Motorheadgirlschool - St Valentines' Day Massacre 10"
Saturday, August 26, 2023
Sunday, August 13, 2023
Wretched Ones - S/T LP; Live EP; Tributes Suck EP and Live on a Five Single
I had planned to do this Wretched Ones entry quite a while back as May 23 of this year marked the 25 year anniversary of seeing them in Hamburg, Germany supporting the Angelic Upstarts. Anyway better late than never so here we go with a longer entry dedicated to this quartet from Midland Park in New Jersey. Not too long ago I posted about one of the Headwound EPs on Headache Records and had a bit of a look on their FB page since they seem to be still going strong. There I stumbled upon a German podcast dedicated to Headache Records, which was run by Pit, the singer in the Wretched Ones. Quite frankly not much is to be found on the worldwide intranet about the New Jersey '90s Oi scene, or the Wretched Ones in particular, but in a way I really like that even though the band deserves much more recognition for their output. In said podcast the guys talked about quite a few bands that appeared on Headache Records, but I was really mostly interested to hear what they had to say about the Wretched Ones. It was no surprise that they too thought the band brought a fresh wind to the Oi genre. I have never been much of a fan of Oi per se but during the '90s the Wretched Ones from the East Coast and Bonecrusher from the West Coast were two of my favorite bands, both capable of fusing elements of '80s hardcore punk with mean and raw Street Rock'N'Roll. In that sense the American Oi bands set themselves apart from the more traditional '80s UK Oi sound, which in my opinion was more often than not quite lame in contrast. The Wretched Ones have a history in hardcore punk as two of their members, Pit on vocals and B.T. on guitar, were members of The Burnt who released an LP on Mutha Records back in 1985, followed by a few EPs on Headache Records. The band transitioned into the Wretched Ones as early as 1988, but it wasn't until 1993 when the first LP was released, and what a cracker of an LP it is. I am nearly ashamed to say that at one point I had almost the entire catalogue of the Wretched Ones in my collection but when I needed money the records exchanged hands and wandered to a friend of mine in the UK, at least they are in good hands. Luckily some years ago I was able to find a copy of this LP for cheap and I will continue buying back whatever I don't have anymore. The 16 songs on the LP can be described as American Oi classics, and I do mean each one of them. Stand out tracks are "Going down the Bar", "Working Man" or "Time marches on" but again they're all brilliantly simple yet ass-kicking songs. The Wretched Ones had a habit of writing as many songs as possible about drinking beer and working bonebreaking jobs without ever getting boring, and I mean that as a compliment. In all fairness Schaefer Beer should have paid the guys large sums for their free advertisement and the Toxic Avenger should have hailed these guys when saving New Jersey from the next chemical disaster. Fill your fridge with beer and give this one a spin, you won't regret it.
Thursday, August 10, 2023
Exodus - Bonded by Blood LP
Label: Century Media/Combat; Year: 2022; Format: Gatefold Vinyl LP
Every music genre has defining records on offer and when it comes to Thrash Metal then "Bonded by Blood" by Bay Area Thrashers Exodus is one of them, and in my opinion probably the album that defines Thrash Metal at its best. If someone out there without any idea about Thrash Metal asked me to describe the genre I would simply suggest to put this record on as it is without exaggeration a masterpiece from the second the needle drops. It is almost needless to say that at one point I did own an early pressing of this album but as it goes I got rid off it in my haze believing that I would never feel the need to listen to Metal ever again. How wrong I was all those decades ago as quite a few of those albums that I sold or traded for next to nothing are collector items and hard to get these days. Well, let me not bother you for too long with my so called dilemmas as thankfully there are reissues and so I am again an owner of this album and this time it will stay with me until I drop dead I suppose. The other night I watched "Murder in the Front Row" again, a powerful and insightful documentary about the early days of Bay Area Thrash Metal. Exodus played a huge role in the development of a scene that started out around a record store where Metal Heads would meet to buy and exchange the latest imports from around the world. The New Wave of British Heavy Metal with bands like Motorhead, Iron Maiden, UFO or Saxon were the primary influence for a lot of the kids in the Bay Area and it wasn't long before bands like Venom or Discharge started to make the rounds in tape trading circles signaling a change in Metal towards a faster, more direct and more brutal sound influenced by NWOBHM and Hardcore Punk alike. I nearly laughed my head off when Gary Holt and co. were describing the scenes at Ruthie's Inn where Exodus and especially their singer Paul Baloff (RIP) would encourage to rip people's Hair Metal shirts off their bodies as to signal that only real Metal was accepted and posers were not welcomed. It brought back memories of my own youth and my buddies in Suburban Zurich, Switzerland. We acted so tough and evil without being evil and made fun of posers ourself, but to be fair we didn't advocate for any harsher actions. Speaking of Ruthie's Inn I recall reading about the club some time ago and thought it was fascinating to learn that the former owner Wesley Robinson (RIP) was an original jazzer who just happened to have an extremely open mind, a big heart and definitely a lot of patience by having opened the doors to a scene that was young, loud and obnoxious but generally speaking good natured. Back in the Mid-80s when I started to get into more extreme music "Bonded by Blood" had far more appeal to me than say the Sex Pistols or the Clash. My friends and I were looking for bands that could shock, would piss off our parents and stood apart from everything else. Exodus was one of those bands and it speaks volumes if an album can still live up to the hype nearly forty years after its original release. When I sat down to listen to the album tonight I felt pretty much the same excitement as all those years back and the nine songs were over with in no time. My favorite tracks have always been 'Bonded by Blood', 'Metal Command' and 'Piranha' but there really are no fillers on this album and in 2023 I can probably proclaim that I love this album even more than I ever had. Play loud and go wild!
