, the country where I also lived for the most part of my life. Phil worked at Rec Rec Distribution in the Drum'N'Bass department as he was knowledgeable in that genre. A close punk friend of mine worked there as well and told me about Phil as he knew I liked ENT. One evening at a show I was drunk out of my mind and Phil was in the attendance. My friend introduced me to him and all I was capable of that night was shouting "Bullshit Propaganda!!!!!" all night at poor ole' Phil. A week or so later my friend told me that Phil asked him who his weird and crazy friend was. After Phil had relocated back to the UK and I myself moved to London Phil was nice enough to invite me to their shows when they were in London and I will always remember him as a funny and bright guy who I am sure is missed by many. 

Bob Suren - Crate Digger (An Obsession with Punk Records)

Publisher: Microcosm Publishing; Year: 2015; Format: Book

I am absolutely positive that the name Bob Suren will sound familiar to anyone that has gotten into punk either in the '80s or '90s as Bob was a very active guy on an international level with his record store/distribution/label out of Florida. Crate Digger is a fantastic little book revolving around 30 years of collecting punk records with the book divided up into chapters containing the name of a certain band's record. This way stories around records by the likes of the Misfits, Rattus, Stalin, DOA etc. take us from the humble beginnings of Bob discovering punk rock through his many years running Sound Idea and everything connected to the store all the way up to him selling his entire record collection. Each little chapter revolves not just around the band's record but a certain period in the author's life. As one would expect there are just hilarious stories where for instance the FBI gets involved in a record trade gone wrong between Bob and a fellow in Oregon, or that one time when a drug addict enters Bob's stores with several boxes of rare records selling them on the cheap only to realize after the drugs have worn off that he made a big mistake. A lot of the chapters have real personal stories enabling readers to participate on this wild punk rock journey with its ups and downs. I wish there were more books like this one as it's just a fun read with passion and dedication seeping through each page.

Interview with Bob on the Publisher's website from 2015: https://microcosmpublishing.com/blog/2015/05/an-interview-with-bob-suren/

UK Subs - The Singles 1978 - 1982 LP

Label: Abstract Sounds Ltd.; Year: 1991; Format: Vinyl LP

It was just a few days ago that Charlie Harper (born David Charles Perez) turned 78 years young. That's unbelievable considering that Charlie has been on the road performing with the Subs since 1977. I thought it was only fitting to spin one of the Subs releases from my record shelf. At first I thought about the "Another Kind of Blues" Album but I'll do that some other time. I instead opted for this compilation of their eight classic 7" EPs put out a bit over thirty years ago. At one point I had all the EPs in my collection as well, but quite frankly I really enjoyed listening to these classic tunes today in one go only having to lift my ass once flipping the sides. The UK Subs are next to Motorhead the band I have seen the most times live on stage. From the many times in Switzerland to the few times in London to the last two times I saw them in Southern California overall I always had a great time. Unlike some die-hard Subs fans I wouldn't go as far as saying that the UK Subs always delivered as Charlie had so many line-up changes throughout the decades that only true archivists of the band can provide you with that info. To me the line-up with Gibbs/Garratt always delivered and never disappointed. The tracks on this LP are taken from the classic EPs the band released from 1978 until 1982 and what you get here are true classics that are performed by the band to this day as these songs just never get boring. What one tends to forget these days is how big the UK Subs actually were around 79/80. Copies of "Tomorrow's Girls", "She's Not There" or "Warhead" sold in the tens of thousands, something well known bands can dream of today. It's hard to pick a favorite here as these 23 songs all excel in one way or another. I even like Keep on Running (Till You Burn) from 1981 where the band definitely toyed with the New Romantic look and sound. I also always loved "She's Not There", a great cover version of the Zombies track from 1965. The rest is history as they say because songs like Warhead, Stranglehold, Kicks, I live in a Car etc. are part of the UK Subs and punk rock history, period and end of. 

Back Cover of the LP: 

Original Poster from the 2000 Gig at the Sedel Club in Lucerne/Switzerland. That night the band played pretty much with the line-up seen on the poster bar the drummer. The picture is from the early '80s originally. This was probably my favorite gig seeing the band as they were on top form and played all the hits as if it were 1980 all over again. 

Honkas - S/T EP

Label: Static Shock Musik; Year: 2019; Format: 7" EP

Another great reissue from the house of Static Shock in Berlin. Just like the Harnrohrer EP this little platter was originally released in 1982 as well, also on Pogar Records as 002. Honkas formed in 1980 in the city of Wolfsburg (Volkswagen anyone?) and were named after the rather infamous serial killer Fritz Honka. The ueberhit on this gem of an EP is "Fur Fritz", a killer track that also landed on one of the Bloodstains Across Germany Bootleg Comps. This is an interesting EP as it is hard to describe the style but it stands the test of time thanks to its raw DIY Punk charm. The vocals and the guitars are at times frantic and all over the place but never really out of place and add a lot of character. It does not come as a surprise that singer Max Mueller had relocated to Berlin in 1982 where he later formed Camping Sex and Mutter and is also the brother of Wolfgang Mueller of Die Toedliche Doris fame. The artsy and edgy approach to music was already there with the Honkas and was just the beginning for him. Also, I'd be very interested to learn how many copies Pogar at the time distributed to Fresh in the UK, Vote Vasko in Finland or Importacoes Carnaby in Brazil as these fine institutions were listed as distributors back then. I hope Iffi of Static Shock Musik will keep reissuing more of the Pogar Catalogue, such as the Marplots Ep....Sehr gut!

Harnrohrer - S/T EP

Label: Static Shock Musik; Year: 2019; Format: 7" EP

It was about time someone reissued this early '80s German gem as Harnrohrer are not only criminally underrated but most likely just not very well known outside of Germany. They hailed from the small city of Freiburg Im Breisgau in South Germany, a place I am very familiar with having visited on numerous occasions when still living in Europe. Originally this killer EP was released on Berlin's Pogar Records as 001 in 1982 and all four tracks are filled with great guitar hooks, fitting choruses and simply fantastic song arrangements in a real catchy way. Since this came out in 1982 and the trend in Germany was to sound like Discharge I can assure you it's nothing like that. This is more akin to '77 Punk and the production of Music Lab producer Harris Johns is top notch as well. It is a real shame these guys didn't release more material as this is Pogo-Punk at its very best. Grosse Klasse!