Motorhead - Pussies & Beer - Rock N Roll Tour LP

Label: Fan Club; Year: 199?; Format: Vinyl LP

So, ladies and gentlemen here is the fiftieth entry on this blogspot, and my intention was to celebrate that with an entry of Motorhead, my favorite band. I didn't want to bore you with an entry of one of their regular albums though, and believe me those will follow in the future, but instead I opted for something more special for your amusement. What we've got here is a bootleg LP of a show Motorhead played in November 1987 (Line-Up: Lemmy-Wurzel-Phil Campbell-Phil 'Animal' Taylor) at the Fryshuset in Stockholm/Sweden. If anyone can fill me in who came up with the outstanding artwork for this LP, I would be very grateful. I have tried finding information pertaining to this particular bootleg online, but to no avail. Judging by the fact that the LP was not included in 1994's Collector's Guide to Motorhead, I would assume that the record came out no sooner than the mid '1990s. Anyway, that's all collector scum talk, let's get to the bare basics here. Eleven songs are to be found on this platter, and if one looks at the song titles it just seems weird to not see certain song titles, but considering this was taken from their 1987 tour let's not forget that they of course had a far smaller repertoire to chose from. Still, all their classic albums were out by that point and so it should come as no surprise to find certain all time classics on this live recording, which for a bootleg actually boasts very decent sound quality including great comments by Lemmy between the songs. Hey, you can't go wrong with the artwork, Motorhead's timeless classics, and drunken Swedes shouting "Lemmy, Lemmy, Lemmy.." on top of their lungs.

The Humpers - My Machine LP

Label: Slusaj Najglasnije; Year: 1990; Format: Vinyl LP

Many people out there are probably familiar with the Humpers' output on Epitaph Records, due to said labels' international distribution deals and high sales volumes. Before being signed to one of the best known labels in punk rock, the Humpers' beginnings were far more modest though, and after The Suicide Kings' break-up (pre-Humpers '80s band) the band got together in 1990, and in the same year recorded this magnificent piece of a debut full length for the underground Croatian record label Slusaj Najglasnije (Listen Loudest). In fact, the bands' second full length from 1991 entitled "War is Hell" was released on a cassette on the same label as well, and then again as a CD-R in the early '2000s after people in the war-torn regions of the former Yugoslavia were able to start new lives. At some point I will also review the 2nd album, for sure. Now back to the origins of this album, the Humpers' debut, which contains twelve songs recorded live in one day, resulting in a true garage sounding production which only adds to the greatness of this album, and will most definitely kick your ass. All songs are just pure dirty and unfiltered punk'n'roll hits, filled with great guitar leads and hooks, and of course Scott Drake's incomparable vocals. Anybody out there reading this that is interested in the early stages of this bands' output should try getting a copy of this killer album even though it has become rare and hard to get. Even better, some label should really reissue this as I am sure many more people would just love to hear this one!

Los Violadores - s/t LP

Label: Fanclub; Year: 199?; Format: Vinyl LP

First and foremost, let me tell you that this full length has been officially reissued two years ago by Spanish label Beat Generation so there is absolutely no need to hunt down a copy of this counterfeit release which came out about fifteen years ago when I had obtained it. It's a good thing that many of those releases that were first bootlegged in the '90s are now slowly but surely seeing the light of official reissues, becoming accessible to old and new punk aficionados alike. And even though I do not support or particularly like counterfeit releases, in many cases it is, or at least was the easiest and cheapest way to hear certain releases that one has nearly no chance of landing an original copy of. Before I bore you to death about that issue though, you will probably have guessed why you need to check out the reissue of this outstanding release, because let me tell you, it is an extraordinary good punk rock record, and does not contain a single daft song, nope. Los Violadores started life in 1980 and there is an excellent write up about the history of this Argentinian band that I found online, so please feel free to click on the link provided at the end of this review. As for the twelve songs found on this platter I could write an entire book worth of praise, not kidding you. Why this LP does not appear on all these countless lists of best ever punk rock LPs really baffles me as honestly it should be plastered all over the place. If people were looking to the United States or the U.K. in 1983, when this LP was originally released, then they found mostly raging hardcore punk on one continent, or the relatively boring sounds of countless UK82 bands on the other side of the Atlantic. One only needed to have an open mind and venture south to Argentina where Los Violadores were from. If you like your punk rock fast, yet tuneful, filled with melodic hooks and a loud and caring bass guitar, then this LP will satisfy your punk rock needs 150%. Think of D.O.A. at their very best, or New York's Kraut, Finland's Lama, and so on, you get the picture. Plus let me tell you, Spanish is a great language, and it works well for punk rock, doesn't it? The band continued to release more records since the early '80s, and even as recent as 2009, but from what I have heard they really became far more mainstream in the '80s already, and only their 2nd LP is still worth a listen. Still, it's about this release here which should be in everybody's collection!

Band History: http://www.shit-fi.com/articles/LosVioladores

Slobodna Europa - Pakaren LP

Label: Opus; Year: 1991; Format: Vinyl LP

Bratislava is the capital of Slovakia, and at one point this rich in history city was situated in Czechoslovakia, which was before the split, and the subsequent formation of the Czech Republic, and Slovakia. Bratislava always had a small and active punk rock scene, even way before communism ended as a result of the velvet revolution in 1989. The earliest punk rock acts from Bratislava were Extip and Zona A, and Slobodna Europa developed out of those two bands when some members of Zona A left the band, and decided to form a new band around the charismatic singer Whisky. "Pakaren" is the bands's first full length album, and was released in 1991 when publishing music became possible in post-communism  CSSR. I was born in Bratislava, hence I always had a keen interest in the punk rock history of my hometown, but by no means does one have to have such close ties to the place in order to appreciate this album. Sixteen songs were packed on to this release and there is not a single song I do not like, which means something for a full length. All songs represent a great mix of early Rolling Stones, Sex Pistols, and Ramones influenced songs, paired with a good dose of the bands' own style including Slovak lyrics.  The result is a great album celebrating Sex, Drugs & Rock'N'Roll in the best way possible, meaning that yes, some of the songs lyrically deal with substances that might numb you, but so what, it's a punk rock record, and some cliches are unavoidable. It is the music that is the absolute winner here, and the songs immediately grow on you, no matter whether is is the upbeat ones, or the more melancholic ones, as they all possess a way to draw you in through great song writing, such as the inclusion of a saxophone in some songs. Slobodna Europa is still going strong to this day, and has released three more albums in the meantime, developing musically and also lyrically. As often though, it is the first release that gets talked about the most, which is no different in this case. Should you have a chance to grab a copy of this record then don't hesitate if you don't want to miss out on eastern European punk'n'roll history!