Sunday, July 30, 2023
V/A - The End of an Era (The Best of Rot Records) 2-LP
Rot Records was started in late '83 by members of Mansfield band Riot Squad and my assumption is that first and foremost the goal was to release their own music as the first three Rot Releases were Riot Squad EP's, all classics in my opinion. The label went on to release an array of interesting and diverse releases from bands such as Paranoia (see blog entry for review of their LP), Resistance 77, Varukers, English Dogs etc.. In my opinion Rot Records sought out the bands that were maybe being ignored by labels such as No Future or Riot City but were equally good as the bands on said labels. In that sense Rot Records filled a gap and had quite a few of their releases played on Radio One, such as in the case of East London Act Animal Farm who were scheduled to support New Model Army on their tour only for it to be canceled last minute. The label was also in the right place at the right time to pick up the highly talented English Dogs and releasing their excellent "To The Ends Of The Earth" 12" but ultimately losing the band to Under One Flag Records. It is needless to say that Rot Records had a good run and released a slew of under appreciated minor indie hits, but by 1988 it was all over with and the label came to an end. I remember vividly that it was in that year when I picked up my copy of this 32 track Double LP at Jama Rico Records in Zurich, Switzerland. As you can see on the photo of the back cover I even marked which tracks I liked more or less, but that was in 1988 when I was first and foremost into faster hardcore punk stuff. Yesterday I sat down to listen to all four sides and loved each and every track leading me to the conclusion that Rot's catalogue has aged rather well. While thirty five years ago for the most part I enjoyed bands like Riot Squad, Varukers, Oi Polloi, Rattus et al yesterday I made a mental note to myself that I must dig deeper into the catalogues of bands such as Reality from East Anglia, Butcher from posh coastal town Bournemouth, Picture Frame Seduction, Cult Maniax as well as above mentioned Animal Farm. Said bands have all a unique style on their own and deserve more attention in the wider sense. The truth of the matter is that most of the Rot releases have become very collectible and expensive to buy but some of the material has been reissued. I am always shocked to see the prices on Discogs and for how much these records go for, it's pure insanity. I suppose that over the decades more and more people all over the world have caught up to these records pushing up prices. My guess is that many of you folks out there don't mind streaming music and I am pretty sure you can find this Double-LP online as I highly recommend it if you are not so familiar with Rot's catalogue. Whether you like UK82 punk, more melodic '77 punk inspired '80s punk rock or Metal influenced hardcore punk you'll find plenty of it on this collection. Last but not least I think Rot Records should be more in the conversation when recollecting early '80s UK punk history as they sure as hell released some forgotten gems. Cheers!