V/A - Es Chaos is die Botschaft! Es Wurschtun es! Austrian Punk Scene 78-84 LP

Label: Luziprak Records; Year: 1997; Format: Vinyl LP

Seventeen years ago Vienna/Austria based Luziprak Records released this excellent collection of Austrian punk/hardcore punk recorded in the late '70s and early '80s. Since the release of this compilation LP the world of collector scum has seen reissues by bands such as Schund, Chuzpe, or Dead Nittels to name a few. Never the less, the importance of this piece of vinyl can not be understated, as it was the first time for many of us interested in international punk rock to being introduced to the sounds of mainly Vienna based bands from the golden age of punk and hardcore punk. I couldn't point to a single weak track on this platter and the tracks vary from raw basement recordings of female fronted hardcore punk act Schund to the Ramones influenced Kleenex Aktiv to the simply amazing '77 punk of Chuzpe. You get seventeen punk/hardcore punk smashers here, including a great cover and an insert with band histories (in German), from a country that is not exactly known for much punk rock export and to this day will always be remembered for Falco, without doubt the biggest Austrian pop export ever. In 2010 Luziprak issued a second installment of this series, which I unfortunately don't own and have not heard to this day. 

Disper-Azione - Sempre Immutata Fede EP

Label: Chaos Produzioni; Year: 1985; Format: Vinyl 7"

Fans of international hardcore punk from the '80s will widely agree that Italy had one of the best, most active and highly interesting hardcore scenes back in the heyday of said musical genre. Everybody will be familiar with bands such as Negazione, Raw Power or CCM, but amongst those internationally well known and established acts there was an even greater amount of lesser known acts such as Disper-Azione, whom hailed from provincial town Como in the Lombardy part of Italy, not that far from the Swiss/Italian border. A long time ago I remember owning Disper-Azione's 1st LP, and for some reason I don't have it in the best of memories and must have parted with it at some point. Well, all I can say is that if the LP sounded anything like this EP, then I must have been a real dumb-ass to have done so. This seven song EP is filled with energy, and your typical chaotic but musically highly skilled italian hardcore punk the way many of us just love so much, and can never get enough of. In 1985 many bands in the United States started to sound metal and the whole crossover scene was exploding, which not all hardcore punks appreciated. Instead of giving up on it, one only had to look across the ocean, as Europe was full with bands such as Disper-Azione, sticking to true DIY hardcore punk with zero metal. A minor classic, and to my knowledge not reissued to this day....

Wasted Youth - I'll remember you/My friends are dead 7"

Label: Bridge House Records; Year: 1980; Format: Vinyl 7"

Let me start off by telling you that these east London blokes should not be confused with the L.A. band going by the same name. Since this is the only release I have by this band, and can't even remember how it got into my hands, I had to do a bit research in regards to the history of this band, and learned that these guys started out in post-punk 1979. Apparently the band members were previously in bands ranging from power pop to hard rock, but with Wasted Youth settled on creating an interesting mixture of dark, psychedelic sounds predating goth rock and fitting well into what is widely considered as post-punk. I especially like "My friends are dead", a goth/post-punk hit with fantastic song arrangements and good production. When it comes to the label this was released on, one could fill many pages on the history and importance of the Bridge House in the Canning Town area of east London. This place established itself as a pub, rock venue and record label at the same time, and interestingly enough also served as the stepping stone to the careers of bands such as Iron Maiden or Depeche Mode. I might as well get more of Wasted Youth's back catalog at some point as the history and the sound alike are intriguing.

Ulster - M-19 EP

Label: ABC Records; Year: 1995; Format: Vinyl 7"

You want noise? Alright, I got noise for your ears here in the most distorted and primitive way one can only imagine. But let me put things into context here before this review starts to sound like I am bashing this release, or the band. Quite the contrary because Ulster were one of the earliest bands to emerge out of Brazil, in particular out of the ABC industrial complex in Sao Paulo. The excellent KFTH website informed me that the band started as a reaction to high unemployment and socio-economical problems in their ABC area of Sao Paulo, and channelled all their anger and frustration into a visual and sonic attack. The tracks on this EP were originally all recorded during demo sessions in 1982, and as hinted above resulted in songs that will make your ears bleed. This is hardcore punk at its most primitive, but taking into consideration the circumstances and the environment these guys came from, one should quickly realize that the band did not have the same technological opportunities as bands in Europe or America, and as a result of that you get a very raw but honest sounding time document. Further to the extreme music, Ulster were aggressive and provocative in their approach of getting their message of anti-government lyrics across. The whole package of this EP tells the story of real urban struggle, and a violent three chord reaction to it. When it comes to the recorded music then this might not be top notch, but at the end of the day this is a fantastic time document from a scene that was just starting to explode at the time of these recordings.

The Spastics - Cherry Pop/I wanna be a cop 7"

Label: Rip Off Records; Year: 1996; Format: Vinyl 7"

Greg Lowery's Rip Off Records started as a label promoting his own band, the Rip Offs, and like minded bands playing a similar style of primitive and snotty garage punk'n'roll. In the early to late '90s he was known to release singles by bands such as the Registrators, Rip Offs, and others such as the Spastics whom were from San Francisco and came out of the ashes of the equally great Spoiled Brats. On this one sided little platter you get two great garage punk hits that can't be beaten when it comes to snottiness and a 100% pogo factor. I don't suppose I need to really add anything more as this will appeal to anyone into 77 punk with a good dose of garage punk thrown in there. Greg's label continued to be active until the latter stages of the '2000s but in my opinion lost the magic of its early days once he started to release full lengths and no longer such modern day classics as this one here.

V/A - Messthetics # 103 - DIY '77-81, Midlands, Part 1

Label: Hyped To Death; Year: 2007; Format: CD

Fans and collectors of obscure DIY punk and post-punk bands from the UK and North America will be familiar with Chuck Warner's Hyped To Death website and compilation CDs. Chuck has put an incredible amount of time and love into his little DIY empire, enabling many of us to hear the most obscure sounds of times past. This particular compilation deals with bands from the Midlands part of the UK and as Chuck put it in the CD; between 1977 and 1983 literally hundreds of bands released their own records and cassettes throughout the UK. As one can only assume, some were more talented musicians, whereas others weren't, but didn't lack anything when it comes to drive and true DIY spirit. The songs compiled on this CD sum up what was just said, offering hidden gems such as the Prefects "Things in General", or The Shapes "I saw Batman in the launderette", whereas other songs are rudimentary to the bone without lacking originality and charisma. Overall you get over twenty songs on this Messthetics volume, a great booklet with tons of information about the bands and the times where everything seemed possible. Not many people can own all the originals found on these compilations, hence I see no reason to not stocking up on these. Essential stuff!