Monday, July 24, 2023
Schund - S/T LP
Label: Hoehnie Records; Year: 2003; Format: Vinyl LP
Fans of worldwide KBD Punk will most likely be familiar with Schund from Vienna, Austria, a band that existed for just a brief period of time and managed to self-release an EP in 1982, limited to just 500 copies. There weren't too many punk rock acts from Austria, and years ago I reviewed "Es Chaos is die Botschaft! on this blog, a great compilation of early Austrian punk and hardcore punk. Before I sat down to listen to this LP tonight I read a lengthy interview with Schund's singer Doris over the weekend and discovered some highly interesting facts about the band and the history of early '80s punk in Vienna (link to the interview in German at the end of this entry). I for instance didn't know that Doris was actually not from Vienna, but instead hailed from Braunschweig in Germany. Doris was into music at an early age and at some point heard about this new wild trend from England called punk rock. In 1979 she got to visit London through a chapter of the Youth Red Cross which organized a bus trip to England's capital. Doris really wanted to see punks in real life and through a funny coincidence at the hotel where she and her group were staying she met Kodak, a punk from Vienna who was also visiting London buying punk records and clothes to bring back to Austria. The two of them became eventually a couple and after Kodak had visited Doris in Braunschweig Doris picked up and left for Vienna after she finished school. Her and Kodak lived with his parents for a little while before finding a home at GaGa, an alternative centre on Vienna's Gassergasse 1, maybe comparable to Copenhagen's Christiana. There she met Bobby, Stefan and Harry who have been jamming for some time and were looking for a female singer. Doris was in their opinion perfect as she spoke high German without a Vienne's dialect.
Reproduction of 'Das Kleine Massenblatt', an independent Publication from Vienna. This particular issue deals with the history of GaGa.After having hooked up with the three guys at GaGa Schund was born and kicked off with full steam. Musically the band was influenced by Slime from Germany as per Doris but to be honest it is hard to define Schund's sound as it is definitely not '77 Punk but neither Hardcore Punk. Back in the early '80s, and especially in more remote scenes such as Vienna, bands still developed their own sound and in that sense I'd say Schund stood out to a degree but were unfortunately never able to record properly in a studio. The four songs off of their EP and six other songs that are on the "Studio-Side" on this LP were all recorded by Kodak in the band's rehearsal room and mixed at his home. While the sound quality is not great by any means there is a charm to these songs that one cannot resist. The lyrics are very typical for the time period and for bands from German speaking countries dealing with police oppression, weekend punks, beer & pogo and generally speaking shoving everything up the lame society's ass. The "Live-Side" is interesingly enough almost better than the Studio side with eight tracks having been recorded at the Popodrom in 1982 where Schund participated at a band contest. The story goes that during Schund's fifteen minutes of fame some chairs and table flew in their direction and that the soundman was freaking out wanting to stop the band immediately from playing. Apparently a lot of people did like their set and most likely also some of the excitement as the band came in 3rd place. If crude and raw early '80s punk is your thing you will love this record despite the somewhat rudimentary sound quality. The songs could have only have been recorded during a very intense and unique period in our history and Vienna is amongst the cities that have changed drastically since then. Schund are part of Vienna's cultural past as much as Falco in my opinion, hence do yourself a favor and track down a copy of this LP if you can. Es wurschtln es!
Wednesday, July 19, 2023
Crazy Cavan 'N' The Rhythm Rockers - Rockability LP
Sunday, July 9, 2023
Hated - 4 Song EP and Pressure/Stereotyped 7" Single Reissues
Label: Meat House Productions; Year: 2021; Format: 45RPM 7" EP
If you are like me and love the early Southern California sound of bands like T.S.O.L, Agent Orange, Adolescents, Shattered Faith et al then you are in for a treat with Hated who hailed from Huntington Beach and released three 7"s in the very early '80s. As it goes with those records they cost in the hundreds and are collector items and unfortunately not to be heard by the vast majority of us punk record nerds. Luckily Meat House Productions has finally made these gems available again for everyone to be able to buy for a few bucks and that's just what the world needed. I sure as hell have come across Hated, but whether it was this Hated or another one, I really don't recall. The band really doesn't get much mentioned in all the books and documentaries on Southern California punk history that are out there now while they really should be up there with the likes I name dropped earlier on. Originally released on the band's own Stress Records in 1982 the four songs are nothing short of superb and had they been produced better and especially louder the record would be even better as it already is. Angst-ridden vocals combined with the typical surf music influenced punk guitar sound of Southern California and an equally aggressive yet melodic bass and drum sound are all the ingredients a perfect record needs and they are to be found in abundance on all four songs. My personal favorite is "Enemy", but in all fairness I could pick any of them. Brilliant EP!