Donna Gaines - A Misfit's Manifesto; The Spiritual Journey of a Rock & Roll Heart

Publisher: Villard Books; Year: 2003; Format: Book

I don't even know where to start with a review for this book as it is 380 pages long, and it has taken me a good while to get through it. Many books occupying my book shelves were bought a long time ago, but I am only getting to them in recent days and months, one by one. I wouldn't even remember where I got this memoir by Donna Gaines, but that's not the point here. In my honest opinion, this book could have easily been just 250 pages long, and it would have packed everything of interest in, which would have helped with the flow of this memoir. Instead I must say that in parts this is a difficult book to get through, but in the end it's definitely worth to read from cover to cover. Dr. Gaines is a well known sociologist and cultural examiner, and her memoir really covers her entire life with its many ups and downs up until publication of this book. The early part of the book covering her childhood and jewish upbringing in Rockaway Beach is for the most part interesting and educational, especially if one wants to gain knowledge how that particular part of Queens was developing back in the '50s and '60s, really fascinating. Donna was from her childhood onward a music fanatic, and early on she developed a real love for doo wop, later to be replaced by the likes of Frank Zappa. It should come as no surprise that one of the most interesting parts of the book, at least for me, is the part when Donna moved out to Long Island and started dating a member of legendary punk'n'roll act The Slugs. That's where I really got into this book, and enjoyed every single bit of it. Other bands that get quite a bit of mentioning due to also being from Long Island include Corpse Grinders, Nihilistics, Sea Monster and a few others. Her stories from Slugland, as she referred to the band members and extended family members and fans, are often hilarious, funny and definitely rock'n'roll. One musician Donna really admired was Johnny Thunders, and good ole' Johnny is being celebrated in many pages throughout the book. The Ramones get mentioned a lot too, but it isn't until very late in the book that Donna actually gets to meet Joey, Johnny and the rest of the gang. 'Life in the Post-Ramones empire of NYC' is another great chapter covering Donna's friendship with Joey Ramone, up until his tragic death. Really touching, sweet and an absolute highlight of this book. In between all these musical anecdotes there is a lot of ground covered that pertains to personal issues Donna was getting through, such as fighting alcoholism, drug overdoses in her circle of friends, and above all also many issues related to her blood family. Many of these parts are not always interesting, often too detailed and messy to get through, but as I said, in the end it's all worth it. All in all this should appeal to New Yorkers, as they would be the ones understanding the finesses the best. As someone that has moved to this city not that long ago, I didn't experience difficulties understanding the geographical aspects of the stories, but would have probably appreciated it even more had I been brought up here. In conclusion I must say that if you decide to pick up this book, be patient, but rest assured that you can learn a good lesson about life and human beings, amongst some entertaining rock'n'roll stories.

Lost Kids - Bla Bla LP

Label: Medley Records; Year: 1980; Format: Vinyl LP

I am glad that King Diamond is not the only musical export Denmark was able to produce, otherwise this Scandinavian country would not be even on the map, at least the one I am looking at on my wall. The ever growing fan base of KBD punk will of course be familiar with the "Cola Freak" EP by Lost Kids, but I would assume that not that many people have given this LP a proper chance. While it is true that a good third of the seventeen songs to be found on this LP are either silly pop or new wave, the ten other songs are still ass kicking punk rock smashers in the cola freak fashion with those awesome dual male/female vocals, clicking in anywhere between one and two minutes to keep your adrenalin flowing. I remember owning Bla Bla 2 as well, which moved even further away from the punk roots, and only had maybe a handful of good songs to bolster. Quite the contrary is the case here with the majority of the songs still being refreshing Dansk Punk!

Nog Watt - Fear EP

Label: Revenge Records; Year: 1985; Format: 7"Vinyl

Before I go on to say anything about this particular release I would like to ask why in the heck has this not been reissued yet? God, it's 2014 and nearly thirty years have passed since the release of this absolute classic from the Netherlands. These four women from Amsterdam just knew how to write angry and pissed off politically minded hardcore punk tracks, through and through. While the majority of the six songs on this EP are fast, and well executed, it is in my opinion the title song "Fear" that wins the title of the stand out track, a mid-tempo, mean and gloomy song, just plain perfect. I honestly haven't listened to this little platter in a good while, but when putting it on today I just held my breath, and realized how lucky I am to be still able to enjoy this sort of music. A superb release that should be made available again for a new generation!

Update June 2022: Eight years have passed since my original post and while reviewing the reissues of the two Rutto EPs from Finland I discovered that Final Doomsday Records has reissued this classic in 2021. Hurry up before it's too late!!!

Rejectors - Thoughts of War EP

Label: Fartz Records; Year: 1982; Format: Vinyl 7"

There is really not all that much that I intend on saying about this EP other than the fact that the Rejectors, who were from Seattle/WA, played politically-minded fast and furious hardcore punk that was typical for Reagan-era acts of this kind. This EP was recored in early '82 and delivers 9 angry numbers that are hard to distinguish from one another, yet will still convince anyone into early '80s US hardcore punk. The band went on to record a split-LP with much better known Seattle act The Accused a year after this EP was released. Good stuff!

Horrorcomic - I don't mind/England 77 7"

Label: Fan Club; Year: 200?; Format: Vinyl 7"

What we've got here is a bootleg pressing of an incredibly rare, and incredibly good 7" that was originally released on Lightning Records in 1978. Horrorcomic are a bit of a mystery when it comes to their band history, and in the past it has been said that the band actually recorded these tracks as '60s R&B act Downliners Sect in disguise. I could not find any information backing this up, but rather found facts that before becoming Horrorcomic, these fine gentlemen were active as the Crackers since the early '70s, and released a pretty good glam influenced 7" in 1975 with "Judy, Judy, Judy" on it. Since they didn't see any future in continuing playing that type of sound, they jumped on the punk wagon, and as a result of that released three 7"s, with the last one having been withdrawn and resulting to be the rarest of all of them as only a handful were pressed. The one herein reviewed was the middle one, and often viewed as their best one. Both tracks are stomping '77 punk hits at their very best with choruses and chords that will definitely get you out of your armchair to pogo around like crazy. The singer, Roger Rep aka Roger Semor, is an executive of the Sanctuary Records company and therefore it should be of no surprise that a compilation CD of the entire Horrorcomic catalogue was released on said label a few years back.