Label: Meat House Productions; Year: 2021; Format: 45RPM Single
I don't know which of these two records came out first in 1982 but just like the 4 Song EP this two song single containing 'Pressure' and 'Stereotyped' is an absolute scorcher. Interestingly across the front cover from left to right the letters read in German "ich kann ihn nicht leiden", meaning I cannot stand him. Who the band was referring to is unknown to me but considering Hated were part of the early '80s hardcore punk contingent from Huntington Beach I imagine they had lots of enemies in the general population by just looking somewhat different from the rest. Hard to think that these days just about anyone walking down the Huntington Beach pier looks somewhat punky, well slightly exaggerated but not that far off from the truth me thinks. In comparison to the 4 song EP the two songs on this single are better produced and while they are stylistically very similar I cannot help to hear a bit more of an Angry Samoans vibe in both songs. Maybe I should mention that bass player Chalmer Lumary went on to join Vandals and I am not one hundred percent sure whether another member, Joe Wood, is the same person that would go on to front the second incarnation of T.S.O.L and married Jack Grisham's sister. Maybe someone out there knows? Hopefully I can find a copy of the reissue of the band's first record from 1981 and from what I saw on the Hated official FB page a new record is to come out on Puke'N'Vomit as well. Unfortunately Hated's singer Steve Reehl aka Steve Real passed away last year, RIP. Get these reissues while they last!
Cuckoos Nest Poster and Live Shot stolen from the band's FB page.
Thursday, July 6, 2023
Crow - Who Killed Dove? EP
Saturday, July 1, 2023
Ace - Five-A-Side LP
Sunday, June 25, 2023
Warsaw - An Ideal For Killing LP
Label: Galaor Records (Unofficial); Year: 2002; Format: Vinyl LP
I am currently reading Deborah Curtis' "Touching from a Distance" book which was published a long time ago and was gifted to me a few days ago. More about the book when I do a review, so stay tuned. When I woke up this morning I scratched my bald head and was wondering what record I should review today as I intend to put in a shift for the blog. It then dawned on me that I have an old Warsaw bootleg LP and that it would make an ideal soundtrack to what I am reading, so here we go. As many of you will certainly know before Joy Division became known under said name they went by the name Warsaw, which in turn they took from David Bowie's 'Low' album song "Warsawa". Ian Curtis missed the first Sex Pistols gig in June of '76 but attended the second Lesser Free Trade Hall gig on July 20th of the same year. Peter Hook, Bernard Sumner and Terry Mason were also at that gig and were eager to start a band of their own. After Bernard had bumped into Ian at several local gigs they decided to recruit Ian as their singer after having placed an ad at Virgin Records. Judging by what Bernard had to say about recruiting Ian it could definitely be argued that his decision was based on pure instinct and gut feeling:
"Because I knew he was all right to get on with and that's what we based the whole group on. If we liked someone, they were in."
Now with a band in place Ian had finally achieved what he always wanted to be: a singer in a band that had a vision setting themselves apart from the rest. "An Ideal For Killing" is a bootleg compiling different sessions, two of which were recorded as Warsaw, and two other ones when the band had already changed their name to Joy Division. The first five tracks on the first side are also known as "The Ideal Beginning" Demo Sessions and the first four tracks on the second side ended up being the "An Ideal For Living" EP. But enough of all these nuanced details as the music is what matters the most and there isn't a single dull track to be found on this LP. Sure, the first Side (Tension-Side) sounds a bit rough but even at this very early stage of the band's career one can already detect the sheer talent of which these Manchester lads had in abundance. Without a doubt those July '77 sessions were influenced by the Sex Pistols and Johnny Thunders and the Heartbreakers but Warsaw's style had already a twist of its own setting them apart from many other '77 Punk acts with tracks like 'At a later Date' or 'You're no good for me'. The second side (Reaction Side) is where the change in style and the growth as a band become tangible and loud and clear. At the end of '77 Warsaw played the last gig under said name and most of the tracks on the second side were recorded a few weeks prior to said gig. This side is filled with absolute killer tracks including 'Ice Age' and 'Walked in Line'. As is common with bootlegs not all information is correct but at least the person behind this boot put some love into it and printed up a glossy insert. I am pretty sure that all the tracks are to be found on other records, but if you can hunt down a copy of this particular LP do yourself a favor and grab it as it's worth every penny.