V/A - Na Eller Aldri - Samle EP

Label: X-Port Plater; Year: 1985: Format: Vinyl 7"

I have spent most of my life in central Europe, and ever since having gotten into hardcore punk, I was always fascinated with bands from Scandinavia. But it was always groups from either Sweden, or Finland (officially not Scandinavia) that were more accessible, at least so I remember. Bands from Norway were lesser known, and there just wasn't so many around. I saw So Much Hate when they toured Europe for the first time, and that was well impressive. But before So Much Hate, there was Kafka Prosess, who are of course to be found on this classic compilation EP of Norwegian hardcore punk acts from the mid '80s. Other bands represented on here include Siste Dagers Helvete, Bannlyst, Akutt Innlegelse and three more. Speaking of Akutt Innlegelse, whom had a young fellow named Thomas Seltzer in their rows, the same Thomas who would some years later on to form Turbonegro. In my opinion only one song should not have been picked for this EP, all the other ones range from absolutely brilliant to almost brilliant, you get the picture. If you like your hardcore punk fast, loud and distorted, then this is for you. I remember reading somewhere that the reason so many of the Norwegian hardcore acts from the '80s had a more rock'n'roll guitar sound to them than say the Swedes or Fins, was down to the fact that many of the people involved in those bands had very varied tastes in music. I for one always thought that the Norwegian bands did sound quite different from their neighbors, and it certainly did them well. Shocking to see that to this day this EP has not been reissued. I wonder why, bearing in mind this is an absolute classic.

Kriminella Gitarrer - Complete Studio Recordings + Demos LP

Label: Klippan Records; Year: 1999; Format: Vinyl LP

A highly interesting release here by Kriminella Gitarrer from Klippan, a small town in Sweden. These first generation punk rockers were just kids when they managed to release three 7"s between '78 and '79, and all of them don't quite sound alike. The first one was apparently already sought after just two years after its release and was compared to the sounds of the swedish highways during rush hour. Well, I can see where the fanzine writer at the time was coming from, but I must add that the first 7" and the demo tracks on the B-Side of this collection are in parts noisy proto-hardcore, and we're talking '77 and '78 here, impressive for a group of 15 year olds from small town Sweden. It might have been the distance to bigger cities and those scenes that provided them with the ability to really build on their own sound instead of trying to sound like another band. The 2nd and 3rd 7"s, here to be found on the A-side, along the 1st one, are to a degree more melodic, musically more developed, and pop oriented, but in my opinion those are the best tracks the band has ever recorded as they are true '77 punk smashers. Apparently the band only ever played fewer than ten gigs, and this release looks like a bootleg even though it has an insert with all the info on the band and the history. While the original 7"s are impossibly hard to find and expensive, even this LP is not easy to get, and certainly not cheap. In the early 2000s a compilation CD with even more tracks surfaced, but the same problem prevails as it is hard to get a copy. A label specializing in reissuing hard to find international punk should really look into doing a proper release of this material as there are some exceptionally good songs Kriminella Gitarrer managed to crank out.

Gobblinz - S/T CD

Label: Nat Records; Year: 2006; Format: CD

This is a real mixed bag of a CD, compiling all the recorded material by UK band Gobblinz, whom were from Peterborough. Until I was given this CD by a friend of mine, I knew very little about this band, and looking at forums and groups on the net I discovered that their two original 7"s that came out in '78, and '79 respectively are sought after records. But, no worries, Nat Records also reissued those in their original artwork, and the five songs to be found on those two platters are the best this band recorded, and I mean by miles. And that's where I question a release such as this one, consisting of thirteen songs, of which two are pure disaster and could have been recorded by Queen for all we know, while the other six pass as okay, but not really worth the time. On a positive note though, and if you don't care whether you have their good songs on vinyl or CD, then the CD will save you some of your hard earned money. So, those five songs I have been mentioning, being "London", "Women in Love", "Love me too", "Communique" and "All this and more" are damn fine powerpop/punk tracks, without a single doubt. These guys came together as a band in 1975 and played in other bands before, which one can clearly hear as these people were seasoned musicians by the time they started Gobblinz, and the influences ranged from glam rock to pub rock, eventually being all incorporated into a New Wave sound. An interesting release for sure, but I would have been perfectly fine with just about half of the songs on the CD. Last but not least it might be worthwhile to mention that singer and guitar player Ian Graham went on to form The Name in late 1978, a band well known in the revival Mod scene of the late '70s. End and over.

Lime Spiders - Out of Control/Save my Soul 7"

Label: Citadel; Year: 1985; Format: Vinyl 7"

The Lime Spiders are one of the heavy weights in regard to the '60s garage punk revival that hit the 1980s and apparently Jello Biafra once referred to them as 'the best time-warp '60s garage revival band' he's ever heard. This single boasts two great songs, one original, and the other a '60s cover. 'Out of Control' is a powerful '60s garage influenced stomper, and maybe the Aussies are just the world champions at this sort of thing. Just great! On the B-Side one can hear an excellent cover version of 'Save my Soul' which was originally recorded by British Psychedelic Rockers Wimple Winch in 1966.
Highly recommended!

The Sconeheads - Larry Grayson is a Gestapo Agent EP

Label: Nailed On; Year: 1999; Format: Vinyl EP

Larry Grayson was a well known English TV presenter, famous for hosting BBC's series 'The Generation Game'. I would only assume that the Sconeheads were not particularly fond of Mr. Grayson and made a Gestapo Agent out of him. All three songs on this EP were released posthumously and were originally recorded in 1981. The title track is my personal winner on this EP as it is an excellent primitive pogo smasher with really aggressive drumming, just loving it. The other two tracks are by no means bad, and I would describe them as sing along drunken punk rock in a real DIY way. This EP will appeal to people who like bands such as The Shapes for instance. Not an absolute must, but definitely worth discovering.

Cock Sparrer - Still A Teenager At Heart EP

Label: Unknown; Year: 1994; Format: Vinyl 7"

Cock Sparrer have become a world wide phenomenon in the last fifteen to twenty years, entertaining an ever growing fan base at festivals around the world, and they must have surely made a good buck out of that. I don't think they have seen a single penny from this release though, as this obscure EP came out well before they became everybody's favorite band in the new era of Cock Sparrer. While I have never been a huge fan of 'the Sparrer' I must say that the Decca years songs do appeal to me, and this EP contains six songs including smashers like 'Sister Suzie', 'Running Riot', and especially 'Run for Cover', an unbelievably good song. The difference between the Decca year songs, and the later material is that the glam/hard rock influence in the early songs shines through, whereas later releases started to lose that edge to them and evolved into more standard Oi-Punk. That's the way I have always felt, and many of you might see it very differently. I think you ought to be a die-hard Sparrer collector to chase this EP down, but if you see it somewhere laying around for a good price, then definitely pick it up as you won't regret it.