Saturday, June 24, 2023
Wayne Kramer - The Hard Stuff (Dope, Crime, the MC5 & My Life Of Impossibilities)
Monday, June 19, 2023
Blue Angel - S/T LP
Label: Polydor Records; Year: 1980; Format: Vinyl LP
A few months ago when on a quick visit to New York City my wife and I went to an interesting photo exhibition called 'New York New Music 1980 - 1986' highlighting photos, flyers and other artifacts from that time period, presenting all kinds of music of different genres, including of course punk rock. But, this entry isn't about anything punk rock related but rather about Cyndi Lauper and her first band, Blue Angel. The reason I am bringing up the exhibition is that photos of Blue Angel gigs were on the wall and reminded me that I finally need to get a copy of the LP as I have been an admirer of Cyndi since the '80s. Just this past weekend I went to a garage record sale up the street from our house and guess what, for a few bucks I got a mint copy of the Blue Angel album. Recorded and released in 1980 it is very much a New York record encapsulating the mood and state of the Big Apple in said year. With a new decade on the horizon and a fresh start palpable in every possible way it truly is a positive record in the sense that the twelve songs will instantly lift your mood, which is never a bad thing. I listened to the record this morning being off from work for Juneteenth while doing my stretching exercises to help with my joint problems, and instantly felt better, okay it's a slight exaggeration folks. Truth of the matter is though that it's a great pop record, while also being a good power pop, new wave or rockabilly record as it stylistically draws from all those genres mixing them seamlessly from one song to the next. Cyndi Lauper started to sing at the age of twelve and by the time this record was released she was already twenty-seven years old, hence there were many years in between even though at some point she was told by doctors she would never be able to sing again after having damaged her vocal cords. Needless to say those doctors were wrong, very wrong...Having grown up in the pre-Beatles era it is clear that Cyndi must have been fascinated by early Rock'N'Roll as the Rockabilly influence on this record is to be heard on several tracks. But, at the same time let's not forget that Blondie and the B-52's had already released several albums by 1980 and it would be wrong not to mention that there is a vibe throughout this record closely reminiscent of those two bands. Unfortunately, or as in the case for Cyndi actually more fortunately, the band didn't last too long as they broke up after a fall out with their manager. As a result of that the band was sued for a large sum of money which forced Cyndi to pick up odd jobs at stores and such. In 1981 while singing at a New York bar she was discovered by David Wolff, who would become her manager and the rest is history. I highly recommend tracking down a copy of this, you won't regret it. Cyndi Lauper is turning 70 years old later this week - Happy Birthday!
Saturday, June 17, 2023
Gestapo Khazi - S/T Mini-LP
Saturday, June 10, 2023
V/A - Oi!....rare & exotica LP
I suppose it's Oi-week or something along those lines. Firstly, earlier in the week I listened to a German podcast with one of the members of the well-known band Loikaemie, and secondly I am actually going out tonight to see some Oi bands of which two are local Buffalo bands, and yes believe it or not Buffalo is starting to have somewhat of an Oi scene apparently. So in order to get myself in the mood I thought I listen to some Oi even though I don't have many records of said genre, but there are a few. The initial plan was to listen to both Volumes of Oi!...rare & exotica but to tell you the truth I can't remember ever seeing an LP packing more music onto one single piece of Vinyl than the first volume, hence I am sticking with just one. Also, I am actually not sure how this Compilation came about originally as I do recall ordering it from Germany at the time, and at the same time I also remember a friend of mine telling me that Ruediger of Teenage Rebel was behind it, but the record does not indicate such anywhere. I assume it was compiled and released by Ruediger, just not official. Regardless, there is a lot of great music to be found on here so in that sense I am glad I gave this one a spin today. In total there are twenty-two songs from equally as many countries clocking in at over fifty minutes on one LP, so make sure your fridge is well stocked with beer or whatever it is you fancy drinking. With the exception of very few acts such as Reich Orgasm from France, Kohu-63 from Finland or Zona A from Slovakia the bands contained on this record are definitely obscure and unknown, most likely even to some Die-Hard Oi freaks. Some of the stand-out tracks are by bands from South America, such as the excellent "Eternos Amigos" by Central Do Brasil (obviously from Brazil), the superb kick ass aggro contribution by Argentina's Comando Suicida with "Grito Proletario", "Lautaro Rocanrol" by Ocho Bolas from Chile or an outstanding cover version of Vice Squad's 'Last Rockers' by Antisociales from Mexico. Of course there are also standouts from Europe with Greece's Birthward '82 song being one of the best on the whole record (someone please reissue their EP from the '80s!). Stromberg Polka with "Hoffnung" were interestingly one of the earliest German Oi bands taking a strong stand against right wing attitudes, while Psychoterror from Estonia deliver a hit with "Let's Oi!". Not to forget are bands from really far away countries such as No Tag from New Zealand or Cockney Cocks from Japan. As you can see the list is long and there are only two to three songs that I think could have easily been left out, which would have helped with the sound quality I imagine which isn't bad though considering how much music was squeezed onto this. I've got to say that I am going to see if I can find some more recordings by certain bands on here as a quarter of a century after this was released lots has happened in terms of reissues by some of these really obscure acts. Stay tuned for Volume 2 down the road and keep it real! Oi!