Sex Pistols - Screen on the Green Cinema, Islington, 1976 EP

Label: Unknown; Year: 2007; Format: Vinyl 7"

An interesting little platter here from the good ole' Sex Pistols. When I put it on for the first time I was dreading that the sound quality would be so bad as with many Pistols bootlegs, but to my surprise I discovered that the three songs on this EP are actually of decent sound quality, and are taken from a gig in 1976 in north London. (Don't Give Me) No lip, an original by Dave Berry makes up for a great cover version and is one of the tracks found here, amongst 'Submission' and 'No fun'. I do believe that there is a second EP from the same gig floating around, but I am not a die-hard collector of the Pistols, and will leave that up to the Rotten Army. Not a bad boot at all if you can find it somewhere cheap.

Tozibabe - S/T EP

Label: FV Zalozba; Year: 1986; Format: Vinyl EP

This 3-piece female band hailed from Ljubljana in Slovenia, and at the time of the release of this 4-track EP it was part of Yugoslavia. Tozibabe are probably to this day one of the best hidden gems when it comes to international hardcore punk acts from the '80s, most likely due to the scarceness of this EP, but above all as a result of four outstanding gloomy hardcore punk thrashers that could not have been any better. The desperation and urgency come through in each song, and these ladies knew how to write songs with an intelligent twist to them. A few years ago this was apparently bootlegged, but I for one sure hope that a label specializing in re-releases of this sort will pick this one up soon to give it a much deserved wider audience. A true classic!

Update September 2022: In 2015 Ne! Records reissued the 7" officially. Unfortunately those copies seem to be hard to get by now. 

TZN-Xenna - Dzieci z Brudnej Ulicy/Ciemny Pokoj 7"

Label: Tonpress; Year: 1985; Format: Vinyl 7"

TZN-Xenna were one of the numerous great Polish punk/hardcore acts that people in the West only started to discover well after releases as this one here have come out. Both tracks on this single are extremely well produced and fast-paced, but not to the point where the music just becomes noise and can't be distinguished from a Boeing 747 landing. The two songs are well crafted, and have due to the fact of having been recorded behind the so called "Iron Curtain" their own character. The band hailed from the capital of Warsaw and was founded as early as 1981, meaning they were one of the earliest punk rock acts from Poland. I need to seek out more recordings by this band that are in the vein of this 7" as this stuff is truly essential.

Terri Hooley & Richard Sullivan:  Music - Mayhem - Good Vibrations

Publisher: Blackstaff Press; Year: 2010; Format: Book

I would assume that anybody reading this review with an interest in DIY labels and the history behind them will be familiar with Good Vibrations, and the man behind the label and the various stores associated with it, Terri Hooley. Richard Sullivan, who has been an avid follower of Terri's fortunes since he was a teenager visiting Good Vibrations store in Belfast is the co-author of this book, and with having said this, it seemed like the right choice was made in regard to Terri's co-laborator for this book, which is a fantastic account of Terri's life with all its highs and lows, and there has been many of them. Of course I personally loved Terri's memories of discovering the Undertones, Rudi and countless other great punk rock/powerpop acts of the Northern Ireland scene, but I especially enjoyed the beginning of the book and the stories of Terri as a young kid and teenager, growing up in Belfast, being a hippy, and standing up for what he believed in, something he has done throughout his entire life. Needless to say that he hasn't just made friends, and this book also talks about arson, the paramilitaries and their actions against Terri, the many different locations his shop was forced to take as a result of that, and so on. This is a great read, from cover to cover!

Fred Burns: Basically, Johnny Moped - The Story of Punk Rock's Great Lost Legend

Year: 2013; Format: Limited DVD

First and foremost, I am thankful to a dear friend of mine in the UK for having sent me this limited DVD release, as some of us die-hard Johnny Moped fans like myself couldn't wait until finally seeing the light of this documentary. One of the interesting facts about this movie is that the director, Fred Burns, is the son of Captain Sensible of the Damned, and up until recently Fred had no idea at all about Johnny Moped, a band that is part of his dad's musical career. Anyhow, one day before a Crystal Palace game Fred and his dad were at a pub warming up for the game, and Johnny Moped entered the scene, much to Fred's amusement, but above all curiosity. The idea to make a documentary about Johnny Moped started then and there, and the end result is stunning. The story of this band from Croydon in South London is rich in characters, failures, success, and true punk rock spirit. In my opinion Johnny Moped has always remained a somewhat unsung hero of the first generation punk rockers, but if you were lucky to have ever seen the band live, and that includes the modern days, you know exactly what I am talking about. And I was lucky enough. As a fan you will not be disappointed by this movie, as it will not only provide you with some great early, and more recent footage, but will also connect all the dots that were missing in the history of this cult band. I am not sure whether this movie will get an official DVD release, hopefully landing the band a wider fan base and appreciation of its history. I'll go as far as saying that you don't even have to have ever heard of Johnny Moped, and you'll still get a kick out of watching this touching music documentary!

Update July 2022: The documentary is currently on Netflix, but for how long I don't know. Watch it while you can! 

V/A - Teenage Shutdown "She's A Pest" CD

Label: Teenage Shutdown!; Year: 2000; Format: CD

If you were like me a few years ago, and just started to really get into '60s garage punk, then the Teenage Shutdown series is definitely a good choice to start you off with, or at least one of the better ones. The songs on this particular installment are about girls, as the title "She's a pest" wisely suggests. Granted, the lyricists haven't had the best experiences with the fairer sex at that point, and I sure hope that in all those past decades since those songs were written things have drastically improved. The 18 songs are all revved-up garage punk hits, and there isn't a single song on here I don't like, but of course some tracks stand out, such as "Your Man is gonna leave you " by the Wind from California, or "I've gotta way with Girls" by the Lavender Hour, whom hailed from Texas. I promise you that I will review more Teenage Shutdown comps in the future, and even though I have this particular volume on CD, it is of course available on fine vinyl as well. All you need to do now is get a copy for yourself!

Wild Dogs - S/T LP

Label: Shrapnel Records; Year: 1983; Format: Vinyl LP

I am by no means a metal fan, but I do remember picking up this record many years ago for a few cents at a thrift store, probably just for the hilarious front cover. A few weeks ago I gave it a spin for the very first time since picking it up, and I must confess that I was surprised myself. If there is metal I will give a chance, then it has to sound like on this record. This is raw, straight-forward, and no-bullshit traditional heavy metal, played at a decent speed and with plenty of balls. The band hailed from Portland/OR and apparently reached international recognition following their second album, which came out after this one here. The band was seen to have a pioneering role for metal music in the Pacific Northwest, and I can see why that would be. Don't be discouraged by the horrendous cover, as this might appeal not just to fans of heavy metal, but people with a general liking of loud rock music.

V/A - Vancouver Evolution EP

Label: Unknown; Year: Unknown; Format: Vinyl 7"

What we have got here is a must-have for everybody that loves early Canuck punk, or KBD punk simply because these four tracks on here are a fabulous time document of the very early Vancouver scene, including the Furies, the Skulls, the Stiffs and Victorian Pork. True fans of Canadian punk will know that the Skulls became D.O.A, and the Stiffs evolved into the Subhumans. All four tracks originally appeared on the Double-CD compilation Last Call - Vancouver Independent Music 1977 - 1988, hence my assumption is that some bootlegger just took them straight from those CDs and slapped them onto an EP, which includes a copied insert with information on the very beginnings of the Vancouver punk scene. Sure enough, an official release would have been nicer, but it is what it is, and since it's still readily available I don't see why you folks out there shouldn't own a copy of this!

Lepers - I wanna be God EP

Label: Unclean Records; Year: 1984; Format: Vinyl 7"

Very little is known about the Lepers from Colorado, except that they released three EPs between 1983 and 1984, this one here being the last one. You get to hear four strong hardcore punk numbers that vary in speed and are far from your generic fast hardcore that was prevailing in 1984. Instead you get intelligent and sarcastic songs stuck somewhere in the middle between more traditional punk rock and '80s hardcore. I have never heard the other two EPs, but should they be equally strong as this one then maybe some reissue label should slap all three on an LP. Just throwing out an idea...

Brain Death - Personal Affair EP

Label: Selfish Records; Year: 1987; Format: Vinyl 7"

Brain Death were one of the few Japanese hardcore punk outfits fronted by a female. Sachi, the vocalist, did a great job on this release as she must have screamed her lungs out when recording. With song titles such as 'Funny Dancing', 'Queer in the head' or 'Convert City' you certainly also get the sort of silly song titles or lyrics lovers of japanese hardcore punk bands have learned to appreciate. One can only presume that the band sat down and looked up words in a dictionary without being capable of actually using the right verbs and so forth. Regardless, it provides many of those releases with an added portion of humor, wanted or not. As for the 8 songs on this EP produced by Satoshi from S.O.B., you will not be surprised to learn that they're all super-fast, and noisy as hell. With Satoshi being involved in the production of this record, I can't help to feel that some of the songs have a bit of a Grindcore feel to them, but the record is certainly still a typical hardcore punk release on Selfish Records. A decent release, but not a must-have by any means. A bootleg version of this does exist, but to my knowledge is quite a few years old as well.

Gudon - Howling Communication EP

Label: Selfish Records; Year: 1987; Format: Vinyl 7"

Gudon were one of the many noisy hardcore punk acts forming in and around Tokyo, or any other major urban area in Japan throughout the mid-'80s. I am not aware where exactly they hailed from, but this 8-song EP was released on one of the prolific labels from Japan when it comes to this type of noise, Selfish Records. The ones amongst the readership familiar with these type of bands/releases will know exactly what to expect. If you haven't familiarized yourself with bands such as Gudon, then be aware that you'll be getting hardcore punk at its fastest and noisiest. The production on this particular record is great, something the Japanese often excelled in. The tracks are short, and clock in under two minutes. Here and there you get a bit of a Metal feel to the songs, but overall this is a solid release that will appeal to anyone into international hardcore punk from the '80s.

V/A - The Stars of Fame Records EP

Label: Kent Soul (Ace Records); Year: 2011; Format: Vinyl EP

This EP came out for RSD 2011 and contains four songs of fine Southern Soul from the mid- to late '60s. According to the liner notes none of these songs have been previously released, hence even more reason for you die-hard soul fans out there to own this limited piece of history. I am by no means an expert on soul, but I can guarantee you that I will be reviewing more records from that genre as I do like to listen to it a lot. All four songs on here are great, two of them more upbeat, whereas the other two are slow and beautiful. All of these crackers were recorded at the FAME Studios, home of the Muscle Shoals sound. I am sure someone more knowledgable could write quite a bit about this, whereas I just bought this one as I fancied it, and certainly haven't regretted my decision.

Nervous Eaters - Just Head 7"

Label: Penniman Records; Year: 1999; Format: Vinyl 7"

The Nervous Eaters from Boston, MA were one of the earliest punk'n'roll acts emerging from the 'Rat-scene' in Boston. Steve Cataldo on vocals/guitar was the main force behind this band, and originally this two-song gem was released in 1979 on Rat Records. None of the two songs are pure '77 punk, but rather a mixture of the punk-energy mixed with the raw sound of early '70s hard rock and glam rock, resulting in two hook-laden killer tracks that will blow your speakers. This is one of my favorite late '70s releases from the US, and everybody that equally loves the Real Kids or DMZ needs to have this in their collection.

GG Allin & The Jabbers - Occupation EP

Label: Blood2000 Records; Year: 2000; Format: Vinyl 7"

Who really needs an introduction to GG Allin, this true rock'n'roll legend from New Hampshire who would have turned 58 years of age yesterday. Many people will associate GG with his musical output and especially his antics from the latter stage in his career, the years leading up to his death in June of 1993 in New York City. A growing number of music fanatics will never the less know that in his early days GG produced some great '77 punk inspired punk'n'roll songs. This weird EP, apparently limited to 302 copies, is home to one rare track that was in the vault for nearly twenty years before this EP came out. 'Occupation' was recorded with MC5'ers Wayne Kramer and Dennis Thompson, and was originally planned to be included on the 'Gimme some head' EP. Needles to say that the song is an absolute scorcher, and testament to the greatness of the MC5. On the B-Side of this you'll find a decent live version of 'You hate me & I hate you' and a filler in the form of 'Pills', also live. Both sides also contain a few seconds of GG talking, but that's not what you need this EP for. 'Occupation' alone is worth tracking down this record, although it is scarce, and probably not cheap. I would presume though that the song can be found on another GG record...?

Malinheads - Probegepogt aus Spandau EP

Label: Pogar; Year: 1983; Format: Vinyl 7"

The Berlin based label Pogar released between 1982 and 1987 fewer than twenty records, but a good number of them are absolute highlights when it comes to international hardcore punk. This 3-song EP by Malinheads from Spandau/Berlin is probably one of the Top 5 german hardcore punk releases as the band delivered these songs in such a manner that easily put them on a level with Scandinavian bands such as Anti-Cimex, Rattus, Headcleaners, and so on. I heard the song 'Wargames' of this EP for the first time around 1986/87 when a friend of mine made me a compilation tape of various bands from around the world. The Malinheads song was one of the highlights on that tape and stuck with me for ever, hence I had to get my hands on this EP one day, which wasn't until at some point in the '90s. What you get here is scandi/discharge influenced hardcore punk at its best, brutal in delivery, and in my opinion unique when it comes to bands from Germany. While it is not easy and cheap to track down an original copy of this, Thought Crime Records reissued this classic in 2012, so no one needs to spend big bucks to get this must-have.

Sam Sutherland: Perfect Youth - The Birth of Canadian Punk

Publisher: ECW Press; Year: 2012; Format: Book

There was a time not even all that long ago, where I was asking myself why nobody has ever written a book on punk rock from Canada. It was a time when the first serious books about punk rock started to be published, and maybe it was just too early for this great land. But patience pays off, and in 2014 there is more than one book to be had about punk rock from those crazy Canucks. This particular one here though is special, in the sense that it covers the history of punk rock from coast to coast of this vast country. Sam Sutherland has done a fine job at doing so, and I understand that it must have been one hell of an undertaking to not only track down all the bands and its former members, but to actually organize the book so that it becomes clear to people not that knowledgable with Canadian geography where in the heck these guys came from. There are nineteen chapters in this book, and each one of them concentrates on a specific scene/city/band(s). While many of us seasoned punk rock enthusiasts are familiar with the historic backgrounds of bands such as the Viletones, Subhumans, the Diodes or D.O.A, I personally enjoyed most the chapters about the scenes I had very little knowledge about, such as Edmonton, Winnipeg, Saskatchewan or Ottawa, to name a few. Winters in those places are harsh, brutal, and long, yet even in those remote areas scenes developed and flourished. It is those chapters that make this book a really great read, and I would have bought a book about those remote scenes themselves, but that's just nerdy me. Of course you'll also get to read about the scenes in Vancouver, Toronto and Montreal and anywhere else in Canada. Great stuff, and I hope there is more to come in form of books and records that delve into the rich history of Canadian punk rock.

Camera Silens - Realite LP

Label: Les Troubadours du Chaos; Year: 2005; Format: Vinyl LP

Punkers and Punkettes, listen up, because I won't repeat myself here too often. All of you out there need to get their greedy hands on a copy of this outstanding full length by Camera Silens from la belle France, Bordeaux to be exact. Back in 1984 the band self-released this smasher of an album, and I don't need to stress my assumption that most copies were either distributed locally, or at least nationally. I personally got to hear them for the first time through one of the 'Chaos en France' compilation LPs, released through Chaos Productions, also in the '80s. France had a lot to offer in the early to mid-80s when it comes to anthemic, melodic, yet hard street punk and bands such as Komintern Sect, Trotskids, Camera Silens, and some others were always loved by fans around the globe. For the longest time though it was extremely difficult, and above all very expensive to get original copies of those excellent releases, until in the 2000s the French finally woke up too, and especially Euthanasie Records has been reissuing a lot of the sought after material. This LP here is already into its 3rd round of reprints, and a couple of years ago also landed on a U.S. based label. There is really not much I need to say here, as all ten songs on here are superb, the production was above standard, and the song-writing phenomenal. U.K. bands such as GBH or Exploited could just dream of being able to produce an album like this one here, but convince yourself! Tell me if I was wrong!

Specials - S/T - LP

Label: Chrysalis Records; Year: 1979; Format: Vinyl LP

Google this album and you will come up with a million and one stories in regard to the Specials and the 2-Tone label and movement. I will spare you any lengthy review here, but have to say that I have given this album a spin not too long ago, and have thoroughly enjoyed it. The Specials were maybe the 'punkiest' out of all the 2-Tone bands, and one of their members, Terry Hall, was even a member of Coventry punk outfit Squad. I shall review their 'Red Alert' single at another point, but that was just a little side note. The songs on this 14-song long-player range from upbeat to slow, but never disappoint as they combine danceable ska and rocksteady to perfection. "Too much too young" even reached No. 1 in the UK, and at one point the band shared the same management with the Clash as they were supporting them on a tour. No matter whether you're into punk, ska, rocksteady, or whatever, I think we can all agree that this is a classic album and should be found in everybody's record collection.

Victimize - Where did the money go? EP

Label: Last Year's Youth; Year: 2004; Format: Vinyl 7"

Victimize were one of the very few early Welsh punk acts and this EP released a decade ago packs in both of the two official releases from '79 and '80. This reissue comes in a nice 8-page booklet summing up an interesting band history, and some nice old flyers and posters are reprinted therein too. As for the music I for one conclude that only the second single, here on the B-Side, is really worth a listen. 'Where did the money go?' and 'Innocence', an adaptation of John Cooper Clarke's 'Innocent' are great KBD smashers, underproduced but delivered with high energy, anger and conviction. The funny thing about both of those tracks is that apparently none of the original band members recorded these, but some local musicians posed as the original members. Go figure....As for the first single, which makes up the A-Side on this EP, I must say I am not convinced at all. Both songs are drawn out, and even though they are not horrible per se, it seems like at the time the band didn't know whether they wanted to be a punk rock band, or play early '70s rock. Do yourselves a favor and don't spend a fortune on an original copy of  Baby Buyer/Hi-Rising Failure as it's not worth it, at least me thinks so. Get this one cheap, especially worth for the B-Side!

Negativ - Glitter Hair Cream/Terrorist 7"

Label: Self-Released; Year: 1981; Format: Vinyl 7"

Negativ hailed from a small village in the Basel/Switzerland area, and included two members from punk/powerpop band Vorwarts. This was their only release, and the first time an international audience got to hear about this band was through the 'Back To Front' compilation series back in the '90s. Both songs on this self-released 7" are upbeat 77 punk smashers, with good hooks and choruses. The production could have been louder, and would have enhanced the quality of both songs, but this is definitely worthwhile tracking down albeit certainly not easy and neither cheap.

Seb Hunter: Hell Bent For Leather - Confessions of a Heavy Metal Addict

Publisher: Fourth Estate/Harper Collins; Year: 2004; Format: Book

While I am most certainly not a big fan of heavy metal per se, I am certainly always open to a good read and a few years back I remember reading a review in regard to this novel which must have caught my attention. In the end I found the book on sale at Foyles in London, and that's how it ended up in my collection. It took literally years for me to open it and read it, but just like the author himself, I must make a confession on my own in saying that I had a hard time putting it down at nights. Let it be very clear, you don't have to be into heavy metal to appreciate Seb Hunter's life story and his addiction to said music genre. Yes, there are parts in the book which drag on where for instance the author goes on to define genres such as glam metal, thrash metal and the likes, but overall the novel is about Seb and his witty stories on growing up in Winchester in the south of England, joining his first band, gigging locally, local punks throwing beer cans at them and his eventual move to the big smoke aka London. In my opinion London also marks the best parts of this book as there are so many hilarious stories being told by Seb, including living in squats, the pursuit of a career in heavy metal music at all cost, groupies, and crazy band members that would kill you over a girl. All in all I can only say that I've really enjoyed reading this book and couldn't help laughing out loud on many occasions.

Dead Kennedys - Fresh Fruit for Rotting Vegetables

Publisher: PM Press; Author: Alex Ogg; Year: 2014; Format: Book

Finally a legit book on the early days/years of the Dead Kennedys, maybe the most important punk rock band the United States has ever produced (sorry Ramones!). UK based author and connoisseur of everything regarding the early days of punk/hardcore, Alex Ogg, has once again done a damn fine job at gathering and compiling information from as many people as possible, and from every possible angle as well. Now, anybody that is just slightly in the know what has been happening in terms of the relationship between the band members will be well aware that Mr. Ogg must have gone well beyond our imagination in regard to his patience as all versions and opinions from all members needed to be heard and taken into account. I suppose that is why this book concentrates on the days predating the DK's first album, and on the recording and touring after the classic album was released. Of course there is far more to tell when it comes to DK's rich history, but as Alex Ogg puts it in the book, that should be for someone else to tackle. In my opinion no one else could do a better job as Mr. Ogg himself again. This is a great read when it comes to discovering the life stories of each member, how they ended up as a tight unit writing some of the most iconic punk rock songs ever, and what has influenced them before the term "punk" was even coined. At the same time the book provides the reader a glimpse of the early San Francisco scene and the bands and people that made things happening. While this is a relatively short read, you will walk away with a far better understanding and knowledge of how the DK's became a world wide phenomenon.

Paranoia - Dead Man's Dreams/Man in Black 7"

Label: Rot Records; Year: 1984; Format: Vinyl 7"

Hard to imagine how this band from Stoke-On-Trent ended up on Rot Records in the riotous early '80s, as it certainly did not fit into a roster of bands such as Riot Squad, English Dogs or the Varukers. Paranoia stand out as they sounded nothing like the aforementioned bands at all, and quite frankly could have probably become a well known act had they signed to a label that was catering to goth bands in those days. The two songs on this 7" are both outstanding goth-punk with female vocals, and anybody that is seeking out a truly underrated band should get their hands on a copy of this 7-incher. Both songs are mid-tempo with lots of hooks and melodies appealing to both, punks and goths, and I remember hearing one of the songs for the first time when I bought a copy of Rot Records' - End of an Era 2-LP compilation as the label was folding. Even in my much younger years yearning for fast and furious music I dug the wonderful sounds of Paranoia. A true gem!

UK Decay - The Black 45 EP

Label: Plastic Records; Year: 1980; Format: Vinyl EP

UK Decay are one of the best examples for a band that managed to cross from one genre to another one as they were spearheading a movement that would become to be known as goth in the early '80s. This outstanding 4-song EP released in January 1980 is still steeped deeply in their punk rock roots, but each song already hints at what was to come and was proof of the immense talent this band had/has to offer. The song arrangements are intelligent, well thought through and executed with such craftsmanship that even though over 30 years have passed since the release of this EP, these tracks stand the test of the time and have become timeless hits. This is definitely a classic, and one that can still easily be obtained so no reason to miss out here!

Disorder - Air Raid/Law and Disorder 7"

Label: Punk Rock (Fan Club); Year: ?; Format: Vinyl 7"

This little platter was originally released in 1980 on Ace Records, and the band was hailing from Sunderland, and should not be confused with the certainly better known act going by the same name from Bristol. This fan club press from about 2000 does the job though, as who would want to shell out big bucks for an original. Both tracks found on this scorcher are absolute winners, with Air Raid being the faster and louder, whereas Law and Disorder is equally good, just slower but somehow meaner and growing on you very quickly. Not much else really needs to be said except that everyone who is into early UK punk rock needs to own this, one way or another.

John King: Human Punk

Publisher: Jonathan Cape/Random House; Year: 2000; Format: Book

If you like punk rock, and would like nothing more than see it through the eyes of someone who was there in 1977 but wasn't a fashion victim but in it for the music and the laugh, then do yourself a favor and try tracking down a copy of this novel published in 2000. This book will make you laugh and cry at the same time, but above all it will lead you to appreciate John King's street language, telling it how it is, or in this case, was. It is the story of Joe, a fifteen year old kid in Slough, a satellite town outside of London. Together with his mates he develops a love for punk rock, stale lager, girls in PVC skirts and chinese takeaway. One day though Joe and his best mate Smiles fall victim to a group of local lads who see them as easy pray, and nothing is ever the same as it was. In the next two parts of the novel Joe talks about all the years since that crucial night in 1977, and goes through life and growing up in a satellite town, the rise of Thatcher, the demise of jobs, his own traveling to Hong Kong and the eventual return to Slough and an England that has changed since the heydays of punk rock. There is always a good portion of music thrown in there, and the book should appeal to people into punk rock as well as readers interested in how British society and attitudes have changed from the '70s onwards. Highly recommended!

V/A - Punk and Disorderly III - The Final Solution LP

Label: Anagram Records; Year: 1983; Format: Vinyl LP

Many years ago I used to drool over UK82 records and the bands associated with that particular sound and look. The older I got though, the more bored I became with the often monotonous and meaningless sounds from the countless bands that were around back then and held the flag high for the 3rd generation of punk rockers. Despite the fact that I have gotten rid off many of those records, I am glad I didn't flog them all. This particular compilation is the last of the Punk and Disorderly series and features stalwarts such as the Exploited, Abrasive Wheels, Chron Gen, and so on. In my honest opinion there is not one really bad song on this platter, hence I can recommend it highly if you are in the mood for some mohican-laden punk rock straight from the gutters of Britain in the early '80s. Even years after I have given this a spin the last time, the vast majority of these songs make you shout along and definitely bring back some forgotten memories